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Were You There
Not classified 95

Piano & keyboards
Piano solo 58
Piano, Voice 20
Easy Piano 20
Piano, Vocal and Guitar 13
Organ 4

1 Piano, 4 hands 2
Piano Trio: piano, violin, cello 2
C Instruments 2
Piano Quartet: piano, 2 violins, cello 1
Accordion 1

+ 5 instrumentations

- Retract

Guitars
Ukulele 6
Guitar notes and tablatures 4
Guitar 1
Piano, Guitar (duet) 1

Voice
Choral 2-part 30
Choral SATB 20
Choral 3-part 20
Vocal duet, Piano 11
Choral Unison 8

Choral TTBB 2
Choral SSATTB 2
Soprano voice, Piano 2
Vocal duet 1
Choral SSAA 1
Alto voice, Piano 1

+ 6 instrumentations

- Retract

Woodwind
Clarinet and Piano 23
Tenor Saxophone and Piano 19
Flute and Piano 18
Soprano Saxophone and Piano 18
2 Saxophones (duet) 17

Alto Saxophone and Piano 15
Oboe, Piano (duet) 12
Flute, Oboe, Clarinet, Bassoon 11
2 Flutes (duet) 10
2 Clarinets (duet) 10
Saxophone Quartet: 4 saxophones 9
Flute, Clarinet (duet) 9
Saxophone, Clarinet (duet) 9
Baritone Saxophone, Piano 7
Clarinet, Trumpet (duet) 6
Clarinet, Violin (duet) 5
Alto Saxophone 5
Flute 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5
Clarinet 5
2 Oboes (duet) 4
English horn, Piano 4
Tenor Saxophone 3
Flute, Clarinet, Piano (trio) 3
Clarinet and Viola 3
Flute, Viola (duet) 3
Flute, Saxophone (duet) 3
Oboe 2
Treble (Alto) Recorder, Piano 2
Soprano Saxophone 2
Oboe, Bassoon (duet) 2
Flute Quartet: 4 flutes 2
Oboe, Flute 2
Baritone Saxophone 2
3 Clarinets (trio) 1
Recorder Quartet 1
Descant (Soprano) Recorder 1
Saxophone (band part) 1
Oboe, Clarinet (duet) 1
Clarinet Quartet: 4 clarinets 1
Tenor Recorder 1
Bass Clarinet, Piano 1
Clarinet Ensemble 1
2 Clarinets, Piano 1
Flute, Trumpet (duet) 1
Clarinet Quintet: 5 clarinets 1

+ 41 instrumentations

- Retract

Woodbrass
Trombone and Piano 21
Trumpet, Piano 13
2 Trombones (duet) 7
Trumpet, Saxophone (duet) 6
French Horn and Piano 6

Trumpet, Trombone (duet) 6
Trombone 5
Brass quartet : 2 trumpets, trombone, tuba 5
Trumpet, Horn (duert) 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trumpet 4
English horn, Piano 4
Euphonium, Piano (duet) 3
Tuba and Piano 3
Brass Quartet: 2 trumpets, horn, trombone 3
Trumpet, Trombone, Piano 2
Tuba 2
French horn 2
Brass Quartet: 4 trombones 1
2 Trumpets (duet) 1
3 Trumpets (trio) 1
Trumpet (band part) 1
2 Tubas (duet) 1

+ 18 instrumentations

- Retract

Strings
Cello, Piano 18
Viola, Piano 16
Violin and Piano 15
String Quartet: 2 violins, viola, cello 11
Violin, Viola (duet) 8

Violin 7
Piano Trio: Violin, Viola, Piano 5
Harp 5

Violin, Cello (duet) 5
2 Violas (duet) 5
2 Violins (duet) 4
Viola 4
Cello 3
2 Cellos (duet) 2
String Quintet: 2 violins, viola, cello, bass 2
String Trio: 2 violins, cello 2
2 Violins, Piano 1
Double bass, Piano (duet) 1
String quartet: 4 violins 1
2 Harps (duet) 1

+ 15 instrumentations

- Retract

Percussion & orchestra
Handbells 12
String Orchestra 7
Concert band 5
Brass ensemble 2
Jazz Ensemble 2

Jazz combo 1

+ 1 instrumentations

- Retract

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Were You There

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5 sheet music found

Were You There?

