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Studies advanced
Not classified 55

Piano & keyboards
Piano solo 49
2 Pianos, 4 hands 20
Piano Accompaniment 3
Piano, Voice 3

Piano, Vocal and Guitar 2

Accordion 2
Organ 1

+ 2 instrumentations

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Guitars
Guitar 30
Guitar notes and tablatures 11
Bass guitar 3
Mandolin 2
Guitar Ensemble 1

Banjo 1

+ 1 instrumentations

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Voice
Choral SATB 2
Choral 1
Medium voice, Piano 1

Woodwind
Clarinet 30
Flute 11
Flute and Piano 4
2 Clarinets (duet) 2
Treble (Alto) Recorder, Piano 1

Saxophone (band part) 1
Saxophone Quartet: 4 saxophones 1
Saxophone 1
Harmonica 1
Treble (Alto) Recorder 1

+ 5 instrumentations

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Woodbrass
Trumpet 14
Trombone 6
French horn 3
Tuba 3
Euphonium 1

Bass Clef Instruments 1
Trumpet (band part) 1
Trombone and Piano 1
Brass Quartet: 4 trombones 1
Brass quartet : 2 trumpets, trombone, tuba 1

+ 5 instrumentations

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Strings
Violin 16
Cello 11
Viola 8
Cello, Piano 5
Violin, Cello (duet) 4

Violin and Piano 4
Violin (band part) 2
Viola (band part) 1
2 Violas (duet) 1
Doublebass (band part) 1
Cello (band part) 1

+ 6 instrumentations

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Percussion & orchestra
String Orchestra 8
Drums 5
Brass ensemble 1
Percussion 1

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Studies advanced

Piano, Voice

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Play - Sing (Multi-dimensional Music Reading Studies)

Play - Sing (Multi-dimensional Music Reading Studies) #Piano, Voice #EASY #Onder Ozkoc #Play - Sing #Onder Ozkoc #SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811...(+)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by Onder Ozkoc (A0.1003152). This book has been prepared for the purpose of doing self-accompanied music reading (solfeggio) practice. For this, 70 pieces were designed; with these pieces, it is aimed to develop multi-layered thinking and hearing elements in music. The four parts in the book, which are sorted according to the level of difficulty, are written on a single string, the notes with the stems downwards are accompanied by the notes, and the ones that upwards belong to the reading party. The accompaniment of the pieces is sometimes considered as a single sound, chord, or rhythmic structure, and sometimes as a combination of these structures. The accompaniment, which comes as a rhythmic structure in the 2nd and 4th chapters, is written with rhythmic notation on a separate staff.The accompaniments of the pieces in the first part can be played with instruments such as the piano or guitar, where two or three voices can be played at the same time and music can be played while performing, while the accompaniments are designed only as a rhythm for the parts in the second part can be played by hitting them with the hand or another instrument.The pieces in the third part were written in a way that the upper part can be read when the lower part is played and the lower part is read when the upper part is played, considering the translatable counterpoint technique, thus 4 working ways are derived from one piece. The monophonic accompaniments of the pieces in this section can also be played with instruments that can be read while playing.The fourth chapter of the book contains pieces that combine the understanding of the first two chapters, which can be called advanced when compared to the other chapters.The pieces in the book were read many times with students from different age groups at different levels, and their interpretations contributed to the shaping of the pieces. It is thought that the book, which includes studies that can help with simultaneous melody/rhythm hearing, reading scores, or rhythmic analysis, will contribute to the development of multi-layered thinking and hearing in music by making accompanying music reading studies on its own, and this is a basic requirement for every musician.

$10.00 ≈ ¥71.36

An Orange for Soprano/Tenor and Piano

An Orange for Soprano/Tenor and Piano #Piano, Voice #INTERMEDIATE #Apostolos Paraskevas #An Orange for Soprano/Tenor an #Silver Sickle Publications #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Si...(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat thereâ€¦It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its characterâ€¦Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my lifeâ€¦Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it saidâ€¦a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didnâ€™t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Fossâ€“â€“and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences â€“ from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts â€“ amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.

$8.99 ≈ ¥64.15

Bagatelles Chanteés

Bagatelles Chanteés #Piano, Voice #INTERMEDIATE/ADVANCED #Contemporary #Alexander Liebermann #Bagatelles Chanteés #Abundant Silence #SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexander Liebermann. Classical,Contemporary. Score. 12 pages. Abundant Silenc...(+)

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexander Liebermann. Classical,Contemporary. Score. 12 pages. Abundant Silence #773511. Published by Abundant Silence (A0.1173365). Bagetelles ChanteÃ©s by Alexander Liebermann For Piano and Soprano, Early Advanced, 10 Pages The Bagatelles ChantÃ©es is a song cycle based on three poems that I wrote during my two first years in New York City. It is only after my studies at the Juilliard School in 2015 that I decided to set them to music. Each of the songs had to have, like the poems themselves, its distinct style. Accordingly, I came up with the idea of making them - to a certain extent - style studies. In the dedication line under every song title in this edition you will find the name of the composer whose style I gave my best to emulate. The first song, Spleen, is dedicated to Olivier Messiaen. The second song, Silence, is dedicated to GÃ©rard Grisey. The third and last song, La Reine (The Queen), is dedicated to Francis Poulenc.â€‹-Alexander Liebermann.

$20.00 ≈ ¥142.71