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First Call
Not classified 129

Piano & keyboards
Piano solo 48
Piano, Voice 12
Piano, Vocal and Guitar 11
C Instruments 10
Organ 4

1 Piano, 4 hands 3
Accordion 3
2 Pianos, 4 hands 2
Organ, Piano (duet) 2
Piano Quintet: piano, 2 violins, viola, cello 1

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Guitars
Guitar 14
Guitar notes and tablatures 3
Mandolin, Guitar (duet) 1
Bass guitar 1

Voice
Choral SATB 20
Vocal duet 4
Choral 3-part 2
Choral SSAA 1
Choral TTBB 1

Soprano voice 1

+ 1 instrumentations

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Woodwind
Saxophone ensemble 18
Saxophone Quintet: 5 Saxophones 17
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 12
Soprano Saxophone and Piano 8
Clarinet Ensemble 8

Saxophone Quartet: 4 saxophones 8
Clarinet Quartet: 4 clarinets 6
Alto Saxophone and Piano 4
Flute ensemble 3
Clarinet 3
Flute and Piano 3
Flute Quartet: 4 flutes 2
Clarinet and Piano 2
Flute, Oboe, Clarinet, Bassoon 2
Flute Quintet : 5 flutes 2
Bass Clarinet, Piano 1
Flute 1
Recorder Ensemble 1
Clarinet, Trombone (duet) 1
Flute, Clarinet (duet) 1
Oboe (band part) 1
Oboe, Piano (duet) 1
Clarinet, Cello, Piano (trio) 1
Clarinet Quintet: 5 clarinets 1
Tenor Saxophone and Piano 1

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 22
Brass Quintet: 2 trumpets, horn, trombone, tuba 18
Brass Quartet: 2 trumpets, horn, trombone 15
Trombone ensemble 9
Trumpet 3

Trombone and Piano 3
Trumpet ensemble 3
Brass Quartet 1
Tuba 1
Trumpet, Trombone (duet) 1
Tuba and Piano 1
French Horn and Piano 1
Euphonium, Piano (duet) 1
Horn, Cello (duet) 1
Brass Quartet: 4 trombones 1
Euphonium 1
Trombone 1
Horn and Organ 1
Brass Quartet: 4 horns 1

+ 14 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 25
Violin and Piano 9
2 Harps (duet) 5
Harp 5
Violin, Cello (duet) 4

String Trio: violin, viola, cello 4
Cello (band part) 3
Cello, Piano 3
Viola, Piano 2
Harp, Voice 2
Viola ensemble 2
Violin ensemble 2
String Quintet: 2 violins, viola, cello, bass 2
Cello 2
Harp, Violin (duet) 1
2 Cellos (duet) 1
2 Violins (duet) 1
Viola 1

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Percussion & orchestra
Concert band 19
Chamber Orchestra 15
Orchestra 13
Brass ensemble 12
String Orchestra 7

Jazz combo 6
Jazz Ensemble 3
Handbells 2
Percussion Ensemble 1
Vibraphone 1

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Moondances

Moondances #Trumpet #INTERMEDIATE/ADVANCED #Jason Taurins #Moondances #Jason Allan Taurins #SheetMusicPlus

Piano,Trumpet - Level 4 - Digital Download SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins ...(+)

Piano,Trumpet - Level 4 - Digital Download SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenbergâ€™s Pierrot Lunaire. Itâ€™s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pabloâ€™s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.

$9.99 ≈ 9.21€

Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis

Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis #Trumpet #INTERMEDIATE/ADVANCED #Studies #Instructional #Eddie Lewis #Pentatonic Tonalization Studie #Tiger Music #SheetMusicPlus

Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pag...(+)

Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization
Introduction
Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.

Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.

That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example:

E - A - D - G - C

Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:

C - D - E - G - A

For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.

Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.

Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.

$14.99 ≈ 13.82€