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When It's Love
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• Cry of Love
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You've selected:
When It's Love
intermediate
Piano, Voice
Sheetmusic to print
64 sheet music found
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1
26
51
O My Love's Like a Red, Red Rose
O My Love's Like a Red, Red Rose
#
Piano, Voice
#
INTERMEDIATE
#
Tadd Russo
#
O My Love's Like a Red, Red Ro
#
Northwood Music Press
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1368122 Composed by Tadd Russo. 21st Century,Classical,Opera. Score. 7 pages. Northwood Music Pres...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1368122 Composed by Tadd Russo. 21st Century,Classical,Opera. Score. 7 pages. Northwood Music Press #952475. Published by Northwood Music Press (A0.1368122). Written for Soloman Howard in 2008, this setting of the Robert Burns (1759-1796) poem evokes the heart-skipping excitement of young love and showcases both the high range and the low range (with optional notes when it gets really low). for low and medium low voice and piano.
$5.00 ≈
£3.82
Come To Me Love
Come To Me Love
#
Piano, Voice
#
INTERMEDIATE
#
Sharon Wilson
#
Sharon Wilson
#
Come To Me Love
#
Sharon Wilson
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.564441 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Ho...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.564441 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Holiday,Pop,Wedding. Score. 10 pages. Sharon Wilson #2006019. Published by Sharon Wilson (A0.564441). A contemporary ballad with lyrics about reconciling love: Down on the sandy shore I lie, where breezes blow and seagulls fly. I hope the sun will warm my heart, the pain of loneliness depart…Come to me love. Come to me now…Let’s share the joy that lovers feel when lonely hearts begin to heal…. The piano accompaniment sets the mood of a soothing serenade with rhythmic arpeggios in the bass clef and graceful chord harmonies in the treble clef. The simplicity of the vocal melody typifies the beauty of healing love as the narrative reveals a longing to renew a love once shared. This score is written in the key of D with a vocal range from the B below middle C to the second E above. The piano accompaniment is not difficult as it progresses through repetitive chord sequences. This piece also makes an enchanting instrumental addition to a variety of venues such as weddings, recitals, or background music. The vocal part easily adapts to a violin or other C instrument. A separate 2-page soloist part is included along with the 8-page full score.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
£3.81
When My Love to Christ Grows Weak [A Minor Low Voice]
When My Love to Christ Grows Weak [A Minor Low Voice]
#
Piano, Voice
#
INTERMEDIATE
#
Stacey Plays Hymns
#
Anastace
#
When My Love to Christ Grows W
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401130 By Stacey Plays Hymns. By Stacey Plays Hymns / John Reynell Wreford. Arranged by Anastace....
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401130 By Stacey Plays Hymns. By Stacey Plays Hymns / John Reynell Wreford. Arranged by Anastace. Christian,Easter,Religious,Sacred,Spiritual. Score. 9 pages. Anastace #984318. Published by Anastace (A0.1401130). Here is the full piano vocal sheet music for When My Love to Christ Grows Weak, as heard on my YouTube channel with all the other classic, beautiful hymns from the Lent collection. The lyrics are from a traditional hymn but I've written new music for it in a minor key to match the sombre mood. This piece is a perfect song for either a moving, beautiful solo during a church service or for a congregation to sing along with, led by a singer who has heard the recording and knows the song. This rare hymn is wonderful for Ash Wednesday or any time during the Lenten Season or even Good Friday, contemplating Christ's betrayal by Peter and all who give in to sin. Although it is very solemn and touches on many points about our need for repentance and Christ's suffering, it ends on an uplifting note and leads us on to stronger faith in Him.This pdf includes each vocal part and piano accompaniment separately as well, to save you a good amount of space on the music stand. This song has a vocal range of G3-A4 and there is also a full backup track in the original key as well as sheet music in a keys for high soprano and one to match the original available by searching Stacey Plays Hymns and the title on this site.Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
£3.82
When My Love to Christ Grows Weak
When My Love to Christ Grows Weak
#
Piano, Voice
#
INTERMEDIATE
#
Stacey Plays Hymns
#
Anastace
#
When My Love to Christ Grows W
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401127 By Stacey Plays Hymns. By Stacey Plays Hymns / John Reynell Wreford. Arranged by Anastace....
