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Ally Cho
Not classified 179

Piano & keyboards
Piano solo 94
Piano, Voice 13
Organ 12
Harpsichord 2
2 Pianos, 4 hands 2

C Instruments 2
Organ, Trumpet (duet) 1
1 Piano, 4 hands 1
Piano Quartet: piano, violin, viola, cello 1
Piano, Vocal and Guitar 1
Piano Quintet: piano, 2 violins, viola, cello 1
Piano Quartet: piano, 2 violins, cello 1

+ 7 instrumentations

- Retract

Guitars
Guitar 8
Guitar notes and tablatures 3
Melody line, (Lyrics) and Chords 2
Dulcimer 1
Ukulele 1

Voice
Choral SATB 53
Choral SSAA 13
Soprano voice, Piano 11
Choral TTBB 9
Choral 3-part 5

Alto voice, Piano 3
Medium voice, Piano 2
Choral SSAATTBB 2
High voice 2
Baritone voice, Piano 2
Mezzo-Soprano voice, Piano 1
Low voice, Piano 1
Choral 1
Choral SAATB A Cappella 1
Tenor voice 1
Choral 2-part 1

+ 11 instrumentations

- Retract

Woodwind
Clarinet Ensemble 10
Flute and Piano 9
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Saxophone Quintet: 5 Saxophones 7
Saxophone Quartet: 4 saxophones 5

Flute 4
Alto Saxophone and Piano 3
Alto Saxophone 3

Oboe, Piano (duet) 2
Flute ensemble 2
Clarinet and Piano 2
2 Saxophones (duet) 2
Flute Quintet : 5 flutes 2
Soprano Saxophone and Piano 2
Flute, Oboe, Clarinet, Bassoon 2
Saxophone 2
Flute Quartet: 4 flutes 2
Oboe, Bassoon and Piano 1
Flute, Oboe, Piano (trio) 1
Flute Trio: 3 flutes 1
Oboe, Clarinet, Bassoon (trio) 1
Baritone Saxophone, Piano 1
Oboe and Orchestra 1
Saxophone (band part) 1
2 Flutes (duet) 1
Clarinet Quintet: 5 clarinets 1
3 Clarinets (trio) 1
Clarinet Quartet: 4 clarinets 1
Clarinet 1

+ 24 instrumentations

- Retract

Woodbrass
Trombone ensemble 11
Brass Quintet: 2 trumpets, horn, trombone, tuba 8
Trombone and Piano 5
Brass quartet : 2 trumpets, trombone, tuba 5
French horn 5

Trombone 4
Trumpet 4
Trumpet, Piano 4
Tuba 3
Brass Quartet: 4 trombones 3
Trumpet ensemble 2
Euphonium, Piano (duet) 2
French Horn and Piano 2
Tuba and Piano 2
2 Trombones (duet) 2
Brass Quartet: 4 horns 1
2 Euphoniums (duet) 1
Bass Trombone and Piano 1
Bass Trombone 1
2 French horns (duet) 1
Bb Instruments 1

+ 16 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 47
Violin and Piano 12
Cello, Piano 11
Violin 5
Harp 3

Violin, Guitar (duet) 3
String Trio: violin, viola, cello 3
Viola ensemble 2
Viola, Piano 2
Violin, Viola (duet) 2
Cello 2
Violin ensemble 1
String Quartet : 4 violas 1
Violin, Clarinet, Piano (trio) 1
String Trio: 2 violins, cello 1
2 Cellos (duet) 1
Double Bass 1
Harp, Flute (duet) 1
Piano Trio: Violin, Viola, Piano 1

+ 14 instrumentations

- Retract

Percussion & orchestra
Orchestra 34
Chamber Orchestra 17
Jazz Ensemble 11
Concert band 10
Brass ensemble 8

String Orchestra 7
Handbells 3
Jazz combo 2
Piano and Orchestra 1
Percussion Ensemble 1
Voice Mezzo-Soprano, Orchestra 1

+ 6 instrumentations

- Retract

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Ally Cho

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Alto Saxophone

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3 sheet music found

20,000

20,000 #Alto Saxophone #ADVANCED #Contemporary #Sy Brandon #20,000 #Sy Brandon #SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy ...(+)

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verneâ€™s 20,000 Leagues Under the Sea I. A Shifting Reef â€“ This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest â€“ Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids â€“ The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole â€“ After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom â€“ As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise

$4.99 ≈ ¥35.02

Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone

Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone #Alto Saxophone #ADVANCED #Andersen Viana #Andersen Viana: Monologue for #Musik Fabrik Music Publishing #SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Mus...(+)

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40â€™ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: TormentÃ to, Scherzando, Lento, Lentissimo, reexposition (TormentÃ to) and Coda. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, RadamÃ©s Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the ClÃ³vis Salgado Foundation, PalÃ¡cio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, SebastiÃ£o Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of BillÃ¨re (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem PrÃ³ximo do Mal (Next Evil), Jogando para o AmanhÃ£, O PrÃ³ximo Passo, Gunâ€™s Speech, Trem Fantasma, 3:00:AM, CoraÃ§Ãµes Ardentes, Filhos de AdÃ£o, Perdidos em Abbey Road, Vivalma, ManuelzÃ£o e Bananeira, OfÃ©lia, Opostos, Minas Portuguesa, O Homem da CabeÃ§a de PapelÃ£o, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo FranÃ§a JÃºnior.

$10.35 ≈ ¥72.64

Fantasie

Fantasie #Alto Saxophone #ADVANCED #Classical #Joerg Widmann #Fantasie #Schott Music - Digital #SheetMusicPlus

Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporar...(+)

Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.

$12.99 ≈ ¥91.17