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claude debussy Orchestra
Orchestra
Sheetmusic to print
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
18.45€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.12€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
23.12€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
23.12€
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
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Orchestra
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Classical
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Claude Debussy
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Ray Thompson
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Debussy: Sarabande
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThomp...
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Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.
This is my arrangement of that movement.based on Ravel's orchestration.
Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass
Clarinet parts are for clarinets in A
Oboe 2 is for cor anglais
$14.95 ≈
13.82€
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Fêtes Galantes : 1er Tableau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$24.95 ≈
23.07€
Claude Debussy: Poème for violin and orchestra, full score and solo part
Claude Debussy: Poème for violin and orchestra, full score and solo part
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Orchestra
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Poème for vio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. Musik Fabrik Music Publishing #4347323. Published by Musik Fabrik Music Publishing (A0.534580). This is the work that Debussy intended to write for the American violinist Arthur Hartmann for a projected tour of the US that never happened. Dr. Robert Orledge found five sketches that Debussy wrote between 1910 and 1914 and was able to complete this work using those sketches. The orchestration is for 21EH22/4200/timp/1perc/hp/strings (minimum 12.10.8.6.4). The work lasts aproximately ten minutesThis version the full score and solo part The piano reduction is available for sale as a seperate item. The parts are on rental from the publisher. Hear this work on Soundcloud: https://soundcloud.com/dylan-lindo/poeme-for-violin-and-orchestraPremiere (original form): Friday 5 February 2010 by Edmond Agopian (vln) with the Calgary University and Calgary Youth Orchestra, conducted by Daniel Bartholomew. Rosza Theatre, University of Calgary, Canada.
$29.95 ≈
27.70€
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
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Orchestra
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Includes complete notes
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Claude Debussy: Rhapsodie Maur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabr...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher. Includes complete notes.
$29.95 ≈
27.70€
Prelude Nº 1 - Danseuses de Delphes (For Wind Orchestra)
Prelude Nº 1 - Danseuses de Delphes (For Wind Orchestra)
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Orchestra
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Classical
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Claude Debussy
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Levy Nunes
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Prelude Nº 1 - Danseuses de D
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Cambiata
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1918). Arranged by Levy Nunes. 20th Century,Baroque,Classical,Contempor...
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Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1918). Arranged by Levy Nunes. 20th Century,Baroque,Classical,Contemporary,Instructional. Score and parts. 39 pages. Published by Cambiata (A0.487660). Danseuses de Delphes is a musical composition for piano by the French composer Claude Debussy. It is the piece that opens the first book of the Preludes, written between the end of 1909 and the beginning of 1910. The work is inspired by the “Dancers of Delphiâ€, a sculpture fragment from the temple of Apollo in Delphi, whose photo the musician had seen at the Louvre in Paris. The transcription was requested by the conductor of the UFRJ Wind Orchestra for the concert commemorating the 100th anniversary of the death of composer Claude Debussy. Wind Orchestra: Piccolo, Flute 1-2, Oboe 1-2, English Horn, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Sax 1-2, Tenor Sax, Baritone Sax, Bassoon 1-2, Contrabassoon, Horn 1-4, Trumpet in Bb 1-3, Trombone 1-2, Bass Trombone, Euphonium, Tuba, Timpani, Bass Drum, Tamtam. Score - A3 Parts - A4.
$20.00 ≈
18.49€
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Asya Fateyeva
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Claude Debussy/Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 3...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik Fabrik Music Publishing #752612. Published by Musik Fabrik Music Publishing (A0.1152389). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was complete and orchestred for 32(EH)23/2100/timp/1perc/hp/strings by the Debussy Scholar Robert Orledge for the saxophonist Asya Fateyeva. This item is the score plus the solo part. A version for saxophone and piano a the score of the version for saxophone and 17 instruments are available for sale. The parts are on rental from the publishe.
$18.95 ≈
17.52€
Claude Debussy: Le Roi Lear Suite for orchestra, score only
Claude Debussy: Le Roi Lear Suite for orchestra, score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Scored for 
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Claude Debussy: Le Roi Lear Su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 45 pages. Musik Fabr...
