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Marching Tune
Not classified 66

Piano & keyboards
Piano Accompaniment 33
Piano solo 28
Piano, Vocal and Guitar 14
Piano, Voice 5
Organ 5

2 Pianos, 4 hands 4
Easy Piano 3
Piano Trio: piano, violin, cello 2
Accordion 1
1 Piano, 4 hands 1
C Instruments 1

+ 6 instrumentations

- Retract

Guitars
Electric Bass (band part) 23
Guitar notes and tablatures 6
Guitar 3
Ukulele 1

Voice
Choral SATB 7
Choral 2-part 3
Choral 3-part 2
Choral TTBB 1

Woodwind
Saxophone (band part) 74
Clarinet (band part) 29
Flute (band part) 22
Flute, Oboe, Clarinet, Bassoon 10
2 Flutes (duet) 7

2 Clarinets (duet) 7
2 Saxophones (duet) 6
Saxophone Quartet: 4 saxophones 6
Flute and Piano 6
Clarinet and Piano 6
Clarinet Quartet: 4 clarinets 5
Alto Saxophone and Piano 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5
Oboe (band part) 3
Flute, Clarinet (duet) 3
Tenor Saxophone and Piano 3
Clarinet 2
Flute 2
Oboe, Piano (duet) 2
Flute Quartet: 4 flutes 1
2 Recorders (duet) 1
Descent (Soprano) Recorder, Piano 1
Clarinet Ensemble 1
2 Oboes (duet) 1
Harmonica 1

+ 20 instrumentations

- Retract

Woodbrass
Trumpet (band part) 45
French horn (band part) 42
Tuba (band part) 27
Trombone (band part) 24
Brass Quintet: 2 trumpets, horn, trombone, tuba 12

Brass Quartet 8
Trombone and Piano 6
2 Trumpets (duet) 4
Trumpet 4
Trumpet, Piano 3
2 Trombones (duet) 2
2 French horns (duet) 2
French horn 1
2 Tubas (duet) 1
Trumpet ensemble 1
French Horn and Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1

+ 12 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 16
String trio 6
2 Cellos (duet) 5
Cello, Piano 5
Violin and Piano 5

Violin 4
2 Violins (duet) 4
Viola, Piano 4
2 Violas (duet) 4
Harp 3
Violin, Cello (duet) 2
Violin, Viola (duet) 2
4 Cellos 1
String Trio: violin, viola, cello 1
2 Double basses (duet) 1
String Quintet: 2 violins, viola, cello, bass 1
Double Bass 1
Viola 1

+ 13 instrumentations

- Retract

Percussion & orchestra
Marching band 331
Drum (band part) 109
Concert band 64
Percussion (band part) 22
Brass ensemble 7

Handbells 4
Orchestra 3

Percussion 2
Drums 1
String Orchestra 1
Timpani (band part) 1
Jazz Ensemble 1

+ 7 instrumentations

- Retract

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Marching Tune

Orchestra

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3 sheet music found

Festival

Festival #Orchestra #INTERMEDIATE/ADVANCED #Contemporary #Mike Lyons #Festival #Lyons Music Services #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible.Â The first section opens with â€˜sunriseâ€™ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendorsâ€™ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think itâ€™s all over, thereâ€™s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.

$55.00 ≈ 50.81€

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts #Orchestra #ADVANCED #Contemporary #Benjamin Harry Sajo #Fugue: "Wear Pearls and Smile" #Benjamin Sajo #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$31.50 ≈ 29.10€

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score #Orchestra #ADVANCED #Contemporary #Benjamin Harry Sajo #Fugue: "Wear Pearls and Smile" #Benjamin Sajo #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$20.00 ≈ 18.48€