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Beethoven Voice and Orchestra
Orchestra
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14 sheet music found
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1
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
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Orchestra
#
ADVANCED
#
Classical
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Concerto in C major for Violin
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Upstream Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. S...
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Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 56 pages. Upstream Music #6353323. Published by Upstream Music (A0.933525). There are four known works of Beethoven for the violin and orchestra genre. They were written during the 1790-1806 period. These are the Violin Romance in G major Opus 40, the Violin Romance in F major Opus 50, the Violin Concerto in D major Opus 61 (1806) and the earlier Violin Concerto in C major WoO 5 (Hess 10). The latter was left to us as a fragment which Beethoven most probably composed in Bonn, between 1790 and 1792. The fragment contains 259 bars, fully written out and than stops abruptly….as if the score was torn in two. The composition is broken off exactly 15 bars into the development. The motif in the last known bars 258 and 259 initiated the task of joining the development as reliably as possible to the rest of the work.In the additional 258 bars, Cees took Beethovenꞌs material into consideration; also in the development, reprise and coda. The most remarkable is the coda. Cees uses a third related key here, which may seem strange at first but was used more often by Beethoven himself, for example in his Violin Concerto in D major Opus 61. It was necessary to compose this work backwards in a manner of speaking. In other words: Cees had to give all the global lines that Beethoven had so masterfully written as correct a place as possible in the score. With respect to earlier completions by colleagues, Cees did not set out by literally copying and transposing the exposition in the reprise. His aim was to write a completion as creatively as possible and still use Beethovenꞌs material and intricate weave ofvoices to the full. Hopefully this completed version will be a respected contribution to the rich violin literature
$59.00 ≈
54.51€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50 ≈
29.10€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
#
Orchestra
#
ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
18.48€
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Aubade: A Pairing with Beethov
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjam...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50 ≈
29.10€
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Aubade: A Pairing with Beethov
#
Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjam...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
18.48€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Orchestra
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ADVANCED
#
Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
18.48€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00 ≈
46.19€
Song of Joy for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra Key
Song of Joy for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra Key
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Daryl McKenzie
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Song of Joy for Soprano Voice,
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.745878 Composed by Ludwig van Beethoven (1770-1827). Arranged by Daryl McKenzie. Christmas,Holiday,Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.745878 Composed by Ludwig van Beethoven (1770-1827). Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & Worship,Spiritual,World. Score and parts. 66 pages. Daryl McKenzie #4725299. Published by Daryl McKenzie (A0.745878). Song of Joy Key of G major with Key change to A major for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra - 2 Fl, Â Cl, 2 FHn, 3 Trpt, 2 Trb, P G B D, Timpani, Glock, Harp, Vln1, Vln2, Vla, VC, CB. Includes Rehearsal Piano part.Other versions of this song also available on SMP: Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major. Â Solo Tenor Voice, Choir and Pops Orchestra or Big Band Key of Ab to Bb major : http://bit.ly/3EMliMm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99 ≈
64.66€
Song of Joy for Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major
Song of Joy for Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Daryl McKenzie
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Song of Joy for Solo Soprano V
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.717854 Composed by Ludwig van Beethoven. Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.717854 Composed by Ludwig van Beethoven. Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & Worship,Spiritual,World. Score and parts. 70 pages. Daryl McKenzie #3866927. Published by Daryl McKenzie (A0.717854). Song of Joy Key of F major with Key change to G major for Solo Voice, Choir and Pops Orchestra - Fl, Ob, Cl, BCL, 3 FHn, 3 Trpt, 3Trb, P G B D, Perc (timps), Harp, Vln1, Vln2, Vla, VC, CB. Includes Rehearsal Piano part. Same arrangement in the Key of Ab major with Key change to Bb major (As per the Youtube clip) for Solo Voice (Tenor) with Big Band or Pops Orchestra available here: http://bit.ly/3EMliMm Audio demo here: https://soundcloud.com/user-99505314/song-of-joy-carols-by-candlelight-2012 (this is in the Key for Tenor soloist) More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$79.99 ≈
73.90€
Song of Joy for Solo Tenor Voice, Choir and Pops Orchestra Key of Ab to Bb major
Song of Joy for Solo Tenor Voice, Choir and Pops Orchestra Key of Ab to Bb major
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Daryl McKenzie
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Song of Joy for Solo Tenor Voi
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.717682 Composed by Ludwig van Beethoven. Arranged by Daryl McKenzie. Christmas,Multicultural,Praise &...
