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It don HARP
Not classified 89

Piano & keyboards
Piano solo 18
C Instruments 14
Piano, Voice 7
Easy Piano 6
Piano (band part) 2

Piano, Vocal and Guitar 2
Piano Accompaniment 1

+ 2 instrumentations

- Retract

Guitars
Guitar (band part) 6
Mandolin, Guitar (duet) 3
Ukulele 2
Guitar notes and tablatures 2
Guitar 2

Lyrics and Chords 1
Melody line, (Lyrics) and Chords 1

+ 2 instrumentations

- Retract

Voice
Choral SATB 17
Choral 2-part 4
Choral SSAA 3

Choral TTBB 3
Baritone voice, Piano 2

Vocal duet 1
Choral Unison 1
Soprano voice, Piano 1
Choral 3-part 1
Low voice, Piano 1

+ 5 instrumentations

- Retract

Woodwind
Saxophone (band part) 14
Flute, harp and violin 2
Recorder 1
Flute and Piano 1
Treble (Alto) Recorder, Piano 1

Clarinet 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Clarinet Ensemble 1
Clarinet, Guitar (duet) 1
Clarinet, Harp (duet) 1
Flute, Harp and Cello 1
Alto Saxophone 1

+ 7 instrumentations

- Retract

Woodbrass
Trombone (band part) 11
Trumpet (band part) 10
Brass quartet : 2 trumpets, trombone, tuba 4
Trombone 4
Trombone and Piano 2

Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Trumpet, Piano 1
2 Trombones (duet) 1
Trombone ensemble 1
Euphonium, Piano (duet) 1
Tuba and Piano 1
Trumpet, Harp 1
French Horn and Harp 1
Bass Trombone and Piano 1

+ 9 instrumentations

- Retract

Strings
Harp 41
Harp, Flute (duet) 14
2 Harps (duet) 7
Violin 5
Harp, Violin (duet) 4

Doublebass (band part) 3
String Quartet: 2 violins, viola, cello 3
2 Violins (duet) 3
Cello 2
Harp (band part) 2
Viola and Harp 2
Violin, Cello (duet) 2
4 Harps 2
Violin and Piano 2
Harp, Voice 2
Harp, Trombone (duet) 1
Viola, Piano 1
Harp and mandolin 1
String Trio: 3 violins 1
Harp and Piano 1
String Trio: violin, viola, cello 1
Harp, Cello (duet) 1
Viola (band part) 1

+ 18 instrumentations

- Retract

Percussion & orchestra
Orchestra 42
Jazz Ensemble 4
Concert band 4
Drum (band part) 3
String Orchestra 3

Jazz combo 3
Handbells 2
Brass ensemble 2
Chamber Orchestra 1
Orchestra, Violin 1

+ 5 instrumentations

- Retract

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It don HARP

Choral SSAA

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3 sheet music found

Don't Dream It's Over

Don't Dream It's Over #Choral SSAA #INTERMEDIATE #Crowded House #Rowena Harper #Don't Dream It's Over #Rowena Harper #SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1213616 By Crowded House. By Neil Finn. Arranged by Rowena Harper. A Cappella,Barbershop,...(+)

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1213616 By Crowded House. By Neil Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Contemporary,Pop. 8 pages. Rowena Harper #810810. Published by Rowena Harper (A0.1213616). This arrangement is inspired by Stan Walker's very special rendition of this classic Crowded House song.Â You can hear the accoustic guitar rhythms and the rich harmonies of Stan's backup singers replicated in this arrangement, as well as Te Reo Maori - a welcome twist to the original song, now arranged in a barbershop / a cappella style.Range (Lowest-Highest): Bass D3-F#4 (with alternative options for higher basses - E4 lowest), Baritone B3-C#5, Lead C#4-C#5, Tenor G4-E5. Key = A.This is a a per copy price - minimum 10 copies. Also available as a set of parts (four copies). Â Purchasing allows printing of one copy, and one copy per singer is required. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef, Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please contact the arranger if you require a strict SSAA format.) Contact: acappellatenor@gmail.com

$3.00 ≈ £2.24

Candlemas Carol

Candlemas Carol #Choral SSAA #INTERMEDIATE/ADVANCED #Alan Wagstaff #Alan Wagstaff #Candlemas Carol #Alan Wagstaff #SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,...(+)

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdropâ€™s folk names is â€˜Eveâ€™s Comforterâ€™; another â€˜Maid of Februaryâ€™. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter wonâ€™t return again. When Eve and Adam left Eden fair, the snow and ice lay evâ€™rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter wonâ€™t return again. A teardrop fell from Eveâ€™s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heavenâ€™s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: â€˜Amen!â€™ in praise of Winterâ€™s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter wonâ€™t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Edenâ€™s perpetual summer, they wandered, despondently, into Earthâ€™s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.

$100.00 ≈ £74.69

La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack

La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack #Choral SSAA #INTERMEDIATE #Adrienne Inglis #La ciudad sumergida #Adrienne Inglis #SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis...(+)

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y TrÃ©bol (1938) by Alfonsina Storni (1938) Copyright Â© 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of womenâ€™s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y TrÃ©bol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copÃ³n de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poetâ€™s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The cityâ€™s reflection on the riverâ€™s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that itâ€™s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Womenâ€™s Chorale for the generous commission. Copyright Â© 2020 Adrienne Inglis | http://adrienneinglis.com

$3.99 ≈ £2.98