Were You There? #Harp #EASY #Gospel/Spiritual #Sacred music #African-American Spiritual #Barbara Fischer #Were You There? #Fischarper, LLC #SheetMusicPlus

Harp - Level 2 - Digital Download SKU: A0.898125 Composed by African-American Spiritual. Arranged by Barbara Fischer. Sacred,Spiritual. Score. 3 pages. F...(+)

Harp - Level 2 - Digital Download SKU: A0.898125 Composed by African-American Spiritual. Arranged by Barbara Fischer. Sacred,Spiritual. Score. 3 pages. Fischarper, LLC #5336779. Published by Fischarper, LLC (A0.898125). This harp arrangement of an African-American Spiritual, based on harmonization by Charles Winfred Douglas, is great for the intermediate harpist to play at church or chapel services. It includes three variations.

$2.99

The Volcano`s Lake

The Volcano`s Lake #Harp #EASY #Luis Anjos Teixeira #The Volcano`s Lake #Luis Anjos Teixeira #SheetMusicPlus

Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Te...(+)

Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira â€žNow comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams â€žTime and Matter were a byproduct of â€žMusic itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it â€žThe Volcano`s Lake, because the â€žLake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.

$6.79

The Horse of Beckmann's Mill for solo harp - no levers required

The Horse of Beckmann's Mill for solo harp - no levers required #Harp #EASY #Contemporary #Kim Kirkman #Kim Kirkman #The Horse of Beckmann's Mill f #Kim Kirkman #SheetMusicPlus

Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman...(+)

Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman
An original composition
In dorian mode. Very much in folk song style
Inspired by animal welfare
Lovely arrangement. Quite easy.
Has impovised section in middle
The original lyrics are:

The Horse of Beckmann’s Mill

Pray, have you seen that chestnut foal o'er there uponthe hill?

The finest foal you've ever seen was born at Beckmann'sMill.

They let her play within her yard, tie ribbons in hermane,

They train her to the grinding stone that crushes up thegrain.

Now many times I've thought about that foal at Beckmann'sMill,

And many times I've wondered how that man can do so ill.

They use you up, they throw you out and turn their backsin scorn.

All because by chance it came to be the place where youwere born.

Pray, have you seen that chestnut filly o'er there besidethe hill?

The finest filly you're ever seen was worked at Beckmann'sMill.

They drive her from the morning sun until it's very late,

They thrash her hard to pull the wheel that's bonded toher fate.

Now many times I've passed her by and oft I've turned myface.

Yet many times I've wondered what if I were in her place.

They take advantage of the young and those without avoice.

And it seems to me that nowhere did she really have achoice.

Pray, have you seen that chestnut mare o'er there underthe hill?

The finest mare you've ever seen has died at Beckmann'sMill.

One day she fell upon her kness, the man he brought hisknife.

The tread mill won the battle, and the miller took herlife.

Now many times I've thought about the mare at Beckman'sMill,

And many times I've wondered how that man can do so ill.

They use you up, they throw you out and train anotherfoal,

Yet every death they cause will leave a stain upon theirsoul.

$1.99

Old French Song

Old French Song #Harp #EASY #Classical #Pyotr Ilich Tchaikovsky #Luis Anjos Teixeira #Old French Song #Luis Anjos Teixeira #SheetMusicPlus

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...(+)

Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.

In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.

Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".

On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.

By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.

On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.

P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.

The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.

A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.

I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.

May be the staccatos suites you best, and you should try it.

The score was written on Finale.

The sound file was produced with samplers from Garritan,

intended as an audio support for the presentation of the score.

A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.

Thank you very much for taking your time to read this text and to listen to the file.

I hope you enjoy the music.

$4.99