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Gene Cello, Piano
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You've selected:
Gene Cello, Piano
Piano Trio: piano, violin, cello
Sheetmusic to print
57 sheet music found
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1
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51
How Great Thou Art (Duet for Violin & Cello - Piano Accompaniment)
How Great Thou Art (Duet for Violin & Cello - Piano Accompaniment)
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Piano Trio: piano, violin, cello
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EASY
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Sacred music
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Traditional
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Stephen DeCesare
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How Great Thou Art
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Exultet Music
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SheetMusicPlus
Composed by Traditional. Arranged by Stephen DeCesare. Christian, Sacred, Praise & Worship, General Worship, Funeral. Score. 17 pages. Published b...
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Composed by Traditional. Arranged by Stephen DeCesare. Christian, Sacred, Praise & Worship, General Worship, Funeral. Score. 17 pages. Published by Exultet Music
One of the most favorite and requested hymns of all time has now been freshly arranged as a duet for Violin and Cello, with a Bb-Trumpet obbligato and Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99 ≈
4.52€
Piano Trio in E flat major, Op. 2
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00 ≈
33.48€
"Carolistmas" Fantasia on Christmas carols and more for piano, violin and cello
"Carolistmas" Fantasia on Christmas carols and more for piano, violin and cello
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
#
Sacred music
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Eugene Kaminsky
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"Carolistmas" Fantasia on Chri
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EK
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1138477 By Eugene Kaminsky. By Eugene Kaminsky. Christmas,Holiday,Prai...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1138477 By Eugene Kaminsky. By Eugene Kaminsky. Christmas,Holiday,Praise & Worship,Sacred,Traditional. Score and parts. 31 pages. EK #738816. Published by EK (A0.1138477). Fantasia based on a few traditional Christmas carols for piano trio.
$12.99 ≈
11.76€
Piano Trio in C minor, Op. 143
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violin, cello
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INTERMEDIATE
#
Classical
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in C minor, Op. 143
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00 ≈
33.48€
180 Shift for piano trio
180 Shift for piano trio
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Piano Trio: piano, violin, cello
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ADVANCED
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Contemporary
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Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Sco...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00 ≈
28.96€
Monggeumpo Taryeong (For Piano Trio)
Monggeumpo Taryeong (For Piano Trio)
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Traditional
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Han-Ki Kim
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Monggeumpo Taryeong
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Han-Ki Kim
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1411355 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instr...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1411355 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 19 pages. Han-Ki Kim #993618. Published by Han-Ki Kim (A0.1411355). “Taryeong†generally refers to a slow and sad song, or a song that contains a story or narrative. It is mainly used in traditional Korean songs, and a representative example is Arirang, one of the representative folk songs famous for its slow melody and mournful melody. It also reflects the culture, customs, and emotions of each region and has diverse content and rhythm. “Monggeumpo Taryeong†is a traditional Korean folk song handed down from the Hwanghae region. “Monggeumpo†is a port, and the beach here is famous for its white sandy beaches, lush forests, and Rosa rugosa flowers. The content of this folk song consists of a sad melody and lyrics, and it contains the joys and sorrows of the lives of fishermen and the sorrowful feelings waiting for the safe return of a loved one who went out to catch fish. This music is composed in the A-B-A format. The sad part is located in the middle,, and the beginning and end parts were composed in an exciting atmosphere. It is usually played to the traditional Korean “jungmori†rhythm, which is also quoted throughout the piece. It is also called “Jangsangot Taryeong.â€.
$23.50 ≈
21.27€
Chopin Etude op.10-3 for Trio (Violin,Cello & Piano) arr. by Naoko Hayakawa
Chopin Etude op.10-3 for Trio (Violin,Cello & Piano) arr. by Naoko Hayakawa
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Piano Trio: piano, violin, cello
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ADVANCED
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Classical
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Frederic Chopin
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Naoko Hayakawa
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Chopin Etude op.10-3 for Trio
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Harmonie des Fleurs
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.945025 Composed by Frederic Chopin. Arranged by Naoko H...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.945025 Composed by Frederic Chopin. Arranged by Naoko Hayakawa. Romantic Period. Score and parts. 7 pages. Harmonie des Fleurs #5311769. Published by Harmonie des Fleurs (A0.945025). This is an arrangement of the very popular solo piano etude opus 10 number 3 by Chopin for piano, violin and cello. This arrangement is sure to be enjoyable for a general audience as well as of interest to Chopin lovers.
$10.00 ≈
9.05€
10 Christmas Duets for Violin and Cello with piano accompaniment vol. 1
10 Christmas Duets for Violin and Cello with piano accompaniment vol. 1
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Christmas
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Various
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10 Christmas Duets for Violin
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Ben Dockery
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SheetMusicPlus
Piano Accompaniment, Violin, Cello, String Duet, Piano Trio - Intermediate - Digital Download Composed by Various. Arranged by B C Dockery. Christian, ...
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Piano Accompaniment, Violin, Cello, String Duet, Piano Trio - Intermediate - Digital Download Composed by Various. Arranged by B C Dockery. Christian, Sacred, General Worship, Christmas, Recital. Score, Set of Parts. 64 pages. Published by Ben Dockery
Ten arrangements for violin and cello duet with optional piano accompaniment. Great for lessons, recitals, caroling, church services, and Christmas parties.
Includes score and parts for:
Jingle Bells
What Child Is This
Silent Night
O Come All Ye Faithful
Joy to the World
Away in a Manger
We Three Kings
Away in a Manger (Cradle Song)
O Holy Night
The First Noel
$11.99 ≈
10.85€
My Rest Is In Heaven - violin cello piano
My Rest Is In Heaven - violin cello piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Unknown
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My Rest Is In Heaven - violin
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SheetMusicPlus
Composed by Unknown. Arranged by Phyllis Hopper. Christian, General Worship, Celtic, St. Patrick's Day, Recital. Set of Parts. 4 pages. Published ...
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Composed by Unknown. Arranged by Phyllis Hopper. Christian, General Worship, Celtic, St. Patrick's Day, Recital. Set of Parts. 4 pages. Published by HopSez Productions
$5.99 ≈
5.42€
Gian Paolo Chiti : Cahier des Rêves for violin, violoncello and piano
Gian Paolo Chiti : Cahier des Rêves for violin, violoncello and piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Gian Paolo Chiti
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Gian Paolo Chiti : Cahier des
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533163 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533163 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #1792005. Published by Musik Fabrik Music Publishing (A0.533163). Cahier des Rêves or Book of Dreams is an aleatoric work for violin, violoncello and piano (piano trio). GENERAL NOTE FOR THE PERFORMANCE: - The part for each individual instrumental is divided into sections ( A.B,C, etc ) - The sections are to be performed, according to the order indicated, one after another and without interruptions The violin begins; at the momento given in the part, the player must indicate to the violoncellist that he must now begin : in the same way this performer will give the entry signal to the pianist These are the only reference points for the three performers who must play their parts following the instructions given only. Alterations are valid only for the single note.
$16.95 ≈
15.34€
Because He Lives for Violin, Violoncello, and Piano
Because He Lives for Violin, Violoncello, and Piano
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Piano Trio: piano, violin, cello
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ADVANCED
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Sacred music
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Byungdoo Choi
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Byungdoo Choi
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Because He Lives for Violin, V
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Philip Choi
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1144946 By Byungdoo Choi. