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La La Love You
Not classified 124

Piano & keyboards
Piano solo 160
Piano, Vocal and Guitar 36
Accordion 25
Piano, Voice 24
2 Pianos, 4 hands 18

Easy Piano 17
Piano Quartet: piano, violin, viola, cello 2
Piano Trio: piano, violin, cello 2
Organ 2
C Instruments 1

+ 5 instrumentations

- Retract

Guitars
Guitar 99
Bass guitar 51
Guitar notes and tablatures 19
Ukulele 5
Melody line, (Lyrics) and Chords 4

Lyrics and Chords 1

+ 1 instrumentations

- Retract

Voice
Voice solo 45
Choral 3-part 16
Choral SATB 15
Choral SSAA 11
Choral TTBB 9

Choral 2-part 8
Choral Unison 5
Soprano voice, Piano 1
Tenor voice, Piano 1
Vocal duet, Piano 1

+ 5 instrumentations

- Retract

Woodwind
Saxophone 229
Flute 87
Clarinet 85
Alto Saxophone 21
Tenor Saxophone 20

Oboe, Piano (duet) 10
Flute and Piano 6
2 Saxophones (duet) 6
Clarinet and Piano 6
Saxophone (band part) 6
Soprano Saxophone 5
2 Flutes (duet) 5
Recorder 5
Oboe 4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4
2 Clarinets (duet) 4
Saxophone, Clarinet (duet) 3
Flute, Clarinet (duet) 2
Clarinet (band part) 2
Clarinet Quartet: 4 clarinets 2
Flute and Guitar 2
Alto Saxophone and Piano 2
Flute, Oboe, Clarinet, Bassoon 2
Clarinet, Trumpet (duet) 2
Flute ensemble 2
Clarinet, Violin (duet) 2
Tenor Saxophone and Piano 2
Saxophone Quartet: 4 saxophones 2
Clarinet and Viola 1
Clarinet Quintet: 5 clarinets 1
Flute, Violin, Piano 1
2 Oboes (duet) 1
Oboe, Flute 1
Oboe, Clarinet (duet) 1
Flute, Bassoon, and Piano 1
Clarinet, Guitar (duet) 1
Flute, Trumpet (duet) 1
Flute, Violin 1
Flute Trio: 3 flutes 1
Oboe, Bassoon (duet) 1
Flute, Viola (duet) 1
2 English horns and Pianoforte 1
Flute, Cello, Piano (trio) 1
Soprano Saxophone and Piano 1
2 Recorders (duet) 1
Flute, Saxophone (duet) 1

+ 41 instrumentations

- Retract

Woodbrass
Trumpet 77
Trombone 74
French horn 6
Trumpet, Piano 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 6

Trombone and Piano 5
French Horn and Piano 4
Tuba 4
Tuba and Piano 4
French horn (band part) 2
Trombone (band part) 2
Trumpet, Saxophone (duet) 2
Trumpet (band part) 2
2 Euphoniums and 2 Tubas 1
Brass Quartet: 2 trumpets, horn, trombone 1
Brass Quartet 1
2 Trumpets (duet) 1
Brass quartet : 2 trumpets, trombone, tuba 1
2 Trombones (duet) 1
Trumpet ensemble 1
Horn Ensemble 1
2 English horns and Pianoforte 1
Trumpet, Trombone (duet) 1
Trumpet, Trombone, Piano 1

+ 19 instrumentations

- Retract

Strings
Cello 29
Violin 25
Viola 22
Double Bass 16
Harp 15

String Quartet: 2 violins, viola, cello 14
Violin and Piano 9
Viola, Piano 9
Cello, Piano 8
Double bass, Piano (duet) 4
Piano Trio: Violin, Viola, Piano 2
Violin, Cello (duet) 2
String Trio: violin, viola, cello 2
2 Violas (duet) 1
Cello, Guitar (duet) 1
2 Violins (duet) 1
Violin, Clarinet, Piano (trio) 1
Violin, Viola (duet) 1
String Trio: 3 cellos 1
2 Cellos (duet) 1

+ 15 instrumentations

- Retract

Percussion & orchestra
Drums 67
Concert band 18
Orchestra 3

Chamber Orchestra 3
Percussion (band part) 3

String Orchestra 2
Brass ensemble 2

+ 2 instrumentations

- Retract

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La La Love You

Orchestra

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3 sheet music found

C. Debussy - 3 Preludes,

C. Debussy - 3 Preludes, #Orchestra #Classical #means of the orchestra, as in #Claude Debussy #A #C. Debussy - 3 Preludes, #Arkady Leytush #SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Ley...(+)

Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. Published by Arkady Leytush (A0.1008416). â€œLa SÃ©rÃ©nade Interrompueâ€,#9(I)Sometimes an orchestral transcription of a program piece like this â€œInterrupted Serenadeâ€ turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.La puerta del Vino,#3(II)While creating the orchestral version of this Debussy prelude, two things stood before my eyes -the seductive Habanera performed by an oriental beauty and the unforgettable beauty of Alhambra. General Lavine - eccentric,#6(II)Debussy creates the effect of three hands playing. Lavineâ€™s clown acts were accompanied by trumpets and drums, often backstage. â€œStrident,â€ â€œspiritual and discreetâ€: tongue-in-cheek. â€Sec,â€ a dry sound for staccato chords. Debussyâ€™s transformation of the American popular tune, â€œCamp town Races.â€ Sudden dynamic changes suggest the juggling act of â€œGeneralâ€ Lavine, tossing large and small items at the same time.

$60.00 ≈ 55.29€

Symphony No. 7 ... Roman Holidays (2008, rev. 2013)

Symphony No. 7 ... Roman Holidays (2008, rev. 2013) #Orchestra #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Symphony No. 7 ... Roman Holid #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples â€¦ six dreams by Richard Kenney; String Quartet No 5 â€¦ Four Birthdays; and ChÃ´rinhos â€¦ opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then weâ€™d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 â€¦ Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto â€¦ Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 â€¦ Roman Holidays, my give back to the city of Rome â€“ a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Berniniâ€™s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Berniniâ€™s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54

$9.99 ≈ 9.21€

Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)

Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series) #Orchestra #INTERMEDIATE #Patriotic #Manuel de Espinosa de los Mo #Keith Terrett #Spanish National Anthem for Sy #Music for all Occasions #SheetMusicPlus

Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Per...(+)

Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!

The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.

One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.

There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.

According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.

After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.

The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.

Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.

Interpretation and etiquette:

Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.

The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.

Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.

The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.

The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.

There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.

As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.

As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com

$39.00 ≈ 35.94€