Download Digital Sheet Music of My Lord And King for 2 Pianos, 4 hands

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My Lord And King
Not classified 149

Piano & keyboards
Piano solo 101
Organ 58
Piano, Voice 52
Piano, Vocal and Guitar 26
Easy Piano 18

C Instruments 6
Piano Accompaniment 4
Piano Trio: piano, violin, cello 4
2 Pianos, 4 hands 3

1 Piano, 4 hands 1
Piano (band part) 1

+ 6 instrumentations

- Retract

Guitars
Guitar notes and tablatures 2
Guitar 2
Melody line, (Lyrics) and Chords 2
Ukulele 1
4 Guitars (Quartet) 1

Voice
Choral SATB 79
Choral 3-part 16
Choral 2-part 12
Vocal duet, Piano 8
Choral Unison 5

Choral TTBB 5
Soprano voice, Piano 3
Choral SSAA 1
Vocal duet 1
Voice solo 1

+ 5 instrumentations

- Retract

Woodwind
2 Saxophones (duet) 25
Saxophone, Clarinet (duet) 13
Oboe, Bassoon (duet) 11
2 Clarinets (duet) 9
Clarinet, Violin (duet) 9

Oboe, Piano (duet) 8
Clarinet and Piano 8
Saxophone Quartet: 4 saxophones 7
2 Flutes (duet) 7
English horn, Piano 6
Baritone Saxophone, Piano 5
2 Oboes (duet) 5
Clarinet, Bassoon (duet) 5
Alto Saxophone and Piano 5
Clarinet and Viola 5
Flute, Clarinet (duet) 5
Clarinet Quartet: 4 clarinets 5
Flute, Trumpet (duet) 5
Flute Quartet: 4 flutes 5
Flute and Piano 5
Bass Clarinet, Piano 4
Flute, Saxophone (duet) 4
Soprano Saxophone and Piano 4
Oboe, Clarinet (duet) 4
Flute Trio: 3 flutes 3
Descent (Soprano) Recorder, Piano 3
Oboe, Flute 3
Recorder Quartet 3
Tenor Saxophone and Piano 3
Flute, Violin 3
Flute, Oboe, Clarinet, Bassoon 2
3 Clarinets (trio) 2
Clarinet, Trombone (duet) 1
2 Flutes and Harp 1
Oboe 1
Flute, Cello, Piano (trio) 1
Flute, Violin and Violoncello 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Treble (Alto) Recorder 1
Clarinet Ensemble 1
Clarinet, Cello, Piano (trio) 1
Flute, Trombone (duet) 1
2 Clarinets, Piano 1
Clarinet, Trumpet (duet) 1
Flute, Violin, Piano 1
3 Saxophones (trio) 1
Harmonica 1
Flute 1
Flute, harp and violin 1
2 Flutes, Piano 1
Flute, Viola (duet) 1
Clarinet 1

+ 47 instrumentations

- Retract

Woodbrass
Trumpet, Piano 10
Trumpet, Saxophone (duet) 8
English horn, Piano 6
2 French horns (duet) 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 5

Trombone and Piano 5
Trumpet, Trombone (duet) 3
Brass quartet : 2 trumpets, trombone, tuba 2
Tuba 2
2 Trumpets (duet) 2
Tuba and Piano 2
2 Trombones (duet) 2
Euphonium, Piano (duet) 2
3 Trumpets (trio) 1
Brass Quartet: 2 trumpets, horn, trombone 1
French Horn and Piano 1

+ 11 instrumentations

- Retract

Strings
Violin and Piano 12
String Quartet: 2 violins, viola, cello 12
Viola, Piano 10
Violin, Viola (duet) 9
Violin, Cello (duet) 7

Viola, Cello (duet) 6
2 Violas (duet) 5
Harp, Voice 5
String quartet: 4 violins 3
Harp 3
String Trio: violin, viola, cello 3
Cello, Piano 3
2 Cellos (duet) 3
Cello (band part) 3
Cello 2
Violin (band part) 2
2 Violins (duet) 2
Viola 1
Piano Trio: Violin, Viola, Piano 1
String Trio: 2 violins, cello 1
String Trio: 3 violins 1
Double Bass 1
String Quintet: 2 violins, viola, cello, bass 1
Violin, Guitar (duet) 1
2 Violins, Piano 1
Violin, Clarinet, Piano (trio) 1

+ 21 instrumentations

- Retract

Percussion & orchestra
Orchestra 10
Concert band 5
Handbells 3
Brass ensemble 2
Jazz Ensemble 1

Chamber Orchestra 1
String Orchestra 1

+ 2 instrumentations

- Retract

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My Lord And King

2 Pianos, 4 hands

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3 sheet music found

Take My Life and Let It Be (2 Pianos, 4 Hands Duet)

Take My Life and Let It Be (2 Pianos, 4 Hands Duet) #2 Pianos, 4 hands #INTERMEDIATE #Sharon Wilson #Sharon Wilson #Take My Life and Let It Be #Sharon Wilson #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. A...(+)

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

$5.99 ≈ ¥43.57

Whiter Than Snow (2 Pianos, 4 Hands Duet)

Whiter Than Snow (2 Pianos, 4 Hands Duet) #2 Pianos, 4 hands #INTERMEDIATE #Sharon Wilson #Sharon Wilson #Whiter Than Snow #Sharon Wilson #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Shar...(+)

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

$5.99 ≈ ¥43.57

Sonata Hymnica No. 6

Sonata Hymnica No. 6 #2 Pianos, 4 hands #INTERMEDIATE/ADVANCED #James Siddons #Sonata Hymnica No. 6 #James Siddons Music and Writings #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. OneÂ performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the trebleÂ staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianosÂ doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern thatÂ begins in measure 37. A standing conductor (not playing piano) may be desired. Â Although repetitive, the music in this sonata rarely repeats itselfÂ exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oralÂ tradition. ProgramÂ Note (for use in concert programs) by James Siddons Â The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns andÂ vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar wordsÂ sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for pianoÂ ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixthÂ sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shapedÂ by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours andÂ cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from theÂ Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speakÂ ofÂ standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strainsÂ of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-centuryÂ African Americans. He refers to their singing as the Frenzy or â€˜Shouting,â€™ when the Spirit of the Lord passed by, and seizing theÂ devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms,Â the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as wellÂ as percussive polyrhythms.

$10.00 ≈ ¥72.73