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Dies Irae
Not classified 52

Piano & keyboards
Piano solo 28
Piano, Voice 4
Easy Piano 4
Organ 3
Piano Accompaniment 2

Guitars
2 Guitars (duet) 1
3 Guitars (trio) 1
Guitar 1

Voice
Choral SATB 28
Choral 3-part 11
Choral 6
Choral 2-part 5
Choral SSAA 4

Vocal duet, Piano 3
Choral Unison 2
Choral TTBB 2
Soprano voice, Piano 1
Choral SSAATTBB 1
Choral, Orchestra 1

+ 6 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6
Clarinet Quartet: 4 clarinets 5
Flute 2
Saxophone Quintet: 5 Saxophones 1
Saxophone ensemble 1

Clarinet Quintet: 5 clarinets 1
Alto Saxophone 1
Clarinet 1
Tenor Saxophone 1
Clarinet Ensemble 1
Flute Quartet: 4 flutes 1
Flute Quintet : 5 flutes 1

+ 7 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 7
Trombone ensemble 5
Brass Quartet: 2 trumpets, horn, trombone 2
Brass quartet : 2 trumpets, trombone, tuba 2
Trombone 1

3 Trombones (trio) 1
Trumpet 1
Tuba and Piano 1
Brass Quartet: 4 trombones 1
Trumpet, Piano 1

+ 5 instrumentations

- Retract

Strings
Violin (band part) 5
Violin 4
Viola 3
String Quartet: 2 violins, viola, cello 2
Cello (band part) 2

Viola (band part) 1
Cello 1
Harp 1
Cello, Piano 1
Double Bass 1
Doublebass (band part) 1

+ 6 instrumentations

- Retract

Percussion & orchestra
String Orchestra 21
Concert band 4
Percussion (band part) 3
Orchestra 3

Handbells 3

Brass ensemble 3
Timpani (band part) 1
Chamber Orchestra 1

+ 3 instrumentations

- Retract

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Dies Irae

Orchestra

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3 sheet music found

Missa Solemnis, op. 27 - Score Only

Missa Solemnis, op. 27 - Score Only #Orchestra #ADVANCED #Adrian Gagiu #Missa Solemnis, op. 27 - Score #Adrian Gagiu #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the â€žFilioqueâ€ (which would still fit the rhythm of the repeated â€žqui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a â€žliturgical oratorio for all nationsâ€, more appropriate in the concert hall.Â The work has had a long gestation: imagined in 1984 after the composerâ€™s first contact with Beethovenâ€™s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the Â King of Kings), â€žrex caelestisâ€ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the â€žanabasisâ€ gesture at â€žGloria in excelsis Deoâ€, â€žet ascendit in caelisâ€, â€žin remissionem peccatorumâ€ and the resurrection, a flute trill standing for the Holy Spirit who has come â€™like a doveâ€™ at â€žet incarnatus estâ€, a cross-shaped texture at â€žcrucifixusâ€, and some word-painting (hushed sonorities at â€žet invisibiliumâ€, anticipations between orchestra and chorus at â€žet exspectoâ€ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit).Â â€žKyrieâ€ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâ€™s serene modality and counterpoint. â€žGloriaâ€ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. â€žCredoâ€ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn â€žPange linguaâ€, made famous by Mozartâ€™s last symphony and by other Classical composers. Both â€žGloriaâ€ and â€žCredoâ€ end with extended, powerful and elaborate fugues (â€žin gloria Dei Patrisâ€ and â€žet vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ€™ accents, a la Stravinsky. The same sections plus â€žAgnus Deiâ€ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of â€žSanctusâ€). â€žJudicareâ€ quotes the beginning of the well-known â€žDies iraeâ€ plainchant tune, and the Consecration between the â€žSanctusâ€ and â€žBenedictusâ€ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens â€žAgnus Deiâ€, which includes another quotation (the famous â€™Dresden Amenâ€™ at â€žqui tollis peccata mundiâ€ and â€ždona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the â€žKyrie eleisonâ€ theme is briefly remembered, then it ends softly and peacefully.Â Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.

$100.00 ≈ 92.29€

Tombland Fanfare

Tombland Fanfare #Orchestra #ADVANCED #Contemporary #Eoin Buchanan #Tombland Fanfare #7plc Music #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Publ...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampsonâ€™s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and â€˜those without. The blacksmithâ€™s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The workâ€™s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.

$35.00 ≈ 32.30€

El Cerro de la Muerte

El Cerro de la Muerte #Orchestra #EASY #Luis Diego Piedra #El Cerro de la Muerte #Piedra Music #SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.1250317 Composed by Luis Diego Piedra. Classical,Instructional. Score and Parts. 53 pages. Piedra Mus...(+)

Full Orchestra - Level 2 - Digital Download SKU: A0.1250317 Composed by Luis Diego Piedra. Classical,Instructional. Score and Parts. 53 pages. Piedra Music #844625. Published by Piedra Music (A0.1250317). El Cerro de la Muerte is translated to The Mountain of Death and it is the name of a mountain range in Costa Rica. When I was growing up, it was necessary to drive through it in order to go to the beach on the west coast. The mountain is filled with pictoresque sights as well as deep, dangerous cliffs with tough, steep hills that are hard even for cars. This piece is a mini tone poem describing a journey through this mountain, with some quotations from Verdi's Dies Irae as well as Beethoven's fifth, and Paganini's Capriccio No. 24. It is a fun piece.

$20.00 ≈ 18.46€