Download Digital Sheet Music of Romantic Clarinet for English horn, Piano

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Romantic Clarinet
Not classified 2,309

Piano & keyboards
Piano solo 19
Piano Accompaniment 16
Easy Piano 14
C Instruments 2
Organ 1

Organ, Trumpet (duet) 1
Piano, Voice 1
Piano, Vocal and Guitar 1

+ 3 instrumentations

- Retract

Guitars
Guitar 4
Guitar, Flute, Clarinet 3
Melody line, (Lyrics) and Chords 1

Voice
Choral SATB 14
Vocal duet 3
Choral 3-part 3
Choral SSAA 2
Choral Unison 1

High voice 1

+ 1 instrumentations

- Retract

Woodwind
Clarinet and Piano 1,334
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1,126
Clarinet Quartet: 4 clarinets 857
Flute, Oboe, Clarinet, Bassoon 662
Clarinet 594

2 Clarinets (duet) 440
Clarinet Ensemble 335
Flute, Clarinet (duet) 238
Clarinet Quintet: 5 clarinets 198
3 Clarinets (trio) 193
Clarinet, Guitar (duet) 117
Clarinet, Bassoon (duet) 102
Bass Clarinet, Piano 97
Oboe, Clarinet (duet) 97
Clarinet, Violin (duet) 84
Flute, Clarinet and Bassoon. 84
Clarinet (band part) 80
Oboe, Clarinet, Bassoon (trio) 58
Flute, Oboe, Clarinet (trio) 55
Clarinet, Cello (duet) 53
Oboe, Piano (duet) 50
Saxophone, Clarinet (duet) 43
Alto Saxophone and Piano 39
2 Saxophones (duet) 37
Flute, Clarinet, Piano (trio) 35
Clarinet and Viola 33
2 Clarinets, Piano 31
Flute and Piano 28
2 Flutes (duet) 27
Soprano Saxophone and Piano 25
Clarinet, Cello, Piano (trio) 20
Clarinet, Bassoon, Piano (trio) 19
Saxophone Quartet: 4 saxophones 19
Clarinet, Trombone (duet) 18
Clarinet Quartet: Clarinet, Violin, Viola, Cello 14
Tenor Saxophone and Piano 12
Flute and Guitar 12
Flute, Clarinet, Horn and Bassoon (Quartet) 11
Clarinet, Harp (duet) 11
Bass Clarinet 9
Clarinette, Viola and Piano (trio) 9
Clarinet, Trumpet (duet) 8
Oboe, Bassoon (duet) 7
Flute, Violin 7
Flute, Saxophone (duet) 6
2 Oboes (duet) 6
Clarinet Quintet: Clarinet, String Quartet 6
Flute Quintet : 5 flutes 6
2 Clarinets, Bassoon 6
Clarinet, trumpet and piano 5
3 Saxophones (trio) 5
Clarinet, Organ 4
Flute, Trumpet (duet) 4
Saxophone ensemble 4
Flute, Viola (duet) 4
Flute 4
English horn, Piano 3

Clarinet, Orchestra 3
Clarinet, String quartet and Piano 3
Flute Quartet: 4 flutes 3
Wind ensemble 3
Oboe, Flute 3
Flute ensemble 2
Flute (band part) 2
Saxophone (band part) 2
Flute, Oboe (duet) 2
Flute, Oboe, Bassoon 2
Baritone Saxophone, Piano 2
2 Saxophones, Piano 1
Saxophone 1
2 Recorders (duet) 1
Flute, Bassoon, and Piano 1
Flute, Clarinet, Violin (trio) 1
Saxophone Quintet: 5 Saxophones 1
5 Recorders 1
Oboe, Violin (duet) 1
Alto Saxophone 1
Oboe (band part) 1
Flute Trio: 3 flutes 1
Piccolo, Piano 1
Oboe, Violin, Viola and Violoncello (Quartet) 1

+ 76 instrumentations

- Retract

Woodbrass
Trumpet 27
Bb Instruments 12
Trumpet, Piano 11
Trumpet, Saxophone (duet) 9
2 Trumpets (duet) 8

Trumpet, Trombone (duet) 8
2 Trombones (duet) 7
Trombone and Piano 7
Euphonium, Piano (duet) 5
French Horn and Piano 3
English horn, Piano 3

Brass quartet : 2 trumpets, trombone, tuba 2
Tuba ensemble 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
2 French horns (duet) 1
Trombone and Orchestra 1

+ 11 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 29
Viola, Piano 23
Violin and Piano 17
2 Violins (duet) 16
Violin, Cello (duet) 11

Cello, Piano 11
Violin, Clarinet, Piano (trio) 10
2 Violas (duet) 9
Violin, Viola (duet) 8
Harp 7
Violin 5
2 Cellos (duet) 5
Cello 4
Flute, Doublebass (duet) 3
Violin (band part) 2
4 Cellos 2
String Trio: violin, viola, cello 2
Violin, Cello, Clarinet 2
2 Harps (duet) 1
Viola, Guitar (duet) 1
Piano Trio: Violin, Viola, Piano 1
Cello, Guitar (duet) 1
Viola 1

+ 18 instrumentations

- Retract

Percussion & orchestra
Orchestra 299
Concert band 151
Chamber Orchestra 95
String Orchestra 6
Brass ensemble 4

Jazz Ensemble 3
Percussion Ensemble 1
Percussion (band part) 1
Piano and Orchestra 1

+ 4 instrumentations

- Retract

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Romantic Clarinet

English horn, Piano

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3 sheet music found

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano

Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano #English horn, Piano #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...(+)

English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ $26.94

Wedding March by Mendelssohn, for Solo Cor Anglais (English Horn) and Piano

Wedding March by Mendelssohn, for Solo Cor Anglais (English Horn) and Piano #English horn, Piano #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #David McKeown #Wedding March by Mendelssohn, #David McKeown #SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download SKU: A0.587604 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Roma...(+)

English Horn,Piano - Level 3 - Digital Download SKU: A0.587604 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403644. Published by David McKeown (A0.587604). Felix Mendelssohnâ€™s Wedding March was originally written in 1842 as incidental music to Shakespeareâ€™s famousplay, Midsummer Nightâ€™s Dream. When Queen Victoriaâ€™s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Cor Anglais (English Horn) and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$4.60 ≈ $6.21

Sullivan: The Lost Chord for English Horn & Piano

Sullivan: The Lost Chord for English Horn & Piano #English horn, Piano #INTERMEDIATE/ADVANCED #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for E #jmsgu3 #SheetMusicPlus

English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructiona...(+)

English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ $36.40