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Theme from E.T.
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Theme from E.T.
Piano, Voice
Sheetmusic to print
5 sheet music found
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1
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voice
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INTERMEDIATE/ADVANCED
#
Pasquale Cafaro
#
Nicole Elyse DiPaolo
#
Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
¥64.12
Captain Underpants Theme
Captain Underpants Theme
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Piano, Voice
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INTERMEDIATE
#
Film/TV
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Mario Stallbaumer
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Captain Underpants Theme
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here’s how to play the Captain Underpants Theme Song on piano!
With this piano sheet music, you can play the fantastic theme song from the 2017 animated superhero film “Captain Underpants: The First Epic Movie”.
You can use these piano sheets to play an instrumental version of the piece, accompany singers, or sing along yourself.
It’s a piano arrangement in the song’s original key of E major, and comes with the theme song’s full lyrics.
It’s not too hard to play and sounds fantastic!
The Captain Underpants Theme Song was performed (and co-written) by "Weird Al" Yankovic, and appears as the first track on the film’s official soundtrack.
Listen to the full arrangement here: https://www.youtube.com/watch?v=cAPh1Hc-Qk0
Here are the full lyrics to the Captain Underpants Theme Song:
“Tra la la!
Are you worried about impending doom?
Those evil villains got ya filled with gloom?
Don't ya fear, there's a hero in the sky, the sky, the sky
It's not a bird and it's not a plane
And it's not an egg salad sandwich
It's the waistband warrior
Hear his mighty battle cry
Tra la la!
Underpants
Hey watch out, Crime
Its Captain Underpants
Its wedgie power time
Na na na na na
Captain Underpants
Yeah, yeah, yeah
Faster than a speeding waistband
Underpants
He's busting down doors
Captain Underpants
While wearing just his drawers
Na na na na na
Captain Underpants
Yeah, yeah, yeah
More powerful than boxer shorts
His name is Under, Under, Underpants
I'm saying Under, Under, Underpants
Oh yeah by some unlikely chance
Captain Underpants is his name
Tra la la!
Snap your fingers and he'll be right there
That freaky bald dude in his underwear
He'll drop his trousers
And he'll fight to save the day, the day, the day
There he goes in his dashing cape
Here he comes in his tighty whiteys
All the bad guys soil themselves every time they hear him say
Tra la la!
Underpants
Hey, who's that hunk?
Captain Underpants
Is that cotton pre-shrunk?
Na na na na na
Captain Underpants
Yeah, yeah, yeah
Now it's time to fly again
Underpants!
Suspend your disbelief
Captain Underpants
He'll save the world in his briefs
Na na na na na
Captain Underpants
Yeah, yeah, yeah
To the skies! Wow
Under, Under, Underpants
I'm saying Under, Under, Underpants
Check out that superhero stance
Captain Underpants is his name
Stand down, Poopypants
Oh, Under, Under, Underpants
He's Captain Under, Under, Underpants
Yeah, By some crazy circumstance
Captain Underpants is his name
Tra la la!”
$4.99 ≈
¥35.75
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Piano, Voice
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INTERMEDIATE
#
Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3
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Samuel Warren Hatch
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Wa...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99 ≈
¥28.58
Pastueño
Pastueño
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Piano, Voice
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T
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Pastueño
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T. B. Tucker, II
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1027391 Composed by T. B. Tucker, II. Latin,World. Score. 10 pages. T. B. Tucker, II #33013. Published by T....
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Piano,Vocal,Voice - Digital Download SKU: A0.1027391 Composed by T. B. Tucker, II. Latin,World. Score. 10 pages. T. B. Tucker, II #33013. Published by T. B. Tucker, II (A0.1027391). Pastueño is a song of declaration, a response to the world. Written primarily for those who are moving on in the world to greater things, it is meant to be a true testament to the power which has been instilled in us. The term Pastueño comes from the Andalucian Spanish Flamenco guitar music. Pastueño is a stylistic ability of the player described as slow and peaceful like the calm and fearless bull. We find this slow, calm gate in the repeated open 5ths of the piano. This pulse, along with the extended E minor chord is the underlying tone and driving force of the song. The tenuto and staccato repeats are meant to be imitative of the strumming of a guitar with the syncopation of the RH in the piano. Each articulation given or not given is deliberate and helps to solidify and enhance the imitation of the guitar in the piano line. The vocal line follows a soulful, jazz-inspired melody line that enhances the effect of the Spanish inspired theme. The complicated rhythms and articulations are composed in a manner to help emphasize syllabic stress and expression.
$2.75 ≈
¥19.70
Bounteous River of Mercy
Bounteous River of Mercy
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Piano, Voice
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INTERMEDIATE
#
Cheryl Prazak
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Jon Burr
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Bounteous River of Mercy
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Cheryl Prazak
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294494 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Traditional Gaelic. Arranged by Jon Burr. C...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294494 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Traditional Gaelic. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 9 pages. Cheryl Prazak #884869. Published by Cheryl Prazak (A0.1294494). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Bounteous River of MercyBounteous river, river of mercy,Flowed from your life’s blood, flowed fast away.Streams never ceasing since in the Garden,Streams of the Lamb’s blood, unto this day.Rivers of crimson, washing as pure snow,Ribbons of crimson, spilled by God’s Lamb.Abraham offered up the chosen son,But as a ransom, God sent a ram.I offered my sin, You sent a Savior;I offered my pain, You sent your Son.I offered my guilt, You spilled your life’s blood;You gave me hope when I deserved none.First Fruit of Heaven, returned to the Father;First Fruit of Heaven, rending the veil.Life lies before me, death is behind me;Living in your Light, death can’t assail.Darkness is gone now, You are my sunshine;Raised in your likeness, I walk in Light.You are my High Priest, e’er pleading for me;You are my Counsel, setting things right.In Jesus’ blood now, is life everlasting;In life’s death shadow, there is no fear.Walking in your Light, calmness surrounds me;Lord of creation, my heart’s desire.
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