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C.R. I.
Not classified 129

Piano & keyboards
C Instruments 84
Easy Piano 70
Piano solo 69
Piano, Voice 24
Organ 23

Piano, Vocal and Guitar 17
Accordion 7
1 Piano, 4 hands 3
Organ, Piano (duet) 2
Big Note Piano 2
2 Pianos, 8 hands 1

+ 6 instrumentations

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Guitars
Melody line, (Lyrics) and Chords 105
Bass guitar 18
Guitar notes and tablatures 17
Ukulele 14
Lyrics and Chords 8

Guitar 8
Mandolin 1
Piano, Guitar (duet) 1

+ 3 instrumentations

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Voice
Choral SATB 14
Choral 3-part 3
Choral TTBB 2
Vocal duet 1
Choral SSAA 1

Woodwind
Saxophone (band part) 31
Alto Saxophone 14
Flute 13
Clarinet 13
Oboe (band part) 10

Flute and Guitar 6
2 Clarinets (duet) 5
Flute Quartet: 4 flutes 4
Flute and Piano 4
2 Saxophones (duet) 3
Flute, Clarinet (duet) 3
Descant (Soprano) Recorder 2
Tenor Saxophone and Piano 2
Flute, harp and violin 2
Clarinet and Piano 2
2 Flutes (duet) 2
Tenor Saxophone 2
Oboe, Piano (duet) 1
Clarinet, Guitar (duet) 1
Treble (Alto) Recorder, Piano 1
Soprano Saxophone and Piano 1
Oboe, Cello 1
Clarinet, Cello (duet) 1
Oboe, Bassoon (duet) 1
2 Recorders (duet) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1

+ 21 instrumentations

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Woodbrass
Trombone 12
French horn 11
Trumpet 9
Euphonium 7
Tuba 7

Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Trumpet, Piano 3
Trumpet, Trombone (duet) 3
Trombone ensemble 1
Trombone and Piano 1
Tuba and Piano 1
2 Trumpets (duet) 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trombone (band part) 1
Trumpet (band part) 1
Brass Quartet: 4 trombones 1

+ 11 instrumentations

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Strings
Violin 21
String Quartet: 2 violins, viola, cello 15
Cello (band part) 9
Viola 9
Cello 6

String Quintet: 2 violins, viola, cello, bass 6
Violin and Piano 4
Cello, Piano 3
Harp 3

Viola, Piano 2
Viola (band part) 2
2 Violins (duet) 2
Violin, Cello (duet) 2
Viola, Cello (duet) 1
2 Cellos (duet) 1
Violin (band part) 1
Violin, Viola (duet) 1
String Trio: 2 violins, cello 1
String Trio: violin, viola, cello 1

+ 14 instrumentations

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Percussion & orchestra
Chamber Orchestra 24
Concert band 11
String Orchestra 10
Brass ensemble 6
Jazz combo 5

Jazz Ensemble 4
Orchestra 3
Drums 2
Marching band 2
Handbells 2
Marimba 1

+ 6 instrumentations

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C.R. I.

Harp

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3 sheet music found

Rorie Dall's Sister's Lament for Double-strung Harp

Rorie Dall's Sister's Lament for Double-strung Harp #Harp #EASY #Celtic/Irish #Rory Dall #Karen Peterson #Rorie Dall's Sister's Lament f #Karen Peterson #SheetMusicPlus

Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peter...(+)

Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that arenâ€™t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2â€™s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1â€™s turn is manageable. Contact me after purchase if youâ€™d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament

$4.99 ≈ 4.63€

Le Taulier

Le Taulier #Harp #EASY #Brigitte Bonin #Le Taulier #Brigitte Bonin #SheetMusicPlus

Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigitte Bonin. Folk,Singer/Songwriter. Score. 3 pages. Brigitte Bonin #103...(+)

Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigitte Bonin. Folk,Singer/Songwriter. Score. 3 pages. Brigitte Bonin #1034885. Published by Brigitte Bonin (A0.1455787). Here are the score of Le Taulier It's a late beginner piece with the left hand playing always in the same order the bass part and the right hand having a little more fun. I play this piece on a 38 strings harp tuned in Eb, the lowest note is B0 and the highest is D6. But music is not rigid, you can adapt it to your harp (and send me a video I want to see !!) Advices :- for the A and C : as you repeat the measure, to avoid buzzing, place fingers 432 and then 1, not the 4 fingers at once.- don't worry about the original tempo, if you play it without singing it, you can accelerate, but if you also learn the singing part, 132 is optimum.Note : it's a love song, you will know that you're playing it well when you'll feel love playing it ;) Lyrics (french)Il m’a dit au revoir Ce vieux briscard Il a dit au revoirRaconte pas d’histoiresOn a vécu tous les joursSur le fil de l’amourOn a vécu tous ces joursOn s’aimera toujoursT’as régies ma vieMon cœur est mes enviesTu m’as apprisL’alchimie Le Taulier Loge et nourritContre un peu d’or

$4.99 ≈ 4.63€

Don't Stop Believin' (Journey) for Double-strung Harp

Don't Stop Believin' (Journey) for Double-strung Harp #Harp #INTERMEDIATE #Rock #Journey #Karen Peterson #Don't Stop Believin' #SheetMusicPlus

By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson ...(+)

By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.

This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.

Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.

Good for: Weddings, parties, performance, therapeutic settings.

Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.

Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.

Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf

Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.

Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.

Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.

Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin

$6.99 ≈ 6.48€