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You've selected:
Its Time Bass Voice
String Quartet: 2 violins, viola, cello
Sheetmusic to print
4 sheet music found
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1
Almost May Score and Parts
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arrange...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
22.86€
Take A Chance On Me
Take A Chance On Me
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String Quartet: 2 violins, viola, cello
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Contemporary
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ABBA
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Des McNutty
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Take A Chance On Me
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Des Press
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.977359 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Des McNutty. Contemporary. Sco...
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String Quartet String Quartet - Digital Download SKU: A0.977359 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Des McNutty. Contemporary. Score and parts. 17 pages. Des Press #6480019. Published by Des Press (A0.977359). Abba released Take a Chance on Me - from ABBA: The Album - in January 1978 and it became one of their biggest hits. Influences from this track can be heard in the charts through the following decade and beyond. Needless to say, it remains popular today. As usual with ABBA tracks, the sound production is a work of art in itself: Myriad small details are woven into the tapestry of this high-energy song, such as an audacious one-note string arrangement, a baritone saxophone, state-of-the-art (at the time) synthesized effects and sophisticated multi-voice overdubbing which includes a less-than-perfect layer that may not be obvious but adds to the character and makes listeners more comfortable singing along, The guitar has awesome sustain, sounding almost Hawaiian, with some very slick licks in-between. This arrangement for string quartet cannot boast such complexity in four parts but tips its hat at what details can be squeezed into an idiomatic transcription. As usual in this series from Des Press, the all-important bass-line is used, giving the cellist a chance to shine as a throbbing groove-machine. This arrangement is in the same tonality as the original recording, so you could even play along for fun. The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students. Enjoy!
$12.99 ≈
11.88€
Turkish March
Turkish March
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Inacio Saldanha
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Turkish March
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Inacio Saldanha
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.798118 Composed by Ludwig van Beethoven. Arranged by In...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.798118 Composed by Ludwig van Beethoven. Arranged by Inacio Saldanha. Classical,Concert,Standards,World. Score and parts. 15 pages. Inacio Saldanha #6252921. Published by Inacio Saldanha (A0.798118). The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time.The theme was first used in Beethoven's Six Variations on an Original Theme, Op. 76, of 1808. In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. The Turkish March appears as movement four of the incidental music. Many music lovers associate the theme with The Ruins of Athens, although that was not its original appearance.The march is in Bâ™ major, tempo vivace and 2/4 time. Its dynamic scheme is highly suggestive of a procession passing by, starting out pianissimo, poco a poco rising to a fortissimo climax and then receding back to pianissimo by the coda. Unlike much of Beethoven's other orchestral music, the woodwinds are the dominant voice rather than the strings. (Wikipedia)Arranged for String Quintet. Key of Bb. Intermediate.
$14.99 ≈
13.71€
Resistire
Resistire
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String Quartet: 2 violins, viola, cello
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EASY
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Carlos Toro Montoro and Manuel
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Gono Gómez and Nonamé M
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Resistire
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Nonamé Música
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1117161 Composed by Carlos Toro Montoro and Manuel de la Calva Dieg...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1117161 Composed by Carlos Toro Montoro and Manuel de la Calva Diego. Arranged by Gono Gómez and Nonamé Música. 20th Century,Latin,Pop,Singer/Songwriter,Wedding. 17 pages. Nonamé Música #718739. Published by Nonamé Música (A0.1117161). (English below) La canción del confinamiento por excelencia. Un himno que trasciende generaciones y que sin duda es la canción más bonita, por manida que esté, de los grandes Manuel de la Calva y Carlos Toro Montoro (EL DÚO DINÃMICO). Para quien no lo sepa, también son los autores de la mayorÃa de canciones de Julio Igesias y del mÃtico LaLaLa con el que Massiel ganó Eurovisión. Arreglo para cuarteto bastante tradicional: El cello hace todo el rato la lÃnea de bajo y las tres voces superiores se reparten el acompañamiento en upbeat y las dos melodÃas principales. Sencillo de tocar, perfecto para escuchar. Arreglo en una dos páginas por instrumento para facilitar su interpretación al aire libre. Arcos, digitaciones y matices para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal: Nonamé Música The confinement song par excellence. A hymn that transcends generations and is undoubtedly the most beautiful song, hackneyed as it may be, by the greats Manuel de la Calva and Carlos Toro Montoro (EL DUO DINÃMICO). For those who don't know, they are also the authors of most of Julio Igesias' songs and the mythical LaLaLa with which Massiel won Eurovision. Arrangement for quite traditional quartet: The cello plays the bass line all the time and the three upper voices share the accompaniment in upbeat and the two main melodies. Simple to play, perfect for listening. Arrangement on only two pages per instrument to facilitate its interpretation outdoors. Bowings and dynamics to facilitate a good sightreading. More Noname Music arrangements on our channel: Noname Music
$20.99 ≈
19.20€
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