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How Great Thou Art
Not classified 38

Piano & keyboards
Piano solo 27
Piano Quintet: piano, 2 violins, viola, cello 2
Organ 2
Piano, Voice 1
Piano, Vocal and Guitar 1

2 Pianos, 4 hands 1

+ 1 instrumentations

- Retract

Guitars
Guitar 5

Voice
Choral SATB 1

Woodwind
2 Flutes (duet) 14
Oboe (band part) 11
Saxophone Quartet: 4 saxophones 9
Clarinet 9
Flute 2

2 Clarinets (duet) 1
Piccolo 1
Clarinet, Bassoon (duet) 1
Flute ensemble 1
English Horn 1
Saxophone ensemble 1

+ 6 instrumentations

- Retract

Woodbrass
French horn 4
Trumpet 2

Trombone, Tuba (duet) 1
Tuba 1
Brass quartet : 2 trumpets, trombone, tuba 1

Euphonium, Piano (duet) 1
Brass Quartet: 4 trombones 1
Trombone 1
English Horn 1
Trombone and Piano 1
Trombone (band part) 1
Trumpet, Piano 1

+ 7 instrumentations

- Retract

Strings
Harp 11
2 Violins (duet) 6
Violin 2
2 Cellos (duet) 2
Double Bass 1

Violin and Piano 1
4 Harps 1
String Quartet: 2 violins, viola, cello 1
Piano Trio: Violin, Viola, Piano 1
Viola 1
Cello (band part) 1
Violin, Clarinet, Piano (trio) 1

+ 7 instrumentations

- Retract

Percussion & orchestra
Orchestra 4
Chamber Orchestra 2
Jazz Ensemble 1
Piano and Orchestra 1
Marimba 1

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How Great Thou Art

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The Be-Bop Range Book

The Be-Bop Range Book #Trumpet #ADVANCED #Eric Bolvin #Air #The Be-Bop Range Book #ERIC V BOLVIN #SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. ...(+)

Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I canâ€™t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.

$16.95 ≈ 15.64€

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Trumpet 2 in Bb

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Trumpet 2 in Bb #Trumpet #ADVANCED #Benjamin Harry Sajo #Icarus Also Flew: A Pairing wi #Benjamin Sajo #SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018887 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...(+)

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018887 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056103. Published by Benjamin Sajo (A0.1018887). Programme Notes:â€ƒIcarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, donâ€™t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of oneâ€™s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarusâ€™s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.â€ƒThis piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethovenâ€™s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. Iâ€™ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 ≈ 3.23€