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On That Cross
Not classified 46

Piano & keyboards
Piano solo 21
Piano Trio: piano, violin, cello 3
Organ 3

Piano, Voice 2
Piano, Vocal and Guitar 1

Piano Quartet: piano, 2 violins, cello 1

+ 1 instrumentations

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Guitars
Guitar 2
Guitar notes and tablatures 1

Voice
Choral SATB 9
Choral SSAA 1
Soprano voice, Piano 1

Woodwind
Clarinet Quintet: 5 clarinets 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute, Oboe, Clarinet, Bassoon 1
Alto Saxophone 1
3 Clarinets (trio) 1

Flute and Piano 1

+ 1 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Tuba and Piano 2
Trumpet 1
Trombone and Piano 1
Brass Quartet 1

Strings
Cello, String Bass (duet) 3
Cello (band part) 3
Violin 3
String Quartet: 2 violins, viola, cello 3
Violin, Cello (duet) 2

2 Violins (duet) 1
String Trio: 2 violins, cello 1
Harp 1
Viola and Harp 1
Viola, Piano 1
Violin and Piano 1
String Trio: violin, viola, cello 1
Cello, Piano 1
Violin, Clarinet, Piano (trio) 1

+ 9 instrumentations

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Percussion & orchestra
Orchestra 6
Concert band 5
Jazz Ensemble 2
Chamber Orchestra 2
Piano and Orchestra 1

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On That Cross

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3 sheet music found

Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de

Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de #Organ #ADVANCED #Classical #Claude Debussy/Robert Orledge #Robert Orledge: A Night in the #Musik Fabrik Music Publishing #SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabri...(+)

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908â€“16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usherâ€™s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussyâ€™s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with MÃ©lisandeâ€™s theme in his opera PellÃ©as et MÃ©lisande), the only things I really needed to add were linking material and any passages where fast music was required. So the â€˜nightmare scherzoâ€™, and Lady Madelineâ€™s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of â€˜changing backgroundsâ€™, both harmonic and textural, proved extremely useful, as it did to Debussy in his PrÃ©lude Ã lâ€™aprÃ¨s-midi dâ€™un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussyâ€™s score as A Night in the House of Usher for organ, and subsequently pianoâ€”with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.ï»¿

$12.95 ≈ $17.90

Orgelsinfonie No. 16

Orgelsinfonie No. 16 #Organ #ADVANCED #Enjott Schneider #Orgelsinfonie No. 16 #Schott Music - Digital #SheetMusicPlus

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration ...(+)

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying â€“ from the plague and war to the never-ending dangers of daily life â€“ was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

$21.99 ≈ $30.39

Hagia Sophia

Hagia Sophia #Organ #ADVANCED #Robert M #Hagia Sophia #Schott Music - Digital #SheetMusicPlus

Organ - difficult - Digital Download SKU: S9.Q19995 PoÃ¨me symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadab...(+)

Organ - difficult - Digital Download SKU: S9.Q19995 PoÃ¨me symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q19995. Published by Schott Music - Digital (S9.Q19995). Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum â€“ but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The present music has to be regarded against this background: A reflection, contemplation with music and poetry. The Creation is powerful, but the truth about it is powerful as well. And the realization that the path to truth is reached through wisdom. As a consequence, this piece has to cross the powerful for half its duration, monumental. It is the cupola over all following (observing) verses (sections). From bar 371, the path leads back into the powerful, into the rejoicing (bar 406). It must not be forgotten to mention the suggestion of 'singing in a mosque' (bar 510) which is answered by a simple prayer (bar 511). This is reminiscent of the mosaic above the imperial door of the building portraying Jesus Christ sitting on a jewelled throne. He holds an open book in which one can read 'Peace be with you. I am the light of the world'. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.

$23.99 ≈ $33.16