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1
Tears from My Eyes: Remember Your Feelings (For Orchestra)
Tears from My Eyes: Remember Your Feelings (For Orchestra)
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Orchestra
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Contemporary
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Tito Abeleda
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Tears from My Eyes: Remember Y
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records ...
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Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records #4312371. Published by Visionary Quest Records (A0.984527). Tears from My Eyes: Remember Your Feelings expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr - bit.ly/RememberYourFeelings_SongtradrSpotify: spoti.fi/2CwHt8KDeezer: bit.ly/TearsAlbum_DeezerTidal: bit.ly/TearsAlbum_TidaliTunes/Apple Music: bit.ly/TearsAlbum_iTunesGoogle Play: bit.ly/TearsAlbum_GooglePlayAmazon Music: amzn.to/2tG2hFZiHeartRadio: ihr.fm/2Toc5ijNapster: bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn: bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: www.facebook.com/titoabeledaTwitter: twitter.com/titoabeledaInstagram: www.instagram.com/tabeledaYouTube: www.youtube.com/c/titoabeledaSpotify: bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: bit.ly/TitoAbeleda_iTunes
$55.00 ≈
49.60€
Carmen Fantasy
Carmen Fantasy
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Orchestra
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INTERMEDIATE
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Opera
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Classical
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Georges Bizet
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Armin Terzer
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Carmen Fantasy
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Armin Terzer
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 2...
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Full Orchestra - Level 3 - Digital Download SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 259 pages. Armin Terzer #5048273. Published by Armin Terzer (A0.942170). This arrangement for full orchestra of the famous Bizet opera Carmen strings together all the major (and some of the secondary) themes into a 20-minute medley: - Prelude (Introduction to Act 1 Les Toreadors & Prelude to Act 1) - Chorus of the Street Boys (Act 1 Le garde montante) - Habanera - Song and Recitative - Seguidilla and Duet (Act 1 Seguedille) - Finale (Act 1 Finale) - Act II: Entr'acte (Prelude to Act 2 Les dragons d’Alcala) - Gypsy Song (Act 2 Danse Boheme) - Toreador Song (Act 2 Chanson du Toreador) - Act III: Entr'acte (Prelude to Act 3 Intermezzo) - Sextet and Chorus (Introduction to Act 3 Marche des contrebandiers) - Air (Act 3 Nocturne) - Act IV: Entr'acte (Prelude to Act 4 Aragonaise) - March and Chorus – Finale (Act 4 Procession of the Toreadors) All the themes featured in the two orchestral suites by Ernest Guiraud are included. There are, however, major differences: - the themes appear in chronological order (like in the opera) - there are no distinct movements, this is a 20-minute romp featuring tune after tune - most parts, especially repetitive songs, are abridged to varying degrees - where appropriate, sections seamlessly segue into the next- the major tunes (Les Toreadors, Gypsy Song, Toreador Song) allow for applause afterwards - the orchestration follows the original (double woodwinds, 4 horns, 2 trumpets, 3 trombones, harp, timpani and 3 percussion, strings) with minimal changes to compensate for missing vocal lines Further cuts are possible and easy to make due to the clearly marked sections. This arrangement is meant to rival the orchestral suites in excitement and colours - but in a more organic/continuous format. It is ideal for any level orchestra (intermediate+) in any kind of setting.