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401127 By Stacey Plays Hymns. By Stacey Plays Hymns / John Reynell Wreford. Arranged by Anastace. Christian,Easter,Religious,Sacred,Spiritual. Score. 9 pages. Anastace #984315. Published by Anastace (A0.1401127). Here is the full piano vocal sheet music for When My Love to Christ Grows Weak, as heard on my YouTube channel with all the other classic, beautiful hymns from the Lent collection. The lyrics are from a traditional hymn but I've written new music for it in a minor key to match the sombre mood. This piece is a perfect song for either a moving, beautiful solo during a church service or for a congregation to sing along with, led by a singer who has heard the recording and knows the song. This rare hymn is wonderful for Ash Wednesday or any time during the Lenten Season or even Good Friday, contemplating Christ's betrayal by Peter and all who give in to sin. Although it is very solemn and touches on many points about our need for repentance and Christ's suffering, it ends on an uplifting note and leads us on to stronger faith in Him. This pdf includes each vocal part and piano accompaniment separately as well, to save you a good amount of space on the music stand. This song has a vocal range of Bb3-C5 and there is also a full backup track and sheet music in keys for high voice and low voice available by searching Stacey Plays Hymns and the title on this site.Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
£3.82
When My Love to Christ Grows Weak [E Minor High Voice]
When My Love to Christ Grows Weak [E Minor High Voice]
#
Piano, Voice
#
INTERMEDIATE
#
Stacey Plays Hymns
#
Anastace
#
When My Love to Christ Grows W
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401129 By Stacey Plays Hymns. By Stacey Plays Hymns / John Reynell Wreford. Arranged by Anastace....
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401129 By Stacey Plays Hymns. By Stacey Plays Hymns / John Reynell Wreford. Arranged by Anastace. Christian,Easter,Religious,Sacred,Spiritual. Score. 9 pages. Anastace #984317. Published by Anastace (A0.1401129). Here is the full piano vocal sheet music for When My Love to Christ Grows Weak, as heard on my YouTube channel with all the other classic, beautiful hymns from the Lent collection. The lyrics are from a traditional hymn but I've written new music for it in a minor key to match the sombre mood. This piece is a perfect song for either a moving, beautiful solo during a church service or for a congregation to sing along with, led by a singer who has heard the recording and knows the song. This rare hymn is wonderful for Ash Wednesday or any time during the Lenten Season or even Good Friday, contemplating Christ's betrayal by Peter and all who give in to sin. Although it is very solemn and touches on many points about our need for repentance and Christ's suffering, it ends on an uplifting note and leads us on to stronger faith in Him.This pdf includes each vocal part and piano accompaniment separately as well, to save you a good amount of space on the music stand. This song has a vocal range of D4-E5 and there is also a full backup track in the original key, sheet music in the original key, and one for low voice available by searching Stacey Plays Hymns and the title on this site.Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
£3.82
Lewis Capaldi - Someone You Loved
Lewis Capaldi - Someone You Loved
#
Piano, Voice
#
INTERMEDIATE
#
Rock
#
Lewis Capaldi
#
Mario Stallbaumer
#
Lewis Capaldi - Someone You Lo
#
Mario Stallbaumer
#
SheetMusicPlus
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Capaldi. Arranged by Mario Stallbaumer. 5 pages. Published by Mario ...
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Capaldi. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Someone You Loved" by Lewis Capaldi on piano!
With this piano sheet music, you can play the piano part of "Someone You Loved" just like it is played in the song.
It's an accurate transcription of the piano accompaniment in the song's original key of Db major.
These piano sheets come with a seperate system for the singer, the song's full melody and lyrics.
They are perfect if you want to accompany a singer, or sing along yourself!
"Someone You Loved" was released in November 2018 as a single from Lewis Capaldi's EP "Breach".
The song will also be included on his debut album "Divinely Uninspired to a Hellish Extent".
"Someone You Loved" is an emotional piano ballad and his biggest hit so far, reaching #1 on the UK Singles chart!
