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Sant'
Not classified 80

Piano & keyboards
Piano solo 149
Accordion 9
Organ 3

1 Piano, 4 hands 2
Piano, Voice 2

2 Pianos, 4 hands 2
Piano, Vocal and Guitar 1
Piano Quartet: piano, 2 violins, cello 1
Harpsichord 1
Piano Quintet: piano, 2 violins, viola, cello 1
Piano Quartet: piano, violin, viola, cello 1

+ 6 instrumentations

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Guitars
Guitar 21
Bass guitar 5
Guitar notes and tablatures 3
2 Guitars (duet) 2
Plectrum Orchestra 1

4 Guitars (Quartet) 1

+ 1 instrumentations

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Voice
Choral SATB 23
Choral TTBB 7
Choral SSAA 3
Choral 2-part 2
High voice 2

Vocal duet 1
Vocal duet, Piano 1
Tenor voice, Piano 1
Low voice, Piano 1
Soprano voice, Piano 1

+ 5 instrumentations

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Woodwind
Saxophone 55
Flute 23
Clarinet 22
Flute and Piano 14
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 12

Oboe, Piano (duet) 4
Clarinet Quartet: 4 clarinets 3
Clarinet and Piano 1
Flute, Oboe, Clarinet, Bassoon 1
Bass Clarinet, Piano 1
Tenor Saxophone 1
Treble (Alto) Recorder, Basso continuo 1
Clarinet Ensemble 1
Saxophone ensemble 1
Alto Saxophone 1
Flute, Violin and Violoncello 1
2 Flutes (duet) 1

+ 12 instrumentations

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Woodbrass
Trumpet 22
Trombone 19
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Tuba and Piano 4
Brass quartet : 2 trumpets, trombone, tuba 3

Euphonium, Piano (duet) 3
Trumpet, Piano 2
Trombone and Piano 1
Brass Quartet: 4 trombones 1
Bass Trombone and Piano 1
Trombone ensemble 1
French Horn and Piano 1
Brass Quartet 1

+ 8 instrumentations

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Strings
Violin and Piano 33
String Quartet: 2 violins, viola, cello 32
Cello, Piano 7
String Trio: violin, viola, cello 4
4 Cellos 2

Viola, Piano 1
2 Cellos (duet) 1
String Trio: 2 violins, cello 1
Viola 1
2 Violins, Piano 1
Violin 1
Cello 1
Violin, Viola (duet) 1

+ 8 instrumentations

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Percussion & orchestra
Chamber Orchestra 35
Orchestra 33
Jazz Ensemble 23
String Orchestra 23
Drums 18

Concert band 4
Brass ensemble 3
Percussion Ensemble 1
Jazz combo 1
Piano and Orchestra 1

+ 5 instrumentations

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Passacaglia in C (Organ)

Passacaglia in C (Organ) #Organ #ADVANCED #John Pitts #

#Passacaglia in C #Intensely Pleasant Music #SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...(+)

Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bachâ€™s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bachâ€™s original ground bass are treated to some twisted harmonies â€“ where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=AÂ¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a â€˜dominantâ€™ and â€˜subdominantâ€™ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships â€“ one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bachâ€™s original theme in Cm is: C G - EÂ¨ F - G AÂ¨ - F G - D EÂ¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A BÂ¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through â€˜closelyâ€™ related keys (eg A major and AÂ¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.

$7.99 ≈ 7.21€

Orgelsinfonie No. 16

Orgelsinfonie No. 16 #Organ #ADVANCED #Enjott Schneider #Orgelsinfonie No. 16 #Schott Music - Digital #SheetMusicPlus

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration ...(+)

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying â€“ from the plague and war to the never-ending dangers of daily life â€“ was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

$21.99 ≈ 19.84€

Artizarra

Artizarra #Organ #ADVANCED #Daniel Roth #Artizarra #Schott Music - Digital #SheetMusicPlus

Organ - advanced - Digital Download SKU: S9.Q49256 Fantaisie sur un chant populaire basque. Composed by Daniel Roth. This edition: Sheet music. Do...(+)

Organ - advanced - Digital Download SKU: S9.Q49256 Fantaisie sur un chant populaire basque. Composed by Daniel Roth. This edition: Sheet music. Downloadable. Schott Music - Digital #Q49256. Published by Schott Music - Digital (S9.Q49256). â€œThe pretty Basque song â€œIru erÃ©geâ€, which tells of the three wise men from the Orient travelling to Bethlehem to worship the baby Jesus, gave me the idea for a musical interpretation of this astonishing event (Gospel according to Matthew II, 1-12). In registering the work for the wonderful organ in Santa Maria del Coro I wished to pay homage to the great organ-builder Aristide CavaillÃ©-Coll, who died a century ago. The performer should aim to reproduce the wonderful sound qualities of that organ as closely as possible on the instrument available to them, or else find their own solutions in the spirit of this piece.â€ Daniel Roth.

$16.99 ≈ 15.33€