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1
Sonata In C For Organ (Finale) By Thomas R. Schadl
Sonata In C For Organ (Finale) By Thomas R. Schadl
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Organ
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ADVANCED
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 page...
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Organ - Level 5 - Digital Download SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration. I hope that you enjoy this work.
$10.99 ≈
10.15€
Sagas Nos. 1-6
Sagas Nos. 1-6
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Organ
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ADVANCED
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 min...
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Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99 ≈
21.23€
Six Settings for Organ on Amazing Grace
Six Settings for Organ on Amazing Grace
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Organ
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ADVANCED
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Contemporary
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2019, I was determined to comp
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Christopher McWilliams
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Six Settings for Organ on Amaz
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Christopher McWilliams
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.1008284 Composed by Christopher McWilliams. 20th Century,Contemporary. Score. 9 pages. Christopher McWilliams ...
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Organ - Level 5 - Digital Download SKU: A0.1008284 Composed by Christopher McWilliams. 20th Century,Contemporary. Score. 9 pages. Christopher McWilliams #4728833. Published by Christopher McWilliams (A0.1008284). Note from the composer: This work was originally called Impromptu Variations on Amazing Grace. In 2016, I wrote half the variations and improvised the remaining ones. By 2019, I was determined to compose the rest so that they could be learned by other organists. I also changed the title to Six Settings for Organ on Amazing Grace because I mostly varied the accompaniments rather than the theme. What sets this work apart from other composers' versions is its key, G-flat major. Although it is rarely used in organ literature, it is a personal favorite key of mine, and I consider it a good challenge for the performing artist. Not only is the key unusual, but I have also incorporated some original idioms including a flutter figure on a light stop against the theme on a chime stop and a mysterious sounding introduction including chromatic scales. Aside from these original ideas, I have borrowed techniques from the works of Dave Brubeck, Chopin and Bach. .
$3.99 ≈
3.68€
Sonata In G For Organ-First Movement
Sonata In G For Organ-First Movement
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Organ
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ADVANCED
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Thomas R
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Sonata In G For Organ-First Mo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Tho...
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Organ - Level 5 - Digital Download SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.
$7.99 ≈
7.38€
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