Here are the full lyrics to "Someone You Loved" by Lewis Capaldi:
[Verse 1]
I'm going under and this time I fear there's no one to save me
This all or nothing really got a way of driving me crazy
I need somebody to heal
Somebody to know
Somebody to have
Somebody to hold
It's easy to say
But it's never the same
I guess I kinda liked the way you numbed all the pain
[Chorus]
Now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved
[Verse 2]
I'm going under and this time I fear there's no one to turn to
This all or nothing way of loving got me sleeping without you
Now, I need somebody to know
Somebody to heal
Somebody to have
Just to know how it feels
It's easy to say but it's never the same
I guess I kinda liked the way you helped me escape
[Chorus]
Now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved
[Bridge]
And I tend to close my eyes when it hurts sometimes
I fall into your arms
I'll be safe in your sound 'til I come back around
[Chorus]
For now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved
But now the day bleeds
Into nightfall
And you're not here
To get me through it all
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved
I let my guard down
And then you pulled the rug
I was getting kinda used to being someone you loved
$4.99 ≈
£3.81
Billie Eilish - I Love You
Billie Eilish - I Love You
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Piano, Voice
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INTERMEDIATE
#
Pop music
#
Billie Eilish
#
Mario Stallbaumer
#
Billie Eilish - I Love You
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Mario Stallbaumer
#
SheetMusicPlus
Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer...
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Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer
Here's how to play "i love you" by Billie Eilish on piano!
It's an accurate piano arrangement of the whole song which is quite easy to play, and sounds fantastic!
The whole melody is included in the piano part, so it sounds great if it's played as an instrumental (piano solo) version. However, you can also use this sheet music to accompany a singer, or sing along yourself! These piano sheets include the song's full lyrics.
"i love you" is a calm, melancholic track about falling in love, with a quite typical Billie-Eilish-sound. With its soft guitar rhythms, it makes for a beautiful piano cover!
Here are the full lyrics to "I Love You" by Billie Eilish:
[Verse 1]
It's not true
Tell me I’ve been lied to
Crying isn't like you, ooh
What the hell did I do?
Never been the type to
Let someone see right through, ooh
[Chorus]
Maybe won't you take it back?
Say you were tryna make me laugh
And nothing has to change today
You didn’t mean to say "I love you"
I love you and I don't want to, ooh
[Verse 2]
Up all night on another red-eye
I wish we never learned to fly
Maybe we should just try
To tell ourselves a good lie
Didn't mean to make you cry
[Chorus]
Maybe won't you take it back?
Say you were tryna make me laugh
And nothing has to change today
You didn't mean to say "I love you"
I love you and I don't want to, ooh
[Bridge]
The smile that you gave me
Even when you felt like dying
[Outro]
We fall apart as it gets dark
I'm in your arms in Central Park
There's nothing you could do or say
I can’t escape the way I love you
I don’t want to, but I love you, ooh
Ooh, ooh
Ooh, ooh
$4.99 ≈
£3.81
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
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Op. 1, No. 12: La nuit après
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
£2.29
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 4: Mon âme est prÃ
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
£2.29
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 9: Beaux yeux aimé
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
£2.29
Once Upon a Rhyme (A Musical for Children of All Ages)
Once Upon a Rhyme (A Musical for Children of All Ages)
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Piano, Voice
#
INTERMEDIATE
#
Broadway
#
Lon W
#
Once Upon a Rhyme
#
LCS Productions
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1442735 Composed by Lon W. Chaffin. Broadway,Musical/Show. Score. 80 pages. LCS Productions #10227...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1442735 Composed by Lon W. Chaffin. Broadway,Musical/Show. Score. 80 pages. LCS Productions #1022712. Published by LCS Productions (A0.1442735). This is a one-act musical to be performed for children. It takes traditional nursery rhyme characters and interweaves their stories to create a fun, and sometimes poignant, tale of love and self-discovery.The characters include Wee Willie Winkie, Jack and Jill, Mary (who had a little lamb) Georgy Porgy, Tom Tucker, the Baker, and the Candlestick Maker.This version is for voices and piano. There is also a version with a chamber ensemble score. Please contact the composer directly for more information.PrefaceBeing a kid can be fabulous and frightening at the same time.  There are so many new things to find and feel and life is an adventure that's exciting and scary.  As adults, we've all been there, and have become what we are because of where we've been.  It's sad though, to see grown-ups who have lost the child in themselves. There's something very healthy in being able to play, pretend, imagine, laugh without reservation, and cry without embarrassment.  Once Upon a Rhyme  was intended to speak to the child in us all, whether we're 6 or 60.  We invite you to... look and you will find visions in your mind of a day when love was play and life a nursery rhyme.  Once upon a rhyme, forever in your heart. Find the child within yourself and let the visions start..
