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Ain A cappella
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8 sheet music found
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1
AN HOMAGE TO UKRAINE, for Symphony Orchestra
AN HOMAGE TO UKRAINE, for Symphony Orchestra
#
Orchestra
#
INTERMEDIATE
#
Contemporary
#
Marilena Zlatanou
#
AN HOMAGE TO UKRAINE, for Symp
#
Marilena Zlatanou
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zlatanou. Contemporary. 36 pages. Marilena Zlatanou #760301. Published b...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zlatanou. Contemporary. 36 pages. Marilena Zlatanou #760301. Published by Marilena Zlatanou (A0.1160033). Composed on the backdrop of the Russian Invasion of Ukraine and inspired by the tragically still current writings of Lesya Ukrainka, (Laryssa Kossatch, 1871–1913). In this piece the composer is extending and futher developing the musical material of her existing composition for a cappella SATB choir: A LAMENT FOR UKRAINE (2022), on Ukrainka's poetry, this time for Symphony Orchestra. Towards the end of this piece fragments of the Ukrainian National Anthem are also incorporated as an homage to the spirit and the hopes of the brave resistance of the Ukrainians. My intention is to provide a musical reminder to this tragic event of our time... Duration: ca 6'40''. The pdf file provided contains both the full score and the parts. The mp3 file is made straight from the sibelius score. The composer is a member of TONO, the Norwegian Copyright org. For more information on her work please visit webiste www.zlatanou.netÂ
$50.00 ≈
44.81€
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
#
Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
188.21€
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
#
Orchestra
#
ADVANCED
#
Contemporary
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
188.21€
Memorial and Prayer for Ukraine
Memorial and Prayer for Ukraine
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
George Skipworth
#
George Skipworth
#
Memorial and Prayer for Ukrain
#
George Skipworth
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1375065 By George Skipworth. By George Skipworth. Arranged by George Skipworth. 20th Century,A Cappel...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1375065 By George Skipworth. By George Skipworth. Arranged by George Skipworth. 20th Century,A Cappella,Classical,Multicultural,Romantic Period,World. 11 pages. George Skipworth #864046. Published by George Skipworth (A0.1375065). Full orchestra (minus oboe, bassoon) 2 flute 2 clarinet, 4 horn, 3 trombone, bass trombone, harp, timpani, full strings - 8 minutes, dfficulty moderate.
$45.00 ≈
40.33€
Memorial and Prayer for Ukraine
Memorial and Prayer for Ukraine
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
George Skipworth
#
George Skipworth
#
Memorial and Prayer for Ukrain
#
George Skipworth
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1271659 By George Skipworth. By George Skipworth. Arranged by George Skipworth. 20th Century,A Cappel...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1271659 By George Skipworth. By George Skipworth. Arranged by George Skipworth. 20th Century,A Cappella,Classical,Historic,Multicultural,World. Score and Parts. 2 pages. George Skipworth #864049. Published by George Skipworth (A0.1271659). Full orchestra - 2 flute 2 clarinet, 4 horns, 3 trombone, bass trombone, harp, timpani. full strings.
$45.00 ≈
40.33€
"Te Deum", op. 5 - Score Only
"Te Deum", op. 5 - Score Only
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Adrian Gagiu
#
Adrian Gagiu
#
"Te Deum", op. 5 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Cl...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00 ≈
44.81€
Nationalhymne von Rheinbergen (National Anthem of Rheinbergen) baritone and orchestra (with PARTS)
Nationalhymne von Rheinbergen (National Anthem of Rheinbergen) baritone and orchestra (with PARTS)
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Orchestra
#
INTERMEDIATE
#
Patriotic
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David Warin Solomons
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Nationalhymne von Rheinbergen
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.576336 Composed by David Warin Solo...
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Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.576336 Composed by David Warin Solomons. 20th Century,A Cappella,Contemporary,Multicultural,Patriotic,World. Score and parts. 20 pages. David Warin Solomons #17607. Published by David Warin Solomons (A0.576336). Video: https://youtu.be/ivz-fm1VpU8National anthem for the micronation of Rheinbergen (the length of the river Rhine). Words originally by the crown prince of Rheinbergen Gerard Conielje and tweaked by the composer. Very grand and rousing music. The pdf file contains score and parts and I have also added an optional baritone saxophone part which can stand in place of the vocal line.  The words are:  Die Quelle von Rheinbergen Liegt in den Alpen hoch Der Prinz von Fluß und Wellen Stammt aus dem Delta-Schoß Das Licht auf uns'ren Wässern leuchtet hell und klar So strahlen uns're Augen aus Herzens Stolz fürwahr. Lass den Gesang dem Fluss zulieb in allen Ländern wehen Zusammen sind wir wie der Strom dem keine widerstehen.  === ​Translation into English:  The source of Rheinbergen Lies high up in the alps The Prince of river and waves Stems from the lap of the Delta.  The lights on our waters shine bright and clear Like our eyes shine from Our proud hearts.  Let songs of love for our river wave over all nations Together we are like a stream ​That none can resist. The sound sample is the world premiere performed by Budapest Scoring and baritone Róbert RezsnyákThere are other versions available:Baritone and orchestra - Score onlyKaraoke (music minus one version (mp3) Unison choir and orchestraUnison Choir a cappellaHarmonized choir and orchestraHarmonized choir a cappella
$18.00 ≈
16.13€
We Will Rock You
We Will Rock You
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Orchestra
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INTERMEDIATE/ADVANCED
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Queen
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Javier MartÃnez Maya
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We Will Rock You
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts....
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Full Orchestra - Level 4 - Digital Download SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts. 65 pages. Arte Nova Music Lab #6431861. Published by Arte Nova Music Lab (A0.742580). We Will Rock You is a song written by Brian May and recorded by British rock band Queen for their 1977 album News of the World. Rolling Stone ranked it number 330 of The 500 Greatest Songs of All Time in 2004, and it placed at number 146 on the Songs of the Century list in 2001. In 2009, We Will Rock You was inducted into the Grammy Hall of Fame.Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, We Will Rock You and We Are the Champions were issued together as a worldwide top 10 single. Soon after the album was released, many radio stations began playing the songs consecutively and without interruption.Since its release, We Will Rock You has been covered, remixed, sampled, parodied, referred to, and used by multiple recording artists, TV shows, films and other media worldwide. It has also become a popular stadium anthem at sports events around the world, due mostly to its simple rhythm. On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It features a radically different approach to the guitar solo and includes May's count-in immediately prior to the recording.Taken from https://en.wikipedia.org/wiki/We_Will_Rock_You
$60.00 ≈
53.77€
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