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Piano & keyboards
Piano solo 34
Easy Piano 1
Piano, Voice 1
Piano Trio: piano, violin, cello 1
Piano Quartet: piano, 2 violins, cello 1

1 Piano, 4 hands 1

+ 1 instrumentations

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Guitars
Guitar notes and tablatures 11
Bass guitar 5
Lyrics and Chords 2

Voice
Choral SATB 3
Choral 3-part 2
Choral 2-part 2
Choral TTBB 2
Choral Unison 1

Woodwind
Clarinet Ensemble 3
Saxophone ensemble 3
3 Clarinets (trio) 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Oboe (band part) 1

2 Flutes (duet) 1
Alto Saxophone and Piano 1
Saxophone Quartet: 4 saxophones 1
Saxophone (band part) 1
3 Saxophones (trio) 1
Clarinet Quartet: 4 clarinets 1
2 Clarinets (duet) 1
Flute Quartet: 4 flutes 1

+ 8 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 2
Trombone and Piano 1

Strings
String Quartet: 2 violins, viola, cello 6
Violin and Piano 1

Percussion & orchestra
Concert band 30
Jazz Ensemble 16
Drums 6
Orchestra 4

String Orchestra 2

Brass ensemble 1
Percussion Ensemble 1

+ 2 instrumentations

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Frantic

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RAGING FURIES - Goettinnen der Rache

RAGING FURIES - Goettinnen der Rache #Orchestra #INTERMEDIATE/ADVANCED #Rainer Fabich Orchestra #Rainer Fabich #RAGING FURIES - Goettinnen der #Fajora Music #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - GÃ¶ttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: MegÃ¤re, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht DÃ¼rer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred DÃ¶blin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der HÃ¶lle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - PrÃ©lude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.

$49.95 ≈ ¥354.46

Kabuki Pieces, Op. 20

Kabuki Pieces, Op. 20 #Orchestra #ADVANCED #Chris Knapp #Kabuki Pieces, Op. 20 #Chris Knapp #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. ...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.

$35.99 ≈ ¥255.40

Bonetrousle

Bonetrousle #Orchestra #ADVANCED #Video Game #Toby Fox #Grant Harville #Bonetrousle #Grant Harville #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1301078 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 40 pages. Gran...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1301078 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 40 pages. Grant Harville #890757. Published by Grant Harville (A0.1301078). Bonetrousle from Undertale, arranged for full orchestra. Frantic, Halloween-y music for the Papyrus boss fight, it can be played separately or in conjunction with other selections from the video game.Instrumentation: 2222 4231 tp+4 str(Note: Score is tabloid size, Parts are letter size).

$49.99 ≈ ¥354.75

Truck Drive - Score Only

Truck Drive - Score Only #Orchestra #ADVANCED #Film/TV #Ost #Chris Siddall #Truck Drive - Score Only #Chris Siddall Music Publishing #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Sc...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 10 pages. Chris Siddall Music Publishing #688907. Published by Chris Siddall Music Publishing (A0.1084739). â€œMy most completely satisfying participation in filmâ€. That was how composer Michael Kamen described his collaboration with director Terry Gilliam on his dystopian black comedy film Brazil. Brazil is a wonderful dreamscape of music. Kamen manages to successfully blend a dizzying array of styles ranging from symphonic to jazz to thirties pop, weave in allusions to everything from Maurice Ravel to Woody Woodpecker and make the result as gloriously romantic as it is heart-breaking. This cue, titled â€œKicked Outâ€ on the manuscript but known as â€œTruck Driveâ€ on the OST takes place as our hero Sam (Jonathan Pryce) and the woman from his dreams Jill (Kim Greist) flee from government agents. During the frantic chase, we hear hints of Ary Barrosoâ€™s â€œAquarela do Brasilâ€ which, known simply as â€œBrazilâ€ to British audiences, is a recurring theme throughout and gives its name to the title of the film. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

$9.99 ≈ ¥70.89