$29.99 ≈
£22.91
Veni, veni Emmanuel (for Voice and Piano Accompaniment)
Veni, veni Emmanuel (for Voice and Piano Accompaniment)
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Piano, Voice
#
INTERMEDIATE
#
Flavio Regis Cunha - Tradition
#
Flavio Regis Cunha
#
Veni, veni Emmanuel
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Flavio Regis Cunha
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Reg...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Regis Cunha. Christmas,Classical,Film/TV,Instructional,Sacred. Score. 16 pages. Flavio Regis Cunha #6656831. Published by Flavio Regis Cunha (A0.597585). Beautiful, exotic and inspiring arrangement for the well-known Gregorian chant. The arrangement proposes a cathedral atmosphere, with the piano pedal often mixing sounds and chords to provide the reverberation of a cathedral. The text of the first stanza was placed in Latin to evoke the Gregorian ambience of the first centuries of sacred vocal music. You will love playing and singing this arrangement. It will really feel like a cathedral. Your audience will love to hear it. O Come, O Come, Emmanuel, is a song for the Advent period, that is, the four sunday period before the day of Christmas. It's a period of expectation, of wait for the coming of the Messiah. the anthem has a centuries-old and curious history: text and music came from countries different and from different periods of the story! The text already existed in the eighth century! and it was very sung! But the first publication that his if you know it is from the year 1710, coming from the city of Cologne, Germany. The melody we know today, was associated for the first time to the text in 1851, in a English hymnal of that year. But the origin of melody remained obscure. the mystery was solved in 1966, only when Marry Berry, English musicologist, discovered in the National Library of France, a manuscript from the 15th century that brought the melody score, but associated with another text, Bone Jesu dulcis. So, both melody and texts are, in fact, centenarians, but they were not born together: they were joined very late! But this union has become eternal: impossible imagine O Come, O come Emmanuel sung with another melody, just like the melody, our acquaintance, associated with another text! Album link: https://open.spotify.com/album/0PTAmxvGwRXw5788nIDaSU?si=RLRuFSKzQHSqzMx4OYaEZw Intermediate level Format: Concert, 9 x 12 inches 16 pages.
