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Scherzo in C
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You've selected:
Scherzo in C
expert
String Quartet: 2 violins, viola, cello
Sheetmusic to print
4 sheet music found
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1
J.Brahms Scherzo from F.A.E. Sonate for Violin solo and String Quartet
J.Brahms Scherzo from F.A.E. Sonate for Violin solo and String Quartet
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Classical
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Johannes Brahms
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Vitalija Makrickiene
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J.Brahms Scherzo from F.A.E. S
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Vitalija Makrickiene
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1001874 Composed by Johannes Brahms. Arranged by Vitalija Makrickiene. Romantic Period...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1001874 Composed by Johannes Brahms. Arranged by Vitalija Makrickiene. Romantic Period,World. Score and parts. 29 pages. Vitalija Makrickiene #6305285. Published by Vitalija Makrickiene (A0.1001874). The Scherzo in C minor was Brahms' contribution to the violin sonata which he composed with R. Schumann and A. Dietrich in 1853 and which is known under the name F.A.E. Sonata. This Scherzo is arranged by Vitalija Makrickiene for solo violin and string quartet.
$15.99 ≈
$21.59
String Quartet No. 6 (Lochrian) (score)
String Quartet No. 6 (Lochrian) (score)
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00 ≈
$10.80
String Quartet No. 6 (Lochrian) (parts)
String Quartet No. 6 (Lochrian) (parts)
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String Quartet: 2 violins, viola, cello
#
ADVANCED
#
Contemporary
#
Colin Bayliss
#
String Quartet No. 6
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Colin Bayliss
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00 ≈
$13.50
Journey (For String Quartet)
Journey (For String Quartet)
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String Quartet: 2 violins, viola, cello
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ADVANCED
#
Paul Emil Levasseur
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Journey
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Paul Emil Levasseur
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1014185 Composed by Paul Emil Levasseur. 20th Century,Contemporary,Folk. Score and par...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1014185 Composed by Paul Emil Levasseur. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Paul Emil Levasseur #1987525. Published by Paul Emil Levasseur (A0.1014185). 'Journey' is a c.a. 12 minute work for String Quartet. The piece begins with an adagio melody which weaves into elegant counterpoint. The adagio opening is juxtaposed by a scherzo with a folk style melody and bouncing, changing rhythms. The two musical ideas collide and combine in the conclusion of the work! I began this piece in the beginning of my D.M.A. in composition when studying with Christos Hatzis. The material for this project has steeped in my mind for 5 years with over 100 drafts and rewrites to date. It really represents a period of struggle in my development as an artist. During this time I was trying to reconcile the struggle between my knowledge of composition and theory with my muse. The difference between putting notes together and creating art is an interesting one and this was something I had to come to terms with. After my 2nd year of study, I put this project on the shelf and carried on with other pieces. I didn't pull it out again until last Dec where there was a short pause in my workload with freelancing. I kept the material I wanted and just 'listened' to where the music wanted to go. Somehow the pieces came together and it worked to create a cohesive whole with a strong musical narrative. I'm very pleased with the result. The piece has not been performed yet but I have included a midi mockup to aide with score reading the piece.
$3.99 ≈
$5.39
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