Download Digital Sheet Music of Ted Schumann for Piano Trio: piano, violin, cello

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Ted Schumann
Not classified 101

Piano & keyboards
Piano solo 501
Piano, Voice 56
Easy Piano 10
1 Piano, 4 hands 5
Piano Trio: piano, violin, cello 3

Organ 3
Piano, Vocal and Guitar 3
2 Pianos, 4 hands 1
Organ, Piano (duet) 1
C Instruments 1

+ 5 instrumentations

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Guitars
Guitar 13
Mandolin 5
Ukulele 4
Guitar notes and tablatures 4
Melody line, (Lyrics) and Chords 2

Dulcimer 1
Banjo 1
2 Guitars (duet) 1

+ 3 instrumentations

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Voice
Voice solo 251
Choral SATB 9
Choral 3-part 6
Choral SSAA 3
Choral 2-part 2

Choral TTBB 1

+ 1 instrumentations

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Woodwind
Clarinet 61
Flute 36
Recorder 24
Flute and Piano 20
Clarinet and Piano 15

Oboe, Piano (duet) 14
Alto Saxophone 13
Alto Saxophone and Piano 12
Oboe 10
Tenor Saxophone 8
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Saxophone 6
Baritone Saxophone, Piano 6
Tenor Saxophone and Piano 6
Soprano Saxophone and Piano 5
Flute, Oboe, Clarinet, Bassoon 4
English horn, Piano 4
Bass Clarinet, Piano 4
Saxophone Quartet: 4 saxophones 3
Clarinet Quartet: 4 clarinets 3
Oboe (band part) 2
Harmonica 2
Treble (Alto) Recorder 2
Descant (Soprano) Recorder 2
Soprano Saxophone 2
Oboe, Bassoon (duet) 2
Clarinet, Bassoon (duet) 2
3 Clarinets (trio) 2
Flute, Oboe, Clarinet (trio) 1
Clarinet Ensemble 1
Bass Clarinet 1
2 Clarinets (duet) 1
Flute Trio: 3 flutes 1
Flute, Trombone (duet) 1
Flute, Cello, Piano (trio) 1
Clarinet, Violin (duet) 1
Flute, Violoncello 1
Oboe, Clarinet, Bassoon (trio) 1
Piccolo, Piano 1
Flute, Clarinet and Bassoon. 1
Saxophone ensemble 1
Clarinet, Trombone (duet) 1
Flute, Oboe, Bassoon 1

+ 38 instrumentations

- Retract

Woodbrass
Trumpet 18
Trombone 17
Trombone and Piano 13
French Horn and Piano 12
French horn 8

Trumpet, Piano 8
Euphonium, Piano (duet) 7
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Tuba and Piano 4
English horn, Piano 4
Tuba 2
Euphonium 2
Bass Trombone and Piano 1
Brass Quartet: 4 trombones 1
Brass quartet : 2 trumpets, trombone, tuba 1
3 Trombones (trio) 1
Brass Quartet 1
Trumpet, Trombone (duet) 1
3 French horns (trio) 1

+ 14 instrumentations

- Retract

Strings
Violin 59
Cello 53
Viola 44
String Quartet: 2 violins, viola, cello 28
Violin and Piano 19

Cello, Piano 17
Viola, Piano 11
String Trio: 2 violins, cello 5
String Trio: violin, viola, cello 4
Cello (band part) 3
Double Bass 3
Harp 2
Violin, Cello (duet) 2
Violin, Viola (duet) 2
Double bass, Piano (duet) 1
String Trio: 2 violins, viola 1
2 Violas (duet) 1
2 Violins (duet) 1
4 Cellos 1
String Trio: 3 violins 1
Violin, Cello, Clarinet 1

+ 16 instrumentations

- Retract

Percussion & orchestra
String Orchestra 5
Chamber Orchestra 3
Brass ensemble 2
Concert band 2
Orchestra 2

Percussion Ensemble 1

+ 1 instrumentations

- Retract

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Ted Schumann

Piano Trio: piano, violin, cello

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Piano Trio

Piano Trio #Piano Trio: piano, violin, cello #Volker David Kirchner #Piano Trio #Schott Music - Digital #SheetMusicPlus

Piano trio - Digital Download SKU: S9.Q22845 Composed by Volker David Kirchner. This edition: score and parts. Downloadable, Score and parts. Duration 16...(+)

Piano trio - Digital Download SKU: S9.Q22845 Composed by Volker David Kirchner. This edition: score and parts. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q22845. Published by Schott Music - Digital (S9.Q22845). The â€œNotturnoâ€, the ﬁrst movement of Trio, originates from â€˜E ﬂatâ€™, the note which made â€˜Schumann in Endenichâ€¦â€™ hear the music of heaven. The famous â€˜Last Thoughtâ€™, however, is not quoted. Instead, the image of Schumannâ€˜s melody is evoked in the listenerâ€˜s mind by the help of an augmented triad, stretched to breaking point, which is inverted and transposed again and again. Even the following movements do not quote directly but present only a notion. Accordingly, Volker David Kirchner describes his work as a â€˜procession of musical visionsâ€™, the subtitles of which are no references to certain themes but to the associated composers and stylistic means.â€™Notturnoâ€™, the first movement of Trio originates from â€˜E flatâ€™, the note which made â€˜Schumann in Endenichâ€¦â€™ hear the music of heaven. The famous â€˜Last Thoughtâ€™, however, is not quoted. Instead, the image of Robert Schumannâ€˜s melody is evoked in the listenerâ€˜s mind by the help of an augmented triad, stretched to breaking point, which is inverted and transposed again and again. The movements that follow also do not quote directly but present merely a notion.

$34.99 ≈ £27.45

Mendelssohn: Wedding March for Piano Trio

Mendelssohn: Wedding March for Piano Trio #Piano Trio: piano, violin, cello #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Wedding March for #jmsgu3 #SheetMusicPlus

Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedd...(+)

Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohnâ€™s Wedding March is so popular that itâ€™s difficult to imagine a wedding without it. It seems like itâ€™s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohnâ€™s music for the Shakespeare play A Midsummer Nightâ€™s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.

$36.95 ≈ £28.99

Fantasy Pieces Op. 88 for Piano Trio

Fantasy Pieces Op. 88 for Piano Trio #Piano Trio: piano, violin, cello #Classical #Robert Schumann #Fantasy Pieces Op. 88 for Pian #G. Henle #SheetMusicPlus

Composed by Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Classical. Softcover. 80 pages. G. Henle #HN1525. Published by G. Henle...(+)

Composed by Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Classical. Softcover. 80 pages. G. Henle #HN1525. Published by G. Henle

$28.95 ≈ £22.71