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6 sheet music found
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1
O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
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Orchestra
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ADVANCED
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James Nathaniel Holland
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O Holy Art, A Tragic Opera in
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. Jame...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holland #3538241. Published by James Nathaniel Holland (A0.730451). INDIVIDUAL INSTRUMENT PARTS Only (Full Score, Vocal Piano Score sold separately). Does not include vocal parts. O HOLY ART A Tragic Opera in One Act (Opera in English) (Opera duration: 1 hour and 20 minutes) Libretto and Music by James Nathaniel Holland  Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and The One Upstairs (comedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Baritone Lead, 2 Sopranos, Bass, 2 Broadway Altos (could double roles), 1 Actor Speaking part, SATB Chorus  BRIEF SYNOPSIS: What happens when a struggling, unknown composer attends a friend's New Year's Eve Party and meets a famous composer who offers to show the work to his agent? Never famous enough, Djeno (baritone), is always rejected and the meeting with the famous composer's agent proves the same. Telling them to do whatever with the piece, it is appropriated by the famous composer and is a hit.  Hearing the piece on the radio and sung by his soprano best friend, Djeno can take no more and commits suicide. His friend must deal with the aftermath of her betrayal.  Musical theater/opera hybrid. Perfect opera university or young voices. Poignant commentary on our time and the superficial, over-importance fame plays in it. Beautiful, accessible music.
$60.95 ≈
54.60€
Overture to the Opera "Rübezahl"
Overture to the Opera "Rübezahl"
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Orchestra
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ADVANCED
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Opera
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Classical
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Friedrich von Flotow
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Edited and typeset by Trevor D
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Overture to the Opera "Rübeza
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1185409 Composed by Friedrich von Flotow. Arranged by Edited and typeset by Trevor Denyer. 19th Centu...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1185409 Composed by Friedrich von Flotow. Arranged by Edited and typeset by Trevor Denyer. 19th Century,Opera,Romantic Period. Score and Parts. 104 pages. Trevor Denyer #785099. Published by Trevor Denyer (A0.1185409). This overture to the unknown (these days) romantic opera by Flotow deserves to be performed - being full of melodies and varied textures. It was previously in an innaccurate and hard to read form, which has now been tidied and corrected into a modern typeface.Print the parts double-sided, as presented, and the page turns will work.Rübezahl is seen to be the guardian of the Krkonoše Mountains. Physically, his appearance varies; he can take any form he wishes, from an old grandma to a giant crossing his mountains with one step. (Wikipedia).
$35.00 ≈
31.36€
Overture to "The Grand Duke"
Overture to "The Grand Duke"
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Orchestra
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ADVANCED
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Sir Arthur Seymour Sullivan
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Typeset by Susan & Trevor Deny
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Overture to "The Grand Duke"
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1475994 Composed by Sir Arthur Seymour Sullivan. Arranged by Typeset by Susan & Trevor Denyer. 19th C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1475994 Composed by Sir Arthur Seymour Sullivan. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. 91 pages. Trevor Denyer #1053560. Published by Trevor Denyer (A0.1475994). Sullivan is so often overlooked as a composer of pretty tunes, whereas his skill was in producing music that fitted perfectly with the libretto of (mainly) W.S. Gilbert. When taken on its own, his music shows much of the artistry of Guiseppi Verdi; whose scores he edited, but with his own personal style!This overture is rarely played, but has a fabulous selection of themes and orchestral colour so typical of Sullivan - it deserves to be performed more often. The score has been edited to co-ordinate articulations and dynamics which have been missed in the hand-written parts.Print the parts double-sided, including title pages where present, and the page turns will work.Enjoy!
$40.00 ≈
35.84€
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
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Orchestra
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ADVANCED
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" O
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grah...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00 ≈
40.32€
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
#
Orchestra
#
ADVANCED
#
Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" O
#
Grahame Gordon Innes
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grah...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00 ≈
40.32€
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