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False Opera
Not classified 124

Piano & keyboards
Piano, Voice 53
Piano solo 50
Easy Piano 15
C Instruments 13
Solo instrument and Organ 9

Piano, Vocal and Guitar 3
1 Piano, 4 hands 2
Organ 1

+ 3 instrumentations

- Retract

Guitars
Guitar notes and tablatures 3
Melody line, (Lyrics) and Chords 2

Voice

Woodwind
Eb Instruments 13
Saxophone (band part) 8
Flute and Piano 7
Flute 4
Saxophone Quartet: 4 saxophones 2

Clarinet 2
Clarinet and Piano 1
Oboe, Piano (duet) 1
Alto Saxophone and Piano 1

+ 4 instrumentations

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Woodbrass
Bb Instruments 13
Bass Clef Instruments 11
French Horn and Piano 3
Trumpet, Piano 2

Strings
Cello, Piano 6
Cello 4
Viola (band part) 3
Violin and Piano 2
Viola, Piano 2

Violin (band part) 2
Cello (band part) 1
String Quartet: 2 violins, viola, cello 1
Violin 1
Viola 1

+ 5 instrumentations

- Retract

Percussion & orchestra
Orchestra 2
Brass ensemble 1

String Orchestra 1
Concert band 1

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False Opera

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Monteverdi - The Fifth Book of Madrigals (1605) - 18. E cosi a poco a poco

Monteverdi - The Fifth Book of Madrigals (1605) - 18. E cosi a poco a poco #Brass ensemble #INTERMEDIATE/ADVANCED #Classical #Claudio Monteverdi #Mike Lyons #Monteverdi - The Fifth Book of #Lyons Music Services #SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...(+)

Brass Ensemble - Level 4 - Digital Download SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3121643. Published by Lyons Music Services (A0.767255). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The penultimate song, again presents difficulties in arranging for quintet, however the sixth voice mostly alternates with the others and so with a bit of jusicious adaptation, a six-voice song becomes a quintet. E cosi a poco a poco a sei voci - Our young man has obviously been spurned (yet again) And so little by little like a butterfly simpleton I'll return to the fire in those false eyes

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