$60.00 ≈
54.11€
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
23.40€
As Long As You're Mine
As Long As You're Mine
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Orchestra
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INTERMEDIATE/ADVANCED
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Stephen Schwartz
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John Langley (Studio Orchestra
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As Long As You're Mine
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1473366 Composed by Stephen Schwartz. Arranged by John Langley (Studio Orchestrations). Broadway,Cont...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1473366 Composed by Stephen Schwartz. Arranged by John Langley (Studio Orchestrations). Broadway,Contemporary,Film/TV,Musical/Show. 110 pages. Www.studio-orchestrations.com #1051181. Published by www.studio-orchestrations.com (A0.1473366). This fabulous contemporary duet is taken from the multi award winning Broadway and West End musical WICKED by legendary composer Stephen Schwartz, in an imaginative prequel to the 1939 film classic The Wizard of Oz. This orchestration follows the key and structure of the original show duet for a female and male vocal solo duet.INSTRUMENTATION:FlutePiccoloOboe2 ClarinetsBassoon4 Horns3 Trumpets3 TrombonesTimpani1 Percussion [Suspended Cym.]HarpPianoKeyboard (Symth)1-2 Electric Guitar(s)Bass GuitarDrums Vocal duo [Girl / Boy]StringsLook out for other similar arrangements and orchestrations available for sale from John Langley and Paul Campbell at www.studio-orchestrations.com.
$120.00 ≈
108.23€
Silver Bells
Silver Bells
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Orchestra
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INTERMEDIATE
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Plumb
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Daryl McKenzie
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Silver Bells
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.734156 By Plumb. By Jay Livingston and Ray Evans. Arranged by Daryl McKenzie. Christmas,Contemporary,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.734156 By Plumb. By Jay Livingston and Ray Evans. Arranged by Daryl McKenzie. Christmas,Contemporary,Holiday. Score and parts. 82 pages. Daryl McKenzie #6522205. Published by Daryl McKenzie (A0.734156). Arranged in the style of Bing Crosby for Vocal Duet with Pops Orchestra (2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 3 Trumpets, 3 Trombones, Tuba Piano,Guitar, Bass, Drums, Bells, Violin 1, Violin 2, Viola, Cello, Contrabass) Key of Bb to BNote: Picc and Bass Clari doubles.Full audio demo (Sibelius sounds): https://bit.ly/2V6h3XS
$89.99 ≈
81.16€
When You Believe
When You Believe
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Orchestra
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INTERMEDIATE/ADVANCED
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Whitney Houston And Mariah Car
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John Langley [for Studio Orche
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When You Believe
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www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1272791 By Whitney Houston And Mariah Carey. By Stephen Schwartz. Arranged by John Langley [for Studi...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1272791 By Whitney Houston And Mariah Carey. By Stephen Schwartz. Arranged by John Langley [for Studio Orchestrations]. Broadway,Christian,Film/TV,Musical/Show,Pop,Religious. Score and Parts. 127 pages. Www.studio-orchestrations.com #864988. Published by www.studio-orchestrations.com (A0.1272791). This beautiful duet by Stephen Schwartz comes from the wonderful Dreamworks animated classic The Prince Of Egypt and is sung as the Hebrews find their confidence to follow Moses out of Egypt to the Promised Land. It was sung in the film by Michelle Pfeiffer and Sally Sworsky but was also recorded by Whitney Houston and Mariah Carey for the end credits and released as an iconic chart topping single.  This arrangement is in the original film soundtrack key, configured for soprano and baritone soloists, with optional SATB chorus, but it can still be sung by two female soloists if desired.This version is a lush dramatic orchestral soundscape which would be suitable for any symphonic concert with vocalists celebrating Film and/or Musicals (since it transferred to the West End stage in 2020).Suitable for a professional or advanced intermediate ensemble.Instrumentation: 2 Flutes [ 2nd doubling Piccolo] OboeCor Anglais2 Clarinets2 Bassoons 4 French Horns 3 Trumpets3 Trombones 1 Tuba 1 Timpani 3-4 Percussion Drum KitHarp Keyboard Optional SATB chorus Strings This arrangement follows the film Pfeiffer/Sworksy soundtrack version but incorporates the Houston/Carey 'middle 8' words and music rather than the children's chorus version.You might also be interested in my orchestration of When You Believe also by Stephen Schwartzhttps://www.sheetmusicplus.com/title/meadowlark-digital-sheet-music/22560340.
$120.00 ≈
108.23€
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Igor Stravinsky
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A
#
I. Stravinsky – Serenade in
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
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