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A New Ground
Not classified 101

Piano & keyboards
Piano solo 49
Easy Piano 15
Piano, Voice 8
C Instruments 3
Piano, Vocal and Guitar 3

1 Piano, 4 hands 2
Organ 1

+ 2 instrumentations

- Retract

Guitars
Guitar notes and tablatures 5
Guitar 3
Guitar (band part) 2
Banjo 2
Mandolin 2

Ukulele 1
Melody line, (Lyrics) and Chords 1

+ 2 instrumentations

- Retract

Voice
Choral SATB 41
Choral 3-part 9
Choral 2-part 7
Vocal duet, Piano 6
Choral Unison 4

Choral TTBB 4
Choral SSAA 2
Choral SSATTB 1
Soprano voice, Piano 1

+ 4 instrumentations

- Retract

Woodwind
Saxophone ensemble 10
Saxophone Quintet: 5 Saxophones 5
Saxophone (band part) 4
Clarinet Ensemble 4
Clarinet and Piano 4

Flute ensemble 4
English horn, Piano 3
Saxophone Quartet: 4 saxophones 3
Oboe, Cello 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Oboe, Piano (duet) 2
Flute Quintet : 5 flutes 2
Soprano Saxophone and Piano 2
Flute 2
Flute and Piano 1
Flute, Oboe, Clarinet, Bassoon 1
Tenor Saxophone and Piano 1
Treble (Alto) Recorder, Piano 1
Clarinet Quintet: 5 clarinets 1
2 Oboes (duet) 1
Recorder Quartet 1
Clarinet 1
Descent (Soprano) Recorder, Piano 1
Flute, Clarinet, Piano (trio) 1
Baritone Saxophone, Piano 1
Flute (band part) 1
Clarinet, Cello (duet) 1
Flute, Violin 1
Descant (Soprano) Recorder 1
Flute Quartet: 4 flutes 1
Clarinet Quartet: 4 clarinets 1
3 Saxophones (trio) 1
Alto Saxophone and Piano 1

+ 28 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 8
Trombone (band part) 5
Trombone ensemble 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
English horn, Piano 3

Trombone and Piano 3
Trumpet, Piano 3
Trumpet ensemble 2
2 Euphoniums (duet) 1
Bass Trombone and Piano 1
2 Trombones (duet) 1
Euphonium, Piano (duet) 1
Tuba (band part) 1
French horn (band part) 1
Trumpet (band part) 1
Horn Ensemble 1

+ 11 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 6
Harp 3
Violin and Piano 3
Viola, Piano 2
Violin ensemble 2

3 Harps 2
Viola ensemble 2
Cello, Piano 1
4 Cellos 1
2 Cellos (duet) 1
Doublebass (band part) 1
Violin 1

+ 7 instrumentations

- Retract

Percussion & orchestra
String Orchestra 11
Concert band 9
Jazz Ensemble 9
Chamber Orchestra 5
Orchestra 2

Brass ensemble 1
Handbells 1
Orchestra, Violin 1
Drum (band part) 1

+ 4 instrumentations

- Retract

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A New Ground

Orchestra

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2 sheet music found

Concerto in Bb Major for Double Bass and Orchestra

Concerto in Bb Major for Double Bass and Orchestra #Orchestra #INTERMEDIATE/ADVANCED #Robert E #Concerto in Bb Major for Doubl #R. E. Proctor #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. ...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow â€“ fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo â€“ Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrumentâ€™s range. Performance time is approximately 13 minutes and 10 seconds.

$19.95 ≈ $27.62

Homage to O'Keeffe for Orchestra

Homage to O'Keeffe for Orchestra #Orchestra #ADVANCED #Sy Brandon #Homage to O'Keeffe for Orchest #Sy Brandon #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia Oâ€™Keeffeâ€™s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.

$39.99 ≈ $55.37