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Get Into It
Not classified 28

Piano & keyboards
Piano solo 29
Organ 4
2 Pianos, 4 hands 3
Piano Trio: piano, violin, cello 1
1 Piano, 4 hands 1

Guitars

Voice
Choral SATB 5
Tenor voice, Piano 2
Choral SSAA 1
Soprano voice, Piano 1
Tenor voice 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4
Oboe (band part) 2
Flute, Oboe, Clarinet, Bassoon 2
Flute 2
English Horn 1

Clarinet 1
Saxophone Quartet: 4 saxophones 1
Flute ensemble 1
Clarinet Quartet: 4 clarinets 1
Piccolo 1
Clarinet Ensemble 1
2 Saxophones (duet) 1
3 Clarinets (trio) 1

+ 8 instrumentations

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Woodbrass
French horn 4
Trombone and Piano 3
Tuba and Piano 3
Tuba 2
Brass quartet : 2 trumpets, trombone, tuba 2

Trumpet 2
English Horn 1
Trombone (band part) 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass Quartet: 4 horns 1
Euphonium 1
Euphonium, Piano (duet) 1

+ 7 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 6
Violin and Piano 3
Harp 2
Violin 2
Viola 2

Cello, String Bass (duet) 1
Cello 1
4 Harps 1
Double Bass 1

+ 4 instrumentations

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Percussion & orchestra
Orchestra 15
Chamber Orchestra 6
Percussion Ensemble 3
Brass ensemble 3

Concert band 2

Piano and Orchestra 1

+ 1 instrumentations

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Brass Quartet - A Foregone Conclusion

Brass Quartet - A Foregone Conclusion #Brass ensemble #ADVANCED #Mike Lyons #Brass Quartet - A Foregone Con #Lyons Music Services #SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services ...(+)

Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services #3465944. Published by Lyons Music Services (A0.767318). This is a brand new work for brass quartet, using brass band instrumentation: Cornet (doubling Flugelhorn), Tenor Horn, Baritone Horn and Euphonium.It was written as a submission for a new brass quartet (A4 Brass Quartet) comprising musicians from the RNCM, but didn't get selected. Each movement is based on the ensemble's name and contains a pun on A4. Each movement also has fourths involved in it somewhere.The first movement is called Aforethought (because it contains my initial ideas) and it uses a mixture of tonal and quartal harmonies. Melodies and harmony are based around fourths and fifths. It requires all players to be able to flutter-tongue. After the opening fanfare, there is a march-like melody on the cornet, accompanied by the rest of the ensemble. This is followed by a contrasting tune using intervals of a fourth. These ideas are developed over several keys until the first march-like melody returns. The fanfare idea closes the movement.The second movement is called Aforementioned. It takes its ideas from the first movement, but gives them a bluesy style. The cornet player changes to the flugelhorn for this movement which has a beautiful languid melody. The horn shares some of the glory towards the end.The third and final movement is called Aphorhythm (A4 rhythm) and is in 7/8 time. The jerky little melody plays with the pulse of the 7/8 and smoothly morphs into a steadier 'middle 8' section before reprising the opening music.Altogether, this is an enjoyable and exciting piece for brass quartet..

$25.00 ≈ $33.67

Brass Quartet - Titans

Brass Quartet - Titans #Brass ensemble #ADVANCED #Mike Lyons #Brass Quartet - Titans #Lyons Music Services #SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music...(+)

Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations â€“ for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4

$20.00 ≈ $26.94

Funeral For A Friend

Funeral For A Friend #Brass ensemble #ADVANCED #Elton John #David J #Funeral For A Friend #Sterling Music Editions #SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.1500207 By Elton John. By Bernie Taupin and Elton John. Arranged by David J. Miller. 20th Century,Cla...(+)

Brass Ensemble - Level 5 - Digital Download SKU: A0.1500207 By Elton John. By Bernie Taupin and Elton John. Arranged by David J. Miller. 20th Century,Classical,Pop,Rock. 7 pages. Sterling Music Editions #1076285. Published by Sterling Music Editions (A0.1500207). Sir Elton John's Funeral for a Friend opens his 1973 album Goodbye Yellow Brick Road. This instrumental track continues seamlessly into his radio hit Love Lies Bleeding. The music was written as the answer to what he would like to have performed at his own funeral. This piece has been previously covered live by both Dream Theater and Metallica; and we now present the version covered by Barclay Brass! In our live performance at the link below, we segued into Billy Joel's Piano Man, his hit from the same year. It was our intention to bring together these two great rock pianists with a suite of music from 1973.The synthesizer colors lend themselves perfectly to the sound of a brass choir. Each group of instruments are featured as the mood of the music changes from somber, to angry, to hopeful. This arrangement (complete with the 16 seconds of wind as heard on the album) works as an opener, closer, or anywhere on a concert to create a shift in the flow of your program. To hear how this arrangement works live, click on the link below!For more brass arrangements by David J. Miller, visit the Barclay Brass YouTube Channel at https://www.youtube.com/@TheBarclayBrass/videos.

$49.99 ≈ $67.33