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Full Orchestra - Level 4 - Digital Download SKU: A0.717682 Composed by Ludwig van Beethoven. Arranged by Daryl McKenzie. Christmas,Multicultural,Praise & Worship,Spiritual,World. Score and parts. 70 pages. Daryl McKenzie #3377337. Published by Daryl McKenzie (A0.717682). Song of Joy Key of Ab major with Key change to Bb major for Solo Voice (Tenor), Choir and Pops Orchestra - Fl, Ob, Cl, BCL, 3 FHn, 3 Trpt, 3Trb, P G B D, Perc (timps), Harp, Vln1, Vln2, Vla, VC, CB. Includes Rehearsal Piano part.Same arrangement for Big band also Same arrangement in F major with key change to G major to suit Solo Voice (Soprano) also available on SMP: http://bit.ly/3EMliMmAudio demo here: https://soundcloud.com/user-99505314/song-of-joy-carols-by-candlelight-2012More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$79.99 ≈
73.90€
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjam...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50 ≈
29.10€
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjam...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
18.48€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
92.39€
Ode an die Freude
Ode an die Freude
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Lars Deaken
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Ode an die Freude
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Fibonacci Music & Multimedia
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Pe...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Period. Score and Parts. 81 pages. Fibonacci Music & Multimedia #845098. Published by Fibonacci Music & Multimedia (A0.1250830). Ode an die Freude An 8 minutes version of the famous hymn for orchestra and/or choir with an recognizable introduction. You will need this arrangement if you want the Ode an die Freude to begin with a worthy introductionGreatly reduced version of the 3rd and 4th movements of the 9th symphony. The hymn Ode an die Freude can also be performed as a single movement. Heavy brass has been added as an ad libitum instrumentation, to allow the hymn to be performed with full orchestra on occasion.The 4-part chorus can be sung even by a non-professional choir, and even by the audience, because of a convenient tessitura in A major in the hymn. The reduction of elements used from the 3rd movement leads - as an introduction - to the first passage of the hymn, and with material from the 4th movement it leads to the closing hymn. The hymn shows the lyrics for 3 verses.It has been orchestrated and arranged with full respect for Beethoven's intentions, but with an open mind to the needs of contemporary events and the needs of concert organizations and audiences. For the convenience of these events, heavy brass has been included for modern orchestras - even tuba which essentially doubles the original contrafagotto.This arrangement can be performed with, or without, a choir. For 2nd violins and violas of community orchestras is a notoriously difficult passage, with the length of a few bars, rewritten as ossia bars, where professional orchestras and community orchestras of advanced level can play the original passage.It is possible to set other starting points in the score (rehearsal mark C, F or H)) . It is also possible to end the Hymn in the original D major (bar mark G as a 'fine')Full package contains an orchestral score, and parts for these instruments and voices:InstrumentationPiccolo (ad libitum)Flute 1Flute 2 Oboe 1Oboe 2Clarinet in Bb 1Clarinet in Bb 2Bassoon 1Bassoon 2Contra bassoon (ad libitum)Horn 1 in FHorn 2 in FHorn 3 in FHorn 4 in F  (ad libitum) Trumpet 1Trumpet 2Trombone 1 (ad libitum) Trombone 2 (ad libitum) Trombone 3 (ad libitum) Tuba (ad libitum) Timpani  (ad libitum) Choir SATB (ad libitum)Violin 1 Violin 2 (with easy ossia for a difficult passage)Viola (with easy ossia for a difficult passage)CelloBass
$119.00 ≈
109.94€
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