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It Is At Hand
Not classified 30

Piano & keyboards
Piano solo 71
2 Pianos, 4 hands 6
Piano, Voice 3

Organ 3
1 Piano, 4 hands 2

Guitars
Bass guitar 1
4 Guitars (Quartet) 1
Guitar notes and tablatures 1
2 Guitars (duet) 1

Voice
Soprano voice, Piano 6
Choral SATB 6
High voice 2
Low voice, Piano 1
Baritone voice, Piano 1

Alto voice, Piano 1

+ 1 instrumentations

- Retract

Woodwind
Saxophone Quartet: 4 saxophones 3
Clarinet 2
Flute 2
Oboe (band part) 2
Oboe, Piano (duet) 2

Clarinet Quartet: 4 clarinets 1
2 Clarinets (duet) 1
2 Saxophones (duet) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Clarinet, Bassoon (duet) 1
Flute, Cello, Piano (trio) 1
Flute, Oboe, Clarinet, Bassoon 1
Flute and Piano 1

+ 8 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trumpet 3
Brass Quartet: 4 trombones 3
French horn 2
Brass quartet : 2 trumpets, trombone, tuba 2

Trumpet ensemble 1
Trombone ensemble 1

+ 2 instrumentations

- Retract

Strings
Violin 4
String Quartet: 2 violins, viola, cello 4
Double Bass 2
Violin, Clarinet, Piano (trio) 1
Cello 1

Violin, Cello (duet) 1
Harp 1
Cello, Piano 1
Viola 1
Violin and Piano 1
Viola (band part) 1

+ 6 instrumentations

- Retract

Percussion & orchestra
Orchestra 6
Handbells 3
Concert band 2
String Orchestra 2
Chamber Orchestra 2

Jazz Ensemble 2
Piano and Orchestra 1
Orchestra, Violin 1

+ 3 instrumentations

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It Is At Hand

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Piano, Voice

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3 sheet music found

Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration

Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration #Piano, Voice #ADVANCED #Stanley M Hoffman #2 #Two Scenes from the Lodz Ghett #stanleymhoffman.com #SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoff...(+)

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.

$12.00 ≈ 10.81€

Quatre Poemes De Guillaume Apollinaire

Quatre Poemes De Guillaume Apollinaire #Piano, Voice #ADVANCED #Contemporary #Francis Poulenc and Guillaume #Nicole Elyse DiPaolo #Quatre Poemes De Guillaume Apo #Nicole Elyse DiPaolo #SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 2...(+)

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire'sÂ Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.

$8.95 ≈ 8.07€

Three Poems for Soprano Voice & Piano

Three Poems for Soprano Voice & Piano #Piano, Voice #ADVANCED #Nick Raspa, Emily Dickinson #Three Poems for Soprano Voice #NJR Music #SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189....(+)

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189. Published by NJR Music (A0.754232). A setting of three Emily Dickinson poems (Syllable, Word, Phrase) for piano & soprano voice. Â Syllable was selected for performance in the 1988 New Music Festival at the University of Wisconsin. Â The song cycle was selected for performance at the Region 1 meeting of the Society of Composers in 1992. Â Emily Dickinson did not title the poems. Â The titles were selected based on the context of the poems. Â Duration of the entire song cycle is about 3 1/2 minutes: Syllable and Word are approximately 1 minute each and Phrase is about 1 1/2 minutes. Â 32 pages.SyllableCould mortal lip divinethe undeveloped FreightOf a delivered syllable'Twould crumble with the weight.WordA word is deadWhen it is said,Some say.I say it justBegins to liveThat Day.PhraseI found the phrase to every thoughtI ever had - but One -Â And that - defies me -As a Hand did try to chalk the SunTo Races - nurtured in the Dark -How would your own - begin?Can Blaze be shown in Cochineal -Â Or Noon - in Mazarin? ASCAP.

$12.95 ≈ 11.67€