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Mark M
Not classified 46

Piano & keyboards
Piano solo 8
Organ 5
C Instruments 2
Piano, Voice 1
Piano Trio: piano, violin, cello 1

Piano, Vocal and Guitar 1
Piano Quartet: piano, violin, viola, cello 1

+ 2 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 3
Lyrics and Chords 1
Guitar notes and tablatures 1
Piano, Guitar (duet) 1

Voice
Choral SATB 18
Choral SSAA 2
Baritone voice, Piano 1

Woodwind
Saxophone (band part) 8
Alto Saxophone and Piano 3
Flute and Piano 3
Oboe, Piano (duet) 3
Flute 2

Tenor Saxophone and Piano 2
Clarinet and Piano 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
3 Clarinets (trio) 2
3 Saxophones (trio) 2
2 Clarinets (duet) 1
Flute Trio: 3 flutes 1
2 Flutes (duet) 1
Saxophone Quartet: 4 saxophones 1
Bass Clarinet, Piano 1
Flute ensemble 1
Clarinet Ensemble 1
Baritone Saxophone, Piano 1

+ 13 instrumentations

- Retract

Woodbrass
Trombone (band part) 8
Trumpet (band part) 8
Brass Quintet: 2 trumpets, horn, trombone, tuba 7
Brass Quartet 3
Trumpet 2

Brass Trio 2
Trombone and Piano 1
Horn Ensemble 1
Trombone 1
Trumpet, Piano 1
French horn 1
Trumpet, Trombone (duet) 1

+ 7 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 18
Viola, Piano 3
Cello, Piano 3
Violin and Piano 3
Violin 3

String Trio: violin, viola, cello 2
Violin, Cello (duet) 1
String Trio: 2 violins, cello 1

+ 3 instrumentations

- Retract

Percussion & orchestra
String Orchestra 14
Jazz Ensemble 4
Orchestra 4
Concert band 4
Marching band 3

Brass ensemble 3

Drums 1
Percussion Ensemble 1
Chamber Orchestra 1

+ 4 instrumentations

- Retract

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Mark M

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Brass ensemble

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3 sheet music found

M'appari tutt' amor (“Mostly Martha”)

M'appari tutt' amor (“Mostly Martha”) #Brass ensemble #INTERMEDIATE/ADVANCED #Friedrich von Flotow #F #M'appari tutt' amor #Sweetwater Brass Press #SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period....(+)

Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

$7.95

Hello! Ma Baby

Hello! Ma Baby #Brass ensemble #INTERMEDIATE/ADVANCED #Joseph E #F #Hello! Ma Baby #Sweetwater Brass Press #SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Sc...(+)

Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangementâ€™s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box.Â (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

$7.00

BACH: Trio Sonata No. 5 BWV 529 for Brass Trio

BACH: Trio Sonata No. 5 BWV 529 for Brass Trio #Brass ensemble #INTERMEDIATE/ADVANCED #Classical #Johann Sebastian Bach #James M #BACH: Trio Sonata No. 5 BWV 52 #jmsgu3 #SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.552680 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wed...(+)

Brass Ensemble - Level 4 - Digital Download SKU: A0.552680 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 65 pages. Jmsgu3 #6508475. Published by jmsgu3 (A0.552680). Brass Trio: 2 Trumpets in C, 1 Bass Trombone.Â Duration: ca. 12:20, Score: 37 pagesJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape. Â The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.

$32.95