Download Digital Sheet Music of He Clarinet for Baritone Saxophone, Piano

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He Clarinet
Not classified 598

Piano & keyboards
Piano Accompaniment 9
Piano solo 6
C Instruments 2
Piano, Voice 1
Piano Trio: piano, violin, cello 1

Guitars
Guitar 2

Voice
Choral SATB 34
Baritone voice, Piano 1

Woodwind
Clarinet and Piano 394
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 319
Flute, Oboe, Clarinet, Bassoon 227
Clarinet Quartet: 4 clarinets 180
Clarinet 178

2 Clarinets (duet) 120
Clarinet Ensemble 113
2 Saxophones (duet) 83
Saxophone, Clarinet (duet) 63
3 Clarinets (trio) 60
Flute, Clarinet (duet) 55
Clarinet, Violin (duet) 46
Bass Clarinet, Piano 44
Clarinet Quintet: 5 clarinets 39
2 Flutes (duet) 37
Clarinet, Guitar (duet) 34
Clarinet (band part) 33
Clarinet, Trumpet (duet) 32
Alto Saxophone and Piano 23
Oboe, Clarinet (duet) 23
2 Oboes (duet) 22
Oboe, Bassoon (duet) 22
Clarinet and Viola 21
Flute, Trumpet (duet) 20
Clarinet, Bassoon (duet) 18
Flute, Violin 17
Oboe, Flute 17
Flute and Piano 16
Oboe, Piano (duet) 15
Flute, Saxophone (duet) 14
Flute 14
Oboe, Clarinet, Bassoon (trio) 14
Flute, Viola (duet) 13
Soprano Saxophone and Piano 13
Tenor Saxophone and Piano 10
Flute, Clarinet and Bassoon. 10
Flute, Oboe, Clarinet (trio) 9
Flute, Clarinet, Piano (trio) 8
Clarinet, Harp (duet) 7
2 Clarinets, Piano 6
Clarinet, Cello (duet) 6
Saxophone Quartet: 4 saxophones 6
3 Saxophones (trio) 4
Alto Saxophone 4
English horn, Piano 4
Tenor Saxophone 3
2 Recorders (duet) 3
Oboe (band part) 3
Saxophone (band part) 2
2 Clarinets, Bassoon 2
Flute and Guitar 2
Flute, Clarinet, Horn and Bassoon (Quartet) 2
Baritone Saxophone, Piano 2

Bass Clarinet 2
Descant (Soprano) Recorder 1
Clarinet, Tuba 1
Recorder Quartet 1
Clarinette, Viola and Piano (trio) 1
Oboe, Harp 1
Tenor Recorder 1
Clarinet, Trombone (duet) 1
Clarinet, trumpet and piano 1
Saxophone and Harp 1
Saxophone Quintet: 5 Saxophones 1
Saxophone ensemble 1
Treble (Alto) Recorder, Piano 1
Flute Quartet: 4 flutes 1
Piccolo, Piano 1
Flute ensemble 1
English Horn, Guitar (duet) 1
2 Flutes, 2 Clarinets (Quartet) 1

+ 66 instrumentations

- Retract

Woodbrass
Trumpet, Saxophone (duet) 30
Trumpet, Trombone (duet) 24
2 Trumpets (duet) 21
2 Trombones (duet) 20
Brass Quintet: 2 trumpets, horn, trombone, tuba 6

Trumpet 5
Euphonium, Piano (duet) 5
Trombone and Piano 4
English horn, Piano 4
Trumpet, Piano 4
Tuba 2
French Horn and Piano 2
Brass Quartet 1
Brass Trio 1
Tuba ensemble 1
Trumpet, Harp 1
Clarinet, Horn (duet) 1
English Horn, Guitar (duet) 1
Trombone 1

+ 14 instrumentations

- Retract

Strings
2 Violas (duet) 28
Violin, Cello (duet) 23
2 Cellos (duet) 21
Violin, Viola (duet) 21
2 Violins (duet) 20

Violin and Piano 16
Cello, Piano 11
Violin 7
String Quartet: 2 violins, viola, cello 6
Viola, Piano 6
Flute, Doublebass (duet) 4
Doublebass (band part) 4
Violin, Guitar (duet) 4
Harp 3
Cello 3
Viola, Guitar (duet) 2
Violin, Clarinet, Piano (trio) 1
2 Harps (duet) 1
Harp, Flute (duet) 1
Viola and Harp 1
Viola 1
String Trio: violin, viola, cello 1
Double Bass 1

+ 18 instrumentations

- Retract

Percussion & orchestra
Concert band 214
Orchestra 37
Chamber Orchestra 31
Brass ensemble 4
Jazz Ensemble 4

String Orchestra 3
Handbells 2
Marching band 1
Jazz combo 1

+ 4 instrumentations

- Retract

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He Clarinet

Baritone Saxophone, Piano

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2 sheet music found

Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano

Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano #Baritone Saxophone, Piano #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruc...(+)

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.07€

Sullivan: The Lost Chord for Baritone Sax & Piano

Sullivan: The Lost Chord for Baritone Sax & Piano #Baritone Saxophone, Piano #INTERMEDIATE/ADVANCED #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for B #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instru...(+)

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ 24.40€