$4.99 ≈
£3.81
Lord of All Our Days (Funeral Hymn) - C Major
Lord of All Our Days (Funeral Hymn) - C Major
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Piano, Voice
#
INTERMEDIATE
#
Sacred music
#
Stacey Plays Hymns
#
Anastace
#
Lord of All Our Days
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Wor...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053778. Published by Anastace (A0.1477115). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in C major, a better key both for playing and for most singers' vocal ranges than the original version in B flat major.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Lead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
£3.82
Lord of All Our Days (Funeral Hymn)
Lord of All Our Days (Funeral Hymn)
#
Piano, Voice
#
INTERMEDIATE
#
Sacred music
#
Stacey Plays Hymns
#
Anastace
#
Lord of All Our Days
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Wor...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1477114 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053767. Published by Anastace (A0.1477114). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in the original key of B flat major, and has a vocal range of A3-Bb4 for a moderately low voice. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
£3.82
A SACRED VOW- from Roxane, of Bergerac-a full length musical
A SACRED VOW- from Roxane, of Bergerac-a full length musical
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Piano, Voice
#
INTERMEDIATE
#
Broadway
#
Dave Flippo-music, Marie Yuen-
#
A SACRED VOW- from Roxane, of
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David William Flippo
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996009 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 4 pages. Da...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996009 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 4 pages. David William Flippo #4791081. Published by David William Flippo (A0.996009). Sung by: Friar Roxane and Christian's three minute (or less) twice-blessed wedding. Vocal / Piano ScoreFrom Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95 ≈
£3.02
DARLING - from "Roxane, of Bergerac" a full length musical
DARLING - from "Roxane, of Bergerac" a full length musical
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Piano, Voice
#
INTERMEDIATE
#
Broadway
#
Dave Flippo-music, Marie Yuen-
#
Piano / Vocal Score
#
DARLING - from "Roxane, of Ber
#
David William Flippo
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995978 Composed by Dave Flippo-music, Marie Yuen- lyrics. Broadway,Jazz,Musical/Show. Score. 5 pag...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995978 Composed by Dave Flippo-music, Marie Yuen- lyrics. Broadway,Jazz,Musical/Show. Score. 5 pages. David William Flippo #4766473. Published by David William Flippo (A0.995978). Sung by: Cyrano - What he wishes he could tell her while Roxane's away and longing for another. Piano / Vocal Score. From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95 ≈
£3.02
THIS WEEK IN COURT - from Roxane, of Bergerac - a full length musical
THIS WEEK IN COURT - from Roxane, of Bergerac - a full length musical
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Piano, Voice
#
INTERMEDIATE
#
Broadway
#
Dave Flippo-music, Marie Yuen-
#
THIS WEEK IN COURT - from Roxa
#
David William Flippo
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995994 Composed by Dave Flippo-music, Marie Yuen- lyrics. Broadway,Musical/Show. Score. 4 pages. D...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995994 Composed by Dave Flippo-music, Marie Yuen- lyrics. Broadway,Musical/Show. Score. 4 pages. David William Flippo #4781797. Published by David William Flippo (A0.995994). A courtly, striding song sung by Cyrano which reports the weeks news to Roxane. Piano / Vocal Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95 ≈
£3.02
ENSEMBLE COLLECTION - Three ensemble pieces from Roxane, of Bergerac - a full length musical
ENSEMBLE COLLECTION - Three ensemble pieces from Roxane, of Bergerac - a full length musical
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Piano, Voice
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INTERMEDIATE
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Broadway
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Dave Flippo-music, Marie Yuen-
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ENSEMBLE COLLECTION - Three en
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David William Flippo
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996010 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 25 pages. D...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996010 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 25 pages. David William Flippo #4791111. Published by David William Flippo (A0.996010). Collection of three ensemble pieces from Roxane, of Bergerac including including On This Night, Men/Hurry Up and A Daring Plan.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$14.95 ≈
£11.42
THE NEW LANGUAGE - from "Roxane of Bergerac" - a full length musical
THE NEW LANGUAGE - from "Roxane of Bergerac" - a full length musical
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Piano, Voice
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INTERMEDIATE
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Broadway
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Dave Flippo-music, Marie Yuen-
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THE NEW LANGUAGE - from "Roxan
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David William Flippo
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995984 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 6 pages. Da...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995984 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 6 pages. David William Flippo #4766523. Published by David William Flippo (A0.995984). Sung by: Christian His I Want song. Because handsome only goes so far with a woman of letters -- and conversation. Piano / Vocal Score. From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95 ≈
£3.02
TRAGEDY! COMEDY! IRONY! - from "Roxane, of Bergerac" - a full length musical
TRAGEDY! COMEDY! IRONY! - from "Roxane, of Bergerac" - a full length musical
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Piano, Voice
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INTERMEDIATE
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Broadway
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Dave Flippo-music, Marie Yuen-
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TRAGEDY! COMEDY! IRONY! - from
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David William Flippo
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995997 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Jazz,Musical/Show. Score. 7 page...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995997 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Jazz,Musical/Show. Score. 7 pages. David William Flippo #4781867. Published by David William Flippo (A0.995997). A duet between Cyrano and Christian- a slow beguine lament about the frustrating romantic situation they've gotten into with Roxane. Piano/Vocal Score.From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95 ≈
£3.02
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