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In Too Deep
Not classified 72

Piano & keyboards
Piano solo 39
Piano, Voice 11
Easy Piano 8
Piano, Vocal and Guitar 6
C Instruments 6

Organ 1
Piano Quartet: piano, 2 violins, cello 1
Piano Quartet: piano, violin, viola, cello 1
2 Pianos, 4 hands 1

+ 4 instrumentations

- Retract

Guitars
Guitar notes and tablatures 6
Lyrics and Chords 3
Bass guitar 3
Mandolin 2
Melody line, (Lyrics) and Chords 2

Guitar 1
Ukulele 1

+ 2 instrumentations

- Retract

Voice
Choral SATB 19
Choral 3-part 3
Soprano voice, Piano 2
Choral 2-part 2
High voice 1

Woodwind
2 Flutes (duet) 13
Clarinet 13
Saxophone Quartet: 4 saxophones 11
Oboe (band part) 9
Flute 8

Flute and Piano 7
Oboe, Piano (duet) 5
Alto Saxophone and Piano 5
Alto Saxophone 5
Soprano Saxophone and Piano 4
Baritone Saxophone 4
Baritone Saxophone, Piano 4
Oboe 4
Tenor Saxophone and Piano 4
Clarinet and Piano 4
Tenor Saxophone 4
Soprano Saxophone 3
Flute, Oboe, Clarinet, Bassoon 2
Flute and Guitar 2
Flute Trio: 3 flutes 2
Clarinet, Cello, Piano (trio) 1
Saxophone Quintet: 5 Saxophones 1
Flute and Strings Trio 1
Clarinet, Cello (duet) 1
Saxophone and Guitar 1
Flute, Clarinet (duet) 1
Pennywhistle 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute, Violin, Piano 1

+ 24 instrumentations

- Retract

Woodbrass
Trombone and Piano 7
Trumpet 5
French Horn and Piano 5
Trombone 5
Trumpet, Piano 4

Tuba 4
French horn 4
Tuba and Piano 4
Brass Quartet 2
2 Trombones (duet) 1
Brass Quartet: 4 horns 1
French horn (band part) 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

+ 8 instrumentations

- Retract

Strings
2 Violins (duet) 6
Violin and Piano 6
Violin 5
Cello 5
Cello, Piano 5

Double Bass 5
Viola, Piano 4
Viola 4
Double bass, Piano (duet) 4
Violin, Cello (duet) 3
String Quartet: 2 violins, viola, cello 3
2 Cellos (duet) 3
String Trio: violin, viola, cello 3
Violin, Viola (duet) 1
2 Violas (duet) 1

+ 10 instrumentations

- Retract

Percussion & orchestra
Chamber Orchestra 14
Jazz combo 6
Drums 4
Concert band 3
Orchestra 3

String Orchestra 2
Jazz Ensemble 2
Handbells 1

+ 3 instrumentations

- Retract

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In Too Deep

Orchestra

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CONJUNCTION: The Christmas Star of 2020

CONJUNCTION: The Christmas Star of 2020 #Orchestra #INTERMEDIATE #Christmas #Robert Myers #He will show His favor again #CONJUNCTION: The Christmas Sta #WheatMyer Music #SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brotherâ€™s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthewâ€™s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holstâ€™s The Planets for themes that would portray Jupiter and Saturnâ€™s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holstâ€™s motives provide CONJUNCTIONâ€™s foundation I also used Handelâ€™s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020â€™s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturnâ€™s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiterâ€™s main hymn theme. Still, itâ€™s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.

$95.00 ≈ 87.48€

Tombland Fanfare

Tombland Fanfare #Orchestra #ADVANCED #Contemporary #Eoin Buchanan #Tombland Fanfare #7plc Music #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Publ...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampsonâ€™s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and â€˜those without. The blacksmithâ€™s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The workâ€™s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.

$35.00 ≈ 32.23€

EP!C!!!

EP!C!!! #Orchestra #INTERMEDIATE/ADVANCED #Contemporary #Austin Wintory #EP!C!!! #Austin Wintory #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243....(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichÃ©s of todayâ€™s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichÃ©s are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i â€“ VI â€“ III â€“ VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichÃ©s were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasnâ€™t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichÃ©s become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesnâ€™t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are clichÃ©, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the musicâ€™s core. Itâ€™s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldnâ€™t resist some on-the-nose tongue-in-cheek. The little cameo of Haydnâ€™s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016

$40.00 ≈ 36.83€