Download Digital Sheet Music of Music's Movement for 2 Pianos, 4 hands

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Music's Movement
Not classified 188

Piano & keyboards
Piano solo 93
Organ 17
Piano, Voice 5
Piano Trio: piano, violin, cello 4
Piano Quartet: piano, violin, viola, cello 4

2 Pianos, 4 hands 2

Piano Quartet: piano, 2 violins, cello 1
1 Piano, 4 hands 1
Piano Quintet: piano, 2 violins, viola, cello 1
Piano, Vocal and Guitar 1
Piano Accompaniment 1

+ 6 instrumentations

- Retract

Guitars
Guitar 12
Ukulele 1
Guitar notes and tablatures 1

Voice
Choral SATB 19
Choral SSAA 1
Choral SSATB 1
Choral SSAATTBB 1

Woodwind
Saxophone Quartet: 4 saxophones 24
2 Flutes (duet) 15
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 14
Clarinet Quartet: 4 clarinets 13
Clarinet 12

Flute and Piano 9
Oboe (band part) 9
Saxophone Quintet: 5 Saxophones 8
Clarinet Quintet: 5 clarinets 7
Flute, Oboe, Clarinet, Bassoon 7
Clarinet Ensemble 7
Flute 6
Clarinet and Piano 5
Alto Saxophone and Piano 5
Oboe, Piano (duet) 5
Alto Saxophone 4
3 Clarinets (trio) 3
Flute Quintet : 5 flutes 3
Tenor Saxophone and Piano 2
Flute ensemble 2
Soprano Saxophone and Piano 2
Bass Clarinet, Piano 1
Clarinet, Violin (duet) 1
Flute, Oboe, Piano (trio) 1
Oboe, Clarinet, Bassoon (trio) 1
Flute Quartet: 4 flutes 1
Saxophone (band part) 1
3 Saxophones (trio) 1
Flute Trio: 3 flutes 1
2 Clarinets (duet) 1
2 Saxophones, Piano 1
Flute, Clarinet, Piano (trio) 1
Flute and Guitar 1
Clarinet, Bassoon (duet) 1

+ 29 instrumentations

- Retract

Woodbrass
Trombone and Piano 22
Brass Quintet: 2 trumpets, horn, trombone, tuba 21
Trombone ensemble 15
Tuba and Piano 10
Brass quartet : 2 trumpets, trombone, tuba 9

Trumpet, Piano 8
Trombone 8
French horn 8
Trumpet (band part) 7
Trumpet 6
Euphonium, Piano (duet) 6
French Horn and Piano 5
Trumpet ensemble 3
Bass Trombone 2
3 Euphoniums 2
2 Euphoniums and 2 Tubas 2
Brass Quartet: 4 trombones 2
Tuba 2
Bass Trombone and Piano 1
2 Tubas (duet) 1
Brass Quartet: 2 trumpets, horn, trombone 1
2 Euphoniums (duet) 1
Trombone, Tuba (duet) 1
3 Tubas (trio) 1
Trombone and Orchestra 1
Brass Quartet: 4 horns 1

+ 21 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 56
Violin and Piano 18
Cello, Piano 12
Violin, Cello (duet) 7
2 Violins (duet) 6

Cello 6
Violin 5
Viola, Piano 4
2 Cellos (duet) 3
Violin, Viola (duet) 3
String Trio: violin, viola, cello 2
Viola ensemble 2
Double bass, Piano (duet) 1
Violin, Organ 1
String Quintet: 2 violins, viola, cello, bass 1
Violin ensemble 1
Violin (band part) 1
2 Violas (duet) 1
Viola 1
Violin, Clarinet, Piano (trio) 1
Harp, Flute (duet) 1
String Trio: 2 violins, cello 1
Cello, String Bass (duet) 1
Double Bass 1

+ 19 instrumentations

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Percussion & orchestra
Orchestra 57
String Orchestra 32
Chamber Orchestra 22
Brass ensemble 22
Concert band 21

Percussion Ensemble 4
Jazz Ensemble 4
Drums 1
Voice Mezzo-Soprano, Orchestra 1
Vibraphone 1
Orchestra, Violin 1
Handbells 1
Piano and Orchestra 1

+ 8 instrumentations

- Retract

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Music's Movement

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2 Pianos, 4 hands

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2 sheet music found

Germaine Tailleferre: Trois Études for two pianos

Germaine Tailleferre: Trois Études for two pianos #2 Pianos, 4 hands #ADVANCED #achieving the physical decline #Germaine Tailleferre #Germaine Tailleferre: Trois É #Musik Fabrik Music Publishing #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...(+)

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolledÂ« Free Zone Â» of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist LÃ©on Blum during the Â« Front Populaire Â» period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal Â«Modern Music Â» which she wrote shortly after arriving in America in the Spring of 1942 :Â« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom Â».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and FranÃ§ois Lang, a pianist who was closely linked with the Group des Six and whohad performed in the premiÃ¨re of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with itâ€™s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didnâ€™t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that FranÃ§ois Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.ï»¿

$32.95 ≈ 29.74€

Piano Quintet in A minor

Piano Quintet in A minor #2 Pianos, 4 hands #ADVANCED #Florence B #Mena Williams (b #Piano Quintet in A minor #Mena C. Williams | The Unfinished Symphony #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). ...(+)

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.

$4.99 ≈ 4.50€