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Aspects of Time
Not classified 43

Piano & keyboards
Piano solo 42
Easy Piano 11
Piano, Voice 3
Organ 3
1 Piano, 4 hands 2

2 Pianos, 4 hands 2
Piano, Vocal and Guitar 1
Piano Trio: piano, violin, cello 1

+ 3 instrumentations

- Retract

Guitars
Guitar 7
Guitar notes and tablatures 1
Banjo 1

Voice
Choral SATB 14
Choral SSAA 2
Choral 3-part 1
Choral 1
Baritone voice, Piano 1

Woodwind
Clarinet 3
Flute 2
2 Flutes (duet) 1
Clarinet Ensemble 1
Saxophone Quartet: 4 saxophones 1

Tenor Recorder 1
Soprano Saxophone and Piano 1
Clarinet and Piano 1
Saxophone (band part) 1
Flute and Piano 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Tenor Saxophone and Piano 1
Oboe, Piano (duet) 1
Alto Saxophone and Piano 1
Oboe (band part) 1

+ 10 instrumentations

- Retract

Woodbrass
Trumpet 3

Trumpet, Piano 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Euphonium 1
French horn (band part) 1

Trombone and Piano 1
Tuba 1

+ 2 instrumentations

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Strings
Harp 9
String Quartet: 2 violins, viola, cello 5
Violin 3
Cello 3
Piano Trio: Violin, Viola, Piano 1

4 Harps 1

+ 1 instrumentations

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Percussion & orchestra
Concert band 24
Orchestra 15
String Orchestra 4
Jazz Ensemble 2
Percussion Ensemble 2

Chamber Orchestra 1
Drums 1
Handbells 1

+ 3 instrumentations

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Aspects of Time

Trumpet

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The Be-Bop Range Book

The Be-Bop Range Book #Trumpet #ADVANCED #Eric Bolvin #Air #The Be-Bop Range Book #ERIC V BOLVIN #SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. ...(+)

Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I canâ€™t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.

$16.95 ≈ ¥123.04

Trumpet 101

Trumpet 101 #Trumpet #BEGINNER #Jennifer Watts #Trumpet 101 #Jennifer Watts #SheetMusicPlus

Trumpet Solo - Level 1 - Digital Download SKU: A0.1011071 Composed by Jennifer Watts. Instructional. Individual part. 18 pages. Jennifer Watts #3011919. ...(+)

Trumpet Solo - Level 1 - Digital Download SKU: A0.1011071 Composed by Jennifer Watts. Instructional. Individual part. 18 pages. Jennifer Watts #3011919. Published by Jennifer Watts (A0.1011071). The purpose of this book, this book has been designed for beginner trumpet students who want to study the trumpet. The student will find it challenging but will achieved the goal of learning base note names, what valves to push along with notation, like the different rest, basic time signature along with basic breathing tips. These materials should be helpful for any beginner trumpet player who would like to start studying the trumpet. Breathing is one of the most natural things we do; when we apply it to trumpet playing we frequently distort certain aspects. With good breathing habits all aspects of playing improve. This not only includes tone quality, range, and endurance, but also tonguing, slurring, and even fingering. Proper breathing is inhaling and exhaling large amounts of air, it is more important to breath from the diaphragm. Remember itâ€™s important to feel relaxed when you breath, this well help your air flow and to breath better. When we breathe, we store all our air in the lungs, and then we start to breath from the diaphragm. o Empty the lungs entirely. o Slowly lower the diaphragm allowing air to enter the lungs while filling the bottom of the lungs with air. o Expand the ribs without straining. o Allow the lungs to completely fill.

$5.99 ≈ ¥43.48

Sonatina for Trumpet & Piano

Sonatina for Trumpet & Piano #Trumpet #Jianjun He #Sonatina for Trumpet & Piano #Imagine Music - Digital #SheetMusicPlus

Trumpet & piano - Digital Download SKU: IZ.IMW181 Composed by Jianjun He. Score and Parts. 17 pages. Imagine Music - Digital #IMW181. Published by Imagin...(+)

Trumpet & piano - Digital Download SKU: IZ.IMW181 Composed by Jianjun He. Score and Parts. 17 pages. Imagine Music - Digital #IMW181. Published by Imagine Music - Digital (IZ.IMW181). 9 x 12 in inches.With accessible melody and succinct structure, Sonatina for Trumpet and Piano in many aspects reflects Prokofiev's simplism. Its structure falls roughly into a sonata form. The first theme is short and animate, while the second one, in contrast, sings a long lyrical tune. Since the keys are not established in conventional ways the tonal centers are ambiguous in most times. Although the dominancy of the trumpet cannot be avoided in this instrumental setting, the composer tried to make the piano sound equally interesting and attractive with the trumpet. It is the composer's wish that this little piece could bring the audience a cheerful frame of mind. CD recording by Adam Hayes and Kris Carlisle is available on Curvepoin Media.

$20.00 ≈ ¥145.18