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JUST Soprano voice, Piano
intermediate
Choral 3-part
Sheetmusic to print
3 sheet music found
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1
The Water is Wide (SAT choir and piano)
The Water is Wide (SAT choir and piano)
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Choral 3-part
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INTERMEDIATE
#
Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Contest,Festival,Folk,Iris...
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Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Contest,Festival,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #866631. Published by Colin Kirkpatrick Publications (A0.1274487). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†(it rhymes with daily) which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAT arrangement by Colin Kirkpatrick is ideal for school choir, amateur choir or college choir especially when there are few male voices. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (the G just above the staff, but only once). The alto part range is of B flat 3 to E5. The tenor range is D3 to D4. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.Â
$2.99 ≈
2.71€
Don't Just Sit There
Don't Just Sit There
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Choral 3-part
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INTERMEDIATE
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Holly Laessig and Jessica Wolf
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Claire Coleman
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Don't Just Sit There
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Claire Coleman
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SheetMusicPlus
Choral Choir (SAA) - Level 3 - Digital Download SKU: A0.1203552 Composed by Holly Laessig and Jessica Wolfe. Arranged by Claire Coleman. A Cappella,Folk,...
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Choral Choir (SAA) - Level 3 - Digital Download SKU: A0.1203552 Composed by Holly Laessig and Jessica Wolfe. Arranged by Claire Coleman. A Cappella,Folk,Pop,Singer/Songwriter. Octavo. 8 pages. Claire Coleman #802160. Published by Claire Coleman (A0.1203552). Don't Just Sit There by powerhouse duo Lucius is one of those infectious tunes that gets stuck in your head. This arrangement shares the melody around the voice groups, so everyone gets a turn in the spotlight and a little bit of that cracker melody for themselves. It is arranged in three parts - Soprano / Alto / Contralto - with frequent divisi, so the harmonies are as rich as the original tune. The arrangment is intended to be sung a cappella, and includes optional body percussion, but could also be performed with piano or guitar improvised accompaniment.
$1.99 ≈
1.80€
Hallelujah
Hallelujah
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Choral 3-part
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INTERMEDIATE
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Leonard Cohen
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Justin Matthew Starr
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Hallelujah
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J M Starr Music
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary...
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah†was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!
$2.50 ≈
2.26€
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