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8 sheet music found
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1
Night Train - Score Only
Night Train - Score Only
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Orchestra
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ADVANCED
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Contemporary
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Benedikt Brydern
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continues where A
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Night Train - Score Only
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ConSordino Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.751145 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 40 pages. ConSordino...
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Full Orchestra - Level 5 - Digital Download SKU: A0.751145 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 40 pages. ConSordino Music Publishing #4633865. Published by ConSordino Music Publishing (A0.751145). Night Train possibly continues where A.Honegger's famous Pacific 231 left off. A fast and furious ride on the train with a couple stops in mysterious areas in-between. Premiered by the UCLA Philharmonia Orchestra under the baton of Neil Stulberg during the acclaimed HEAR NOW Music Festival Los Angeles 2018.This is a study score.Rental performance material available for performance through publisher.
$14.99 ≈
13.86€
Night Train - Original Version (Advanced Level)
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Orchestra
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ADVANCED
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Jazz
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Blues
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Oscar Peterson
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Night Train
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€
Take The "A" Train
Take The "A" Train
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Orchestra
#
ADVANCED
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Duke Ellington
#
Fred Barton
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Take The "A" Train
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Fred Barton Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1467756 By Duke Ellington. By Billy Strayhorn. Arranged by Fred Barton. Broadway,Jazz,Musical/Show,Po...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1467756 By Duke Ellington. By Billy Strayhorn. Arranged by Fred Barton. Broadway,Jazz,Musical/Show,Pop,Standards. 133 pages. Fred Barton Music #1046053. Published by Fred Barton Music (A0.1467756). Arranged for full symphony and solo vocal, as performed by the San Francisco Symphony, the Billy Strayhorn masterpiece made famous by the Duke Ellington band. Five saxes are included, with a middle section featuring jazz solos for Trombone I, Trumpet I, and Alto Sax. Fred Barton specializes in adapting and arranging pop songs for full symphony, and his arrangements are played regularly at Carnegie and concert halls across the US and Canada.
$99.99 ≈
92.44€
Rosary Sonatas: The Assumption
Rosary Sonatas: The Assumption
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Orchestra
#
ADVANCED
#
Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Assumption
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081710 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 118 pages. JMJ Arrangements #685833. Published by JMJ Arrangements (A0.1081710). Hear, O daughter, consider, and incline your ear; forget your people and your father’s house; and the king will desire your beauty. Since he is your lord, bow to him; the people of Tyre will sue your favor with gifts, the richest of the people with all kinds of wealth. The princess is decked in her chamber with gold-woven robes; in many-colored robes she is led to the king, with her virgin companions, her escort, in her train. With joy and gladness they are led along as they enter the palace of the king. Instead of your fathers shall be your sons; you will make them princes in all the earth. I will cause your name to be celebrated in all generations; therefore the peoples will praise you for ever and ever. --Psalm 45:10-17 (RSV-CE).
$19.99 ≈
18.48€
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 4 "Homage to Beet
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95 ≈
46.18€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
92.45€
Test Drive
Test Drive
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Orchestra
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ADVANCED
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John Powell
#
Luca Boscolo, Marco De Lazzari
#
Test Drive
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1309784 By John Powell. By John Powell. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Chil...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1309784 By John Powell. By John Powell. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Children,Classical,Film/TV. 49 pages. Luca Boscolo e Marco De Lazzari #898950. Published by Luca Boscolo e Marco De Lazzari (A0.1309784). An orchestral suite of the soundtrack of the movie Dragon Trainer.Orchestral ensemble:- Violin 1-2- Cello 1-2- Piccolo- Flute 1-2- Clarinet in Bb 1-2- Soprano Sax- Alto Sax 1-2- Tenor Sax- French Horn 1-2- Trumpet in Bb 1-2- Trombone 1-2- Bass Trombone- Electric guitar- Electric bass- Piano- Keyboard Synth Strings- Timpani- Glockenspiel- Xylophone- Vibraphone- Tom Tom 1-2-3- Tam Tam- Bass drum- Various percussions (susp. cymbal, cymbals pair, triangle, shaker).
$75.00 ≈
69.34€
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