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It Ain Opera
Not classified 240

Piano & keyboards
Piano, Voice 234
Piano solo 59
Easy Piano 21
1 Piano, 4 hands 13
Piano, Vocal and Guitar 11

Piano Trio: piano, violin, cello 7
Organ 7
2 Pianos, 4 hands 4
C Instruments 3
Piano Quintet: piano, 2 violins, viola, cello 3
Piano Quartet: piano, violin, viola, cello 3
Big Note Piano 2
Piano Accompaniment 1

+ 8 instrumentations

- Retract

Guitars
Guitar 17
Melody line, (Lyrics) and Chords 10
Guitar notes and tablatures 6
Ukulele 1
Mandolin 1

Voice
Choral SATB 36
Soprano voice, Piano 12
Choral 3-part 9
Choral TTBB 6
Choral SSAA 5

Choral Unison 4
Choral 2-part 3
Vocal duet, Piano 3
Tenor voice, Piano 2
High voice 2
Soli, Mixted choir and accompaniment 1
Voice solo 1
Alto voice, Piano 1
Medium voice, Piano 1
Soprano voice 1
Vocal duet 1

+ 11 instrumentations

- Retract

Woodwind
Clarinet and Piano 83
Flute and Piano 82
Alto Saxophone and Piano 39
Oboe, Piano (duet) 34
Flute, Oboe, Clarinet, Bassoon 34

Soprano Saxophone and Piano 32
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 32
Saxophone Quartet: 4 saxophones 29
2 Saxophones (duet) 25
Clarinet Quartet: 4 clarinets 22
English horn, Piano 18
Flute Quartet: 4 flutes 14
Tenor Saxophone and Piano 14
3 Saxophones (trio) 12
Saxophone Quintet: 5 Saxophones 12
2 Clarinets (duet) 10
2 Flutes (duet) 9
Clarinet 8
Baritone Saxophone, Piano 7
2 Recorders (duet) 6
Flute, Clarinet (duet) 5
Clarinet, Bassoon (duet) 5
3 Recorders (trio) 5
Flute, Cello, Piano (trio) 4
Clarinet Quintet: 5 clarinets 4
Bass Clarinet, Piano 4
Treble (Alto) Recorder 3
Saxophone, Clarinet (duet) 3
Flute ensemble 3
Recorder Quartet 3
Flute 3
Flute Quintet : 5 flutes 3
3 Clarinets (trio) 3
Flute Trio: 3 flutes 3
Oboe, Clarinet, Bassoon (trio) 3
2 Oboes (duet) 2
Saxophone (band part) 2
Clarinet, Cello (duet) 2
2 Clarinets, Piano 2
5 Recorders 2
Tenor Recorder 2
Clarinet, Cello, Piano (trio) 1
Clarinet, Violin (duet) 1
Piccolo, Piano 1
Clarinet, Trumpet (duet) 1
Clarinet (band part) 1
Oboe (band part) 1
Alto Saxophone 1
Flute, Violin, Piano 1
Flute, Saxophone (duet) 1
Recorder, Piano 1
Flute and Strings Trio 1
Flute, Clarinet, Piano (trio) 1
2 Flutes, Piano 1
Flute, Basso continuo 1
Clarinet, Harp (duet) 1
Descant (Soprano) Recorder 1
Clarinet Ensemble 1
Clarinet, Trombone (duet) 1
Flute, Oboe, Piano (trio) 1
Saxophone ensemble 1
Flute, Oboe, Clarinet (trio) 1
Flute, Violoncello 1
Oboe, Harp 1
Descent (Soprano) Recorder, Piano 1
Recorder 1
Flute, Viola (duet) 1

+ 62 instrumentations

- Retract

Woodbrass
Trumpet, Piano 32
Brass Quintet: 2 trumpets, horn, trombone, tuba 26
Brass quartet : 2 trumpets, trombone, tuba 22
Trombone and Piano 19
French Horn and Piano 19

English horn, Piano 18
Tuba and Piano 13
Brass Quartet: 2 trumpets, horn, trombone 12
Trumpet 11
Brass Quartet: 4 trombones 10
2 Trumpets (duet) 5
Euphonium, Piano (duet) 5
Brass Quartet: 4 trumpets 5
2 Trombones (duet) 5
Horn Ensemble 4
4 Tubas 4
2 French horns (duet) 4
Brass Quartet: 4 horns 4
3 Tubas (trio) 3
Trumpet, Trombone (duet) 3
Trombone, Horn (duet) 2
Trumpet ensemble 2
3 French horns (trio) 2
3 Trombones (trio) 2
Trombone (band part) 2
Trombone 2

Trumpet, Horn (duert) 2
Trombone ensemble 2
Euphonium, Tuba (duet) 2
Trumpet, Saxophone (duet) 2
Brass Quartet 1
Tuba and Organ 1
2 Euphoniums (duet) 1
Trumpet (band part) 1
French horn (band part) 1
Euphonium 1
French horn 1

+ 32 instrumentations

- Retract

Strings
Violin and Piano 93
Viola, Piano 91
Cello, Piano 83
String Quartet: 2 violins, viola, cello 81
Violin, Cello (duet) 11

2 Violins (duet) 10
2 Cellos (duet) 9
String Trio: violin, viola, cello 9
Double bass, Piano (duet) 8
String Quartet : 4 violas 8
2 Violas (duet) 7
Viola, Cello (duet) 6
Violin, Viola (duet) 5
4 Cellos 5
String quartet: 4 violins 4
Violin (band part) 4
Violin 4
String Trio: 3 cellos 4
Viola 3
String Trio: 3 violas 3
String Trio: 2 violins, cello 2
Harp 2
String Trio: 3 violins 2
Harp, Violin, Violoncello 1
Piano Trio: Violin, Viola, Piano 1
String Quintet: 2 violins, viola, cello, bass 1
Harp and mandolin 1
Viola and Bassoon 1
Doublebass (band part) 1
Viola (band part) 1
Double Bass 1
Harp, Violin (duet) 1
Harp, Flute (duet) 1
Cello (band part) 1

+ 29 instrumentations

- Retract

Percussion & orchestra
Concert band 61
String Orchestra 42
Orchestra 31
Chamber Orchestra 26
Brass ensemble 19

Percussion (band part) 2
Percussion Ensemble 2
Piano and Orchestra 1
Jazz Ensemble 1

+ 4 instrumentations

- Retract

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It Ain Opera

Trombone

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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20

20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20 #Trombone #INTERMEDIATE #Opera #Classical #Tom Ervin #Marco Bordogni #20 Counterparts from Book 1 Ro #Gordon Cherry #SheetMusicPlus

Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Perio...(+)

Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogniâ€™s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature â€¦indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic â€¦fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University â€¦absolutely ingeniousâ€¦.they capture the essential character of each piece and cleverly expand and enhance the original material. Can be â€˜stand aloneâ€™ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them aloneâ€¦a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the tromboneâ€™s most important collection of etudesâ€¦destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University â€¦similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochutâ€™s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra Theyâ€™re not only enjoyable to play, but add some â€˜zipâ€™, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirdsâ€¦stylistically appropriateâ€¦a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short timeâ€¦already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany

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