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Marc Tuba and Piano
Not classified 92

Piano & keyboards
Easy Piano 2
Piano solo 1
Piano Accompaniment 1
Piano (band part) 1

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Flute and Piano 1
Oboe, Piano (duet) 1
Clarinet, Guitar (duet) 1

+ 3 instrumentations

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Woodbrass
Tuba and Piano 329
Brass Quintet: 2 trumpets, horn, trombone, tuba 45
Brass quartet : 2 trumpets, trombone, tuba 13
Brass Quartet 6
Tuba 3

2 Euphoniums (duet) 2
3 Tubas (trio) 2
4 Tubas 2
2 Tubas (duet) 2
Trombone 2
Trumpet, Piano 2
Euphonium, Tuba (duet) 2
Tuba and Organ 1
Brass Quartet: 4 horns 1
Trombone, Tuba (duet) 1
3 Trumpets (trio) 1
French Horn and Piano 1
Trombone and Piano 1

+ 13 instrumentations

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Viola, Piano 1
Violin and Piano 1
Cello, Piano 1

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Concert band 45
Orchestra 17
Brass ensemble 5
Marching band 5
Chamber Orchestra 2

Jazz combo 1
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Jazz Ensemble 1

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Marc Tuba and Piano

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3 sheet music found

ELEGY AND MARCH

ELEGY AND MARCH #Tuba #Contemporary #ERWIN CHANDLER #ELEGY AND MARCH #Paterchan Music #SheetMusicPlus

Tuba Solo - Digital Download SKU: A0.925272 Composed by ERWIN CHANDLER. Contemporary. Individual part. 14 pages. Paterchan Music #4757397. Published by P...(+)

Tuba Solo - Digital Download SKU: A0.925272 Composed by ERWIN CHANDLER. Contemporary. Individual part. 14 pages. Paterchan Music #4757397. Published by Paterchan Music (A0.925272). This is a reduced piano version of Elegy and March for Tuba and Band. The work was commissioned by the New Holland (Pa) Concert Band.

$25.00 ≈ 22.96€

Le Tuba Classique

Le Tuba Classique #Tuba #BEGINNER #Classical #Ludwig van Beethoven, PiÃ¨ce #Javier MarcÃ³ #Le Tuba Classique #Javier Marco #SheetMusicPlus

Tuba Solo - Level 1 - Digital Download SKU: A0.842826 Composed by Ludwig van Beethoven, PiÃ¨ces faciles de Bach, Vivaldi ainsi que d'autres compositeur...(+)

Tuba Solo - Level 1 - Digital Download SKU: A0.842826 Composed by Ludwig van Beethoven, PiÃ¨ces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier MarcÃ³. Baroque,Classical,Romantic Period,Standards. Individual part. 28 pages. Javier Marco #6358083. Published by Javier Marco (A0.842826). Cette collection prÃ©sente une sÃ©lection d'oeuvres classiques appartenant aux compositeurs les plus renommÃ©s: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.18 thÃ¨mes faciles et amusants Ã jouer comme solos, prÃ©sentÃ©e dans une version simplifiÃ©e pour les dÃ©butants, qui peuvent Ãªtre accompagnÃ©s de piano ou de guitare (chiffrage amÃ©ricain).Comprend:1812 Overture, Op. 49An der schÃ¶nen blauen Donau, Op. 314BourrÃ©e, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525FÃ¼r Elise, WoO 59GreensleevesGuten Abend, gutâ€™ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna Ã¨ Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March NÂº1, Op. 39Treulich gefÃ¼hrtWater Music, HWV 349

$9.99 ≈ 9.17€

Unaccompanied Tuba Suite #1 in B-flat Major

Unaccompanied Tuba Suite #1 in B-flat Major #Tuba #INTERMEDIATE #Jason Allie #Unaccompanied Tuba Suite #1 in #Joaba LLC #SheetMusicPlus

Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC ...(+)

Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Preludeâ€ƒThe real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. Marchâ€ƒThe rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Airâ€ƒThe tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondoâ€ƒHarking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meterâ€™s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.

$9.99 ≈ 9.17€