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What Was I Made For?
Not classified 77

Piano & keyboards
Piano solo 21
Easy Piano 14
Piano, Voice 8
Piano, Vocal and Guitar 5
1 Piano, 4 hands 1

2 Pianos, 4 hands 1
C Instruments 1

+ 2 instrumentations

- Retract

Guitars
Guitar 3
Guitar notes and tablatures 2
Mandolin 1
Melody line, (Lyrics) and Chords 1
Ukulele 1

4 Guitars (Quartet) 1

+ 1 instrumentations

- Retract

Voice
Tenor voice 25
Alto voice, Piano 24
Soprano voice 23
Choral SATB 19
Choral TTBB 3

Choral SSAA 2
Choral 3-part 1
Soprano voice, Piano 1
Choral 2-part 1

+ 4 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 75
Saxophone Quintet: 5 Saxophones 69
Flute, Oboe, Clarinet, Bassoon 57
Saxophone Quartet: 4 saxophones 49
Flute, Clarinet, Horn and Bassoon (Quartet) 10

Flute and Piano 9
Oboe, Piano (duet) 7
Clarinet and Piano 7
Clarinet 6
Alto Saxophone and Piano 6
Flute 6
Saxophone (band part) 5
Alto Saxophone 5
Oboe (band part) 5
Soprano Saxophone and Piano 3
Tenor Saxophone and Piano 3
Clarinet Quartet: 4 clarinets 3
Tenor Saxophone 2
2 Oboes (duet) 2
Flute Quintet : 5 flutes 2
2 Flutes (duet) 2
2 Clarinets, Piano 2
2 Clarinets (duet) 2
Clarinet Ensemble 2
Oboe 2
2 Oboes, Piano 2
Baritone Saxophone, Piano 2
2 Flutes, Piano 2
Flute ensemble 1
Descant (Soprano) Recorder 1
Saxophone 1
Flute Trio: 3 flutes 1
Flute Quartet: 4 flutes 1
Clarinet Quintet: Clarinet, String Quartet 1
2 Saxophones (duet) 1
English Horn 1

+ 31 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 72
Brass Quartet 65
Brass quartet : 2 trumpets, trombone, tuba 8
French horn 7
Trombone 7

Trombone and Piano 5
Tuba 5
French Horn and Piano 5
Tuba and Piano 4
Trumpet, Piano 4
Brass Quartet: 2 trumpets, horn, trombone 4
Trumpet 4
2 Trumpets (duet) 3
Trumpet ensemble 3
Trumpet (band part) 2
2 French horns, Piano 2
2 Trumpets, Keyboard (piano or organ) 2
2 French horns (duet) 2
Trombone ensemble 2
Trumpet, Trombone (duet) 1
Bass Trombone and Piano 1
English Horn 1
Horn Ensemble 1

+ 18 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 70
String Quintet: 2 violins, viola, cello, bass 65
Violin 10
Cello 9
Viola, Piano 9

Violin and Piano 8
Cello, Piano 6
Viola 6
Double Bass 4
Double bass, Piano (duet) 3
2 Violins (duet) 2
Harp 2
Viola (band part) 2
2 Cellos (duet) 2
2 Violins, Piano 2
2 Cellos, Piano 2
2 Violas (duet) 2
Violin ensemble 2
String Quintet: 2 violins, 2 violas, cello 1

+ 14 instrumentations

- Retract

Percussion & orchestra
Concert band 10
String Orchestra 8
Chamber Orchestra 5
Jazz Ensemble 3
Orchestra 3

Handbells 2
Xylophone 1
Piano and Orchestra 1
Percussion Ensemble 1

+ 4 instrumentations

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What Was I Made For?

Orchestra

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3 sheet music found

Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra

Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra #Orchestra #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Symphony No. 6 ... The Penobsc #Thomas Oboe Lee #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreauâ€™s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Loggerâ€™s Boast. The original song had twenty stanzas to it. I whittled it down to five. I donâ€™t know what the original song sounded like, so I made up my own version of a lumberjackâ€™s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away â€¦The last movement begins with a funeral march for Joe Attien, a native American who was Thoreauâ€™s guide when he came up here in the 1900â€™s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn â€¦NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.

$9.99 ≈ £7.62

EP!C!!!

EP!C!!! #Orchestra #INTERMEDIATE/ADVANCED #Contemporary #Austin Wintory #EP!C!!! #Austin Wintory #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243....(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichÃ©s of todayâ€™s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichÃ©s are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i â€“ VI â€“ III â€“ VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichÃ©s were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasnâ€™t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichÃ©s become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesnâ€™t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are clichÃ©, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the musicâ€™s core. Itâ€™s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldnâ€™t resist some on-the-nose tongue-in-cheek. The little cameo of Haydnâ€™s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016

$40.00 ≈ £30.51

Scenes from 'The Crucible' for Orchestra

Scenes from 'The Crucible' for Orchestra #Orchestra #ADVANCED #Contemporary #Malcolm D Robertson #Scenes from 'The Crucible' for #Mr Malcolm D Robertson #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Publ...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Published by Mr Malcolm D Robertson (A0.927988). I'd long wanted to compose an opera based on Arthur Miller's masterpiece based around the Salem witchcraft trials in the American colonies in 1692. Knowing that this was unlikely to come to fruition, nevertheless I sketched out some ideas just in case, which I turned into a 3 movement work for a local orchestra in 1999 for performance at their concert in September 2000. During January - March 2020 I revised the work for a larger orchestra adding 2 more movements (nos 3 & 4) and revising the existing movements.Â TheÂ openingÂ movementÂ isÂ intendedÂ toÂ beÂ theÂ PreludeÂ toÂ theÂ opera.Â TheÂ 2ndÂ movementÂ theÂ PreludeÂ toÂ theÂ tenseÂ 3rdÂ Act.Â TheÂ 3rdÂ movementÂ takesÂ placeÂ atÂ theÂ climacticÂ momentÂ ofÂ ActÂ 3,Â whenÂ JohnÂ Proctor'sÂ valiantÂ andÂ desperateÂ attemptÂ toÂ exposeÂ AbigailÂ Williams'Â forÂ whatÂ sheÂ isÂ backfires,Â leadingÂ toÂ hisÂ arrest.Â TheÂ 4thÂ movementÂ opensÂ withÂ theÂ Hymn/PsalmÂ associatedÂ withÂ theÂ peopleÂ ofÂ SalemÂ andÂ continuesÂ withÂ theÂ reconciliationÂ inÂ prisonÂ betweenÂ JohnÂ ProctorÂ andÂ hisÂ wifeÂ Elizabeth.TheÂ 5thÂ andÂ finalÂ movementÂ accompaniesÂ JohnÂ Proctor'sÂ marchÂ toÂ executionÂ havingÂ noblyÂ tornÂ upÂ hisÂ confessionÂ ofÂ witchcraft.Â TheÂ Hymn/PsalmÂ returnsÂ beforeÂ reminiscencesÂ ofÂ theÂ openingÂ PreludeÂ returnÂ endingÂ theÂ workÂ inÂ aÂ senseÂ ofÂ uneasyÂ peace.Â Parts can be made available upon request.

$20.99 ≈ £16.01