Download Digital Sheet Music of C String Orchestra for Flute, Oboe, Clarinet, Bassoon

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C String Orchestra
Not classified 386

Piano & keyboards
Piano solo 18
Piano Accompaniment 12
2 Pianos, 4 hands 6
C Instruments 4
Piano, Voice 3

1 Piano, 4 hands 3
Organ 3
Organ, Piano (duet) 2

+ 3 instrumentations

- Retract

Guitars
Mandolin 2
Melody line, (Lyrics) and Chords 1

Voice
Choral SATB 26
Choral Unison 14
Choral 3-part 3
Choral 2-part 2
Choral TTBB 2

Choral SSAA 1
Soli, Mixted choir and accompaniment 1
Choral SSATB 1

+ 3 instrumentations

- Retract

Woodwind
Clarinet Quintet: Clarinet, String Quartet 9
3 Saxophones (trio) 7
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6
Saxophone Quintet: 5 Saxophones 5
2 Saxophones (duet) 5

2 Oboes (duet) 5
Saxophone Quartet: 4 saxophones 4
Oboe (band part) 4
Flute, Orchestra 3
Clarinet 3
Oboe, Piano (duet) 3
Clarinet Quartet: 4 clarinets 3
Flute Trio: 3 flutes 2
English horn, Piano 2
Clarinet Quintet: 5 clarinets 2
Flute Quartet: 4 flutes 2
2 English horns and Pianoforte 2
Flute and Piano 2
Flute Quintet : 5 flutes 2
Flute, Oboe, Clarinet, Bassoon 2

English Horn 2
2 Clarinets (duet) 2
Flute ensemble 2
Flute, Clarinet (duet) 1
Alto Saxophone and Piano 1
Soprano Saxophone and Piano 1
Clarinet Ensemble 1
Flute, Violin 1
3 Recorders (trio) 1
Oboe, Violin, Viola and Violoncello (Quartet) 1
Clarinet, Bassoon (duet) 1
Baritone Saxophone, Piano 1
Flute and Strings Trio 1
Oboe ensemble 1
2 Recorders (duet) 1
Recorder Quartet 1
2 Flutes (duet) 1
3 Clarinets (trio) 1
Flute, Oboe, Clarinet (trio) 1
Clarinet Quartet: Clarinet, Violin, Viola, Cello 1
Tenor Saxophone and Piano 1

+ 36 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 3
Trombone and Piano 3
Trumpet, Piano 3
Tuba and Piano 3
English horn, Piano 2

2 English horns and Pianoforte 2
English Horn 2
3 Trombones (trio) 1
Trumpet, Trombone (duet) 1
2 Trumpets (duet) 1
Trumpet 1
2 Trombones (duet) 1
3 Tubas (trio) 1
2 French horns (duet) 1
French Horn and Piano 1
Brass Quartet: 4 trombones 1
Brass quartet : 2 trumpets, trombone, tuba 1
Euphonium, Piano (duet) 1
Trumpet, Horn (duert) 1
3 French horns (trio) 1
Horn Ensemble 1
Trombone 1
Brass Quartet: 4 trumpets 1
Euphonium 1

+ 19 instrumentations

- Retract

Strings
String Quintet: 2 violins, viola, cello, bass 149
String Quartet: 2 violins, viola, cello 98
Violin (band part) 64
Doublebass (band part) 24
Cello (band part) 24

Viola 12
Violin, Cello (duet) 11
Violin 9
Double Bass 8
Harp 8
Viola (band part) 8
Violin and Piano 7
String Trio: violin, viola, cello 6
String Trio: 2 violins, cello 6
Violin, Viola (duet) 5
String Quintet: 2 violins, 2 violas, cello 3
Cello, Orchestra 3
Viola, Cello (duet) 2
Cello, Piano 2
String Trio: 3 violins 2
Double bass, Piano (duet) 1
2 Cellos (duet) 1
Cello 1
4 Cellos 1
2 Violas (duet) 1
String quartet: 4 violins 1

+ 21 instrumentations

- Retract

Percussion & orchestra
String Orchestra 831
Chamber Orchestra 178
Orchestra 173
Concert band 81
Jazz Ensemble 13

Percussion (band part) 5
Brass ensemble 4
Flexible Instrumentation 4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 1
Handbells 1
Marching band 1

+ 6 instrumentations

- Retract

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C String Orchestra

Flute, Oboe, Clarinet, Bassoon

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2 sheet music found

Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità

Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità #Flute, Oboe, Clarinet, Bassoon #INTERMEDIATE/ADVANCED #Classical #Claudio Monteverdi #Mike Lyons #Monteverdi - The Seventh Book #Lyons Music Services #SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. B...(+)

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.

$8.99 ≈ 8.28€

5 Famous Songs by Bach for Woodwind Quartet

5 Famous Songs by Bach for Woodwind Quartet #Flute, Oboe, Clarinet, Bassoon #EASY #Classical #Christian Petzold, Johann Seba #Ander #5 Famous Songs by Bach for Woo #Woods Only, Arrangements #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. ...(+)

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738076. Published by Woods Only, Arrangements (A0.1137818). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of CÃ¶then, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein sÃ¼ss, o Jesulein mild - The Jesulein sÃ¼ÃŸ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein sÃ¼ss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

$31.99 ≈ 29.46€