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Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 45 pages. Musik Fabrik Music Publishing #6133659. Published by Musik Fabrik Music Publishing (A0.534682). A seven-movement suite of Debussy's music for King Lear, completed and orchestrated by Dr. Robert Orledge. Scored for 2.1CA22/4311/timp/1perc/2hps/strings. Score only, parts on rental from the publisher
$25.95 ≈
24.00€
Rêverie for Orchestra - Claude Debussy - Score Only
Rêverie for Orchestra - Claude Debussy - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Tiziano de Felice
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Tiziano de Felice
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strings.
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Rêverie for Orchestra - Claud
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Tiziano de Felice
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. By Claude Debussy. Arranged by Tiziano de Felice. 19th Century,20th Cen...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. By Claude Debussy. Arranged by Tiziano de Felice. 19th Century,20th Century,Classical,Romantic Period. 23 pages. Tiziano de Felice #716781. Published by Tiziano de Felice (A0.1114943). Orchestration of Debussy's famous piano piece Rêverie. Scored for: 2 fl. / 2 ob. / eng. h. / 2 Bb cl. / 2 bsn / 4 Horns in F / 2 tr. in C / harp & strings.
$25.00 ≈
23.12€
C. Debussy - Prelude #4 (II) Les fées sont d'exquises da, Orchestrated by A. Leytush - Score Only
C. Debussy - Prelude #4 (II) Les fées sont d'exquises da, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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A
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C. Debussy - Prelude #4
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 30 pages. Arkady ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 30 pages. Arkady Leytush #814839. Published by Arkady Leytush (A0.1218366).
$25.00 ≈
23.12€
C. Debussy - Prelude #5 (II) Bruyères, Heather, Orchestrated by A. Leytush - Score Only
C. Debussy - Prelude #5 (II) Bruyères, Heather, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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A
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C. Debussy - Prelude #5
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1218369 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 13 pages. Arkady ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218369 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 13 pages. Arkady Leytush #814842. Published by Arkady Leytush (A0.1218369).
$25.00 ≈
23.12€
C. Debussy - Prelude #7 (II) La Terrasse des Audiences du, Orchestrated by A. Leytush - Score Only
C. Debussy - Prelude #7 (II) La Terrasse des Audiences du, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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A
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C. Debussy - Prelude #7
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1223678 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 15 pages. Arkady ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1223678 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 15 pages. Arkady Leytush #814845. Published by Arkady Leytush (A0.1223678).
$25.00 ≈
23.12€
C. Debussy - The Complete Preludes, #8 (II) "Ondine", Orchestrated by A. Leytush - Score Only
C. Debussy - The Complete Preludes, #8 (II) "Ondine", Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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A
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C. Debussy - The Complete Prel
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1218374 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 22 pages. Arkady ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218374 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 22 pages. Arkady Leytush #814848. Published by Arkady Leytush (A0.1218374).
$25.00 ≈
23.12€
Clair de Lune for Orchestra
Clair de Lune for Orchestra
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Orchestra
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ADVANCED
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Classical
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Claude Debussy
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David Watson
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Clair de Lune for Orchestra
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David E. Watson
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.841056 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.841056 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 47 pages. David E. Watson #3483413. Published by David E. Watson (A0.841056). Clair de Lune (moonlight), the 3rd and most famous of the 4 movements of the Suite Bergamasque by Claude Debussy. Arranged here for Orchestra. Parts included are- Strings, Flute (2), Oboe (2), A Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$30.00 ≈
27.74€
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – in Eb (Original key)
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – in Eb (Original key)
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650359. Published by OlivePress Music (A0.1045772). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (this one) or E (transposed from original). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99 ≈
23.11€
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650358. Published by OlivePress Music (A0.1045771). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (original key) or E (this one). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99 ≈
23.11€
Golliwog's Cakewalk (Full Orchestra) – Score and Parts – Transposed to E
Golliwog's Cakewalk (Full Orchestra) – Score and Parts – Transposed to E
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Pa...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Parts. 64 pages. OlivePress Music #6617947. Published by OlivePress Music (A0.1002399). One of Debussy's most popular piano pieces comes to the full orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$29.99 ≈
27.73€
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