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Theme From Oboe Concerto
Not classified 21

Piano & keyboards

Guitars
Melody line, (Lyrics) and Chords 1

Voice

Woodwind
Oboe, Piano (duet) 10
Oboe, Bassoon (duet) 1
Oboe 1
Oboe (band part) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1

Woodbrass
Trumpet (band part) 2
French horn (band part) 2
French Horn and Piano 2

Strings
Violin 2
Violin and Piano 2
String Quartet: 2 violins, viola, cello 1

Percussion & orchestra
Orchestra 3

Chamber Orchestra 1
Brass ensemble 1
Concert band 1

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Theme From Oboe Concerto

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Concerto for Orchestra, opus 111 (2005, rev. 2010)

Concerto for Orchestra, opus 111 (2005, rev. 2010) #Orchestra #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Concerto for Orchestra, opus 1 #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartokâ€™s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo â€¦ Misterioso! II. Allegro con moto â€¦ Evidence!!! III. Adagio â€¦ Epistrophy! IV. Andante â€¦ In Walked Bud! V. Presto â€¦ Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause â€“ thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carterâ€™s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monkâ€™s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monkâ€™s Evidence is a tune with jabs and punches, irregularly placed within the measure â€“ not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monkâ€™s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monkâ€™s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monkâ€™s Rhythm-a-ning, I began the last movement with a solo for the percussion section â€“ timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005

$9.99

Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part

Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part #Orchestra #ADVANCED #Carson Cooman #Carson Cooman: Flute Concerto #Musik Fabrik Music Publishing #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Mus...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended â€œsongâ€ that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)

$25.95

Piano Concerto in D major "Mirage"

Piano Concerto in D major "Mirage" #Orchestra #ADVANCED #Contemporary #Seifeddin Abdoun # #Piano Concerto in D major "Mir #Seifeddin Abdoun #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.930566 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score and parts. 319 pages. Seifeddin...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.930566 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score and parts. 319 pages. Seifeddin Abdoun #4278015. Published by Seifeddin Abdoun (A0.930566). Piano Concerto in D major Mirage is one of my favorite composition, it represents the struggle of dream and hope! with three movements full of beautiful themes and rhythmic pasterns. The audio clip is about two minutes out of approximately 40 minutes of music, from the first movement. The full score and all the parts are included in this file. The instruments are:Flute, Oboe, B Flat Clarinet, Bassoon, Horn in F, B flat Trumpet, Trombone, Glockenspiel, Timpani, Triangle, Violin (I & II), Viola, Violoncello, Contrabass, & Solo Piano.

$39.00