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Amor,
Not classified 38

Piano & keyboards
Piano solo 19
Organ 3
2 Pianos, 4 hands 2
Piano Trio: piano, violin, cello 1
Piano, Voice 1

Piano Quartet: piano, violin, viola, cello 1

+ 1 instrumentations

- Retract

Guitars
Guitar notes and tablatures 7
Guitar 5
2 Guitars (duet) 1

Voice
Choral SATB 7
Choral TTBB 1
Choral 3-part 1

Woodwind
Oboe 4
Flute 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Oboe (band part) 2
Saxophone ensemble 2

Alto Saxophone and Piano 2
Flute and Guitar 1
Flute and Piano 1
4 Oboes 1
Clarinet 1
Flute, Oboe, Clarinet, Bassoon 1

+ 6 instrumentations

- Retract

Woodbrass
French horn 3

Tuba and Piano 2
Trumpet 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Euphonium, Piano (duet) 1

French Horn and Piano 1
Trombone 1
Brass quartet : 2 trumpets, trombone, tuba 1
Euphonium 1
2 Trombones (duet) 1

+ 5 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 6
Violin and Piano 5
Violin 3
String Quintet: 2 violins, viola, cello, bass 2
Cello, Piano 2

Harp 1

+ 1 instrumentations

- Retract

Percussion & orchestra
String Orchestra 11
Orchestra 7
Chamber Orchestra 6
Concert band 6
Drums 6

Brass ensemble 2
Handbells 1

+ 2 instrumentations

- Retract

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Amor,

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French horn

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3 sheet music found

Horn Sonata No. 2 (Complete)

Horn Sonata No. 2 (Complete) #French horn #ADVANCED #Mike Lyons #Horn Sonata No. 2 #Lyons Music Services #SheetMusicPlus

French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #351854...(+)

French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.

$18.00 ≈ 16.62€

Syrinx for Unaccompanied Horn in F

Syrinx for Unaccompanied Horn in F #French horn #ADVANCED #Classical #Claude Debussy #Ralph Sauer #Syrinx for Unaccompanied Horn #Gordon Cherry #SheetMusicPlus

French Horn Solo - Level 5 - Digital Download SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages....(+)

French Horn Solo - Level 5 - Digital Download SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #6204775. Published by Gordon Cherry (A0.811206). Debussy composed Syrinx, a breathtaking unaccompanied work in 1913. It became the first solo work for the BÃ¶hm Flute and the first solo work by a major composer since C.P.E. Bach, almost 150 years earlier.The music allows wide latitude for interpretation and will show off the musical imagination of the performer.The great French Flautist Marcel Moyse is credited with adding phrasing and bar lines to his friend Debussy's new work.In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a riverâ€™s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the godâ€™s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as Syrinx.This work of just over two minutes for advanced performers will add a new dimension to your recital, as it is often performed offstage.

$10.00 ≈ 9.24€

Horn Sonata - No. 2 - 1st. Movement - Andante a piacere

Horn Sonata - No. 2 - 1st. Movement - Andante a piacere #French horn #ADVANCED #Contemporary #Mike Lyons #Horn Sonata - No. 2 - 1st. Mov #Lyons Music Services #SheetMusicPlus

French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #351682...(+)

French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.

$8.00 ≈ 7.39€