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This I Promise
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This I Promise
Orchestra
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Hot Wings (I Wanna Party)
Hot Wings (I Wanna Party)
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Orchestra
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ADVANCED
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William Adams
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Ken Naidu
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Hot Wings
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1423573 Composed by William Adams. Arranged by Ken Naidu. Broadway,Contemporary,Film/TV,Latin,Musical...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1423573 Composed by William Adams. Arranged by Ken Naidu. Broadway,Contemporary,Film/TV,Latin,Musical/Show. 64 pages. Scores by Ken #1004815. Published by Scores by Ken (A0.1423573). Hot Wings (I Wanna Party) From Rio | Scores by Ken About the PieceArranged by Ken Naidu, Hot Wings is an instrumental score with great respect and resemblence to its original in the 20th Century Fox Motion Picture Rio. This arrangements includes score and parts.About the ComposerFrom the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99 ≈
¥350.85
Ocean Voyage - (Full Orchestra) Full Set
Ocean Voyage - (Full Orchestra) Full Set
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Nick Raspa
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Ocean Voyage -
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NJR Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published by NJR Music (A0.753997). When I began this piece, I was thinking about my father and my grandparents and how they left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century. Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience visiting a place you have never been before.  The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip. The piece starts with the sounding of the horn and the ship embarks.  This leads to a beautiful lyrical section and later there is a spritely gigue.  Through these various sections I attempted to capture the various moods of the passengers during various stages of this long journey. Forces: 2222 4221 timp,glock,mar, perc,str</b  Click on the YouTube link to hear the entire piece.  ASCAP>.
$54.00 ≈
¥379.00
Virtue, Not Vengeance; Hope, Not Despair - for alto solo and orchestra - Part 1 of 2 (piano version
Virtue, Not Vengeance; Hope, Not Despair - for alto solo and orchestra - Part 1 of 2 (piano version
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Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Christopher Schwinger
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Virtue, Not Vengeance; Hope, N
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Christopher Schwinger
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.938529 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 22 pages. Christopher Sc...
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Full Orchestra - Level 4 - Digital Download SKU: A0.938529 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 22 pages. Christopher Schwinger #27591. Published by Christopher Schwinger (A0.938529). The 9th Christian vocal solo I've written, about about the promise of eternal life and support from God in this life if we choose virtue instead of vengeance. Part 1 of 2 of the orchestral version contains the score in concert pitch and transposed formats. The alto part goes from alto part goes from G# below middle C (the top of the bass clef staff, below the treble clef staff) to D# near the top of the treble clef staff. Instrumentation required: 1 flute, 1 Bb clarinet, 1 Bb trumpet, 1 trombone, 2 tubas, violin section (sometimes divisi), and cello section. (The total cost for the orchestral version is $46.).
$23.00 ≈
¥161.43
Legacy
Legacy
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #341...
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95 ≈
¥350.57
CONJUNCTION: The Christmas Star of 2020
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00 ≈
¥666.76
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