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Holy Place
Not classified 42

Piano & keyboards
Piano solo 31
Piano, Voice 11
Organ 7
Piano, Vocal and Guitar 5
Easy Piano 4

C Instruments 3

+ 1 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 2
Guitar 2
Guitar notes and tablatures 1

Voice
Choral SATB 60
Choral Unison 9
Choral 3-part 7
Choral 2-part 4
Vocal duet, Piano 4

Vocal duet 1
Choral SSAA 1
Choral TTBB 1
Soprano voice, Piano 1
Choral 1

+ 5 instrumentations

- Retract

Woodwind
Oboe, Piano (duet) 3
2 Saxophones (duet) 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Flute and Piano 2
Oboe, Flute 1

Saxophone Quartet: 4 saxophones 1

+ 1 instrumentations

- Retract

Woodbrass
Trumpet, Trombone (duet) 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
2 Trombones (duet) 1
Brass Quartet: 2 trumpets, horn, trombone 1
2 French horns (duet) 1

Strings
String Quartet: 2 violins, viola, cello 3
Violin and Piano 2
Cello (band part) 1
Cello, Organ 1
Violin, Viola (duet) 1

Percussion & orchestra
Handbells 5
Orchestra 3

Concert band 2
Brass ensemble 1
Chamber Orchestra 1

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Holy Place

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Rosary Sonatas: The Descent of the Holy Spirit

Rosary Sonatas: The Descent of the Holy Spirit #Orchestra #ADVANCED #Heinrich Ignaz Franz von Biber #Joshua Choe #Rosary Sonatas: The Descent of #JMJ Arrangements #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Parâ€²thians and Medes and Eâ€²lamites and residents of Mesopotaâ€²mia, Judea and Cappadoâ€²cia, Pontus and Asia, Phrygâ€²ia and Pamphylâ€²ia, Egypt and the parts of Libya belonging to Cyreâ€²ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'â€ --Acts 2:1-11 (RSV-CE).

$19.99 ≈ £15.59

Shadowland

Shadowland #Orchestra #ADVANCED #Film/TV #Hans Zimmer, Lebo M, and Mark #Brian Strohmetz #Shadowland #Brian Strohmetz #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.

$74.99 ≈ £58.47

Symphony No. 7 ... Roman Holidays (2008, rev. 2013)

Symphony No. 7 ... Roman Holidays (2008, rev. 2013) #Orchestra #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Symphony No. 7 ... Roman Holid #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples â€¦ six dreams by Richard Kenney; String Quartet No 5 â€¦ Four Birthdays; and ChÃ´rinhos â€¦ opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then weâ€™d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 â€¦ Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto â€¦ Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 â€¦ Roman Holidays, my give back to the city of Rome â€“ a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Berniniâ€™s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Berniniâ€™s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54

$9.99 ≈ £7.79