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You've selected:
Coming Home
Piano Trio: piano, violin, cello
Sheetmusic to print
8 sheet music found
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1
Lord, I’m Coming Home (for Violin and Cello Duet with Piano Accompaniment)
Lord, I’m Coming Home (for Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violin, cello
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Lord, I’m Coming Home
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By William J. Kirkpatrick. Arranged by Sharon Wilson. Easter, Praise & Worship, Romantic Period, Sacred. Score and parts. 21 pag...
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By Sharon Wilson. By William J. Kirkpatrick. Arranged by Sharon Wilson. Easter, Praise & Worship, Romantic Period, Sacred. Score and parts. 21 pages. Sharon Wilson #6679781. Published by Sharon Wilson
$5.99 ≈
5.54€
Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano)
Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano)
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Piano Trio: piano, violin, cello
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EASY
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Sharon Wilson
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Sharon Wilson
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Praise Him with Stringed Instr
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1363656 By Sharon Wilson. By Charles H. Gabriel, Charles Wesley, Chester G. Allen, Dan...
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Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1363656 By Sharon Wilson. By Charles H. Gabriel, Charles Wesley, Chester G. Allen, Daniel B. Towner, Fanny J. Crosby, Folk Song, James McGranahan, Oscar Ahnfelt, Thomas Campbell, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. 158 pages. Sharon Wilson #948050. Published by Sharon Wilson (A0.1363656). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments . . . (KJV)This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  All notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   And Can It BeDay by DayI Will Sing of My RedeemerLord, I'm Coming HomeMarvelous GraceMy Savior's LoveO the Deep, Deep Love of JesusPraise Him! Praise Him!Redeemed!There Is a FountainVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com, used by permission.
$24.99 ≈
23.10€
An Elegy for Hopes and Dreams
An Elegy for Hopes and Dreams
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. ...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99 ≈
25.88€
Constantly Abiding (for violins, cello and piano)
Constantly Abiding (for violins, cello and piano)
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Piano Trio: piano, violin, cello
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EASY
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Sacred music
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Gospel/Spiritual
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Anne S
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Sylvia Hung
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Constantly Abiding
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Notes of Delight
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1012276 Composed by Anne S. Murphy. Arranged by Sylvia ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1012276 Composed by Anne S. Murphy. Arranged by Sylvia Hung. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 15 pages. Notes of Delight #6382903. Published by Notes of Delight (A0.1012276). This all time Christian hymn was arranged for piano, violins and cello. Perfect for all church occasions, hymnal presentation or regular worship. The performance duration is around 3:10Constantly Abiding (Anne E.Murphy)There’s a peace in my heart that the world never gave,A peace it cannot take away; Though the trials of lifemay surround like a cloud, I’ve a peace that has come here to stay !All the world seemed to sing of a Saviour and King,When peace sweetly came to my heart; Troubles all fled away and my night turned to day,Blessed Jesus, how glorious Thou art!This treasure I have in a temple of clay, While here on His footstool I roam; But He’s coming to take me some glorious day, Over there to my heavenly home!Refrain:Constantly abiding, Jesus is mine; Constantly abiding, rapture divine; He never leaves me lonely, whispers, oh, so kind:I will never leave thee Jesus is mine.About Sylvia Hung / Notes of Delight MusicSylvia Hung is a Toronto-based Christian Church composer/arranger/pianist, she has been arranging and composing numerous pieces for various choir group and ensembles over the past 20 years, including weddings, hymnal services presentation and performances on special occasion. She has also served in church as a pianist /choir conductor/ ensemble director. Please visit her music at https://sylviahungmusic.ca
$6.99 ≈
6.46€
Away In a Manger for Piano Trio
Away In a Manger for Piano Trio
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Piano Trio: piano, violin, cello
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BEGINNER
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Christmas
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the 1880's the cradle song was
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Mueller
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James M
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Away In a Manger for Piano Tri
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - Digital Download SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Pub...
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Piano Trio - Level 1 - Digital Download SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95 ≈
23.07€
Fauré: Élégie Op. 24 for Piano Trio
Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Pi
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romanti...
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Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
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35.08€
First Love - 1st Movement
First Love - 1st Movement
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classic...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
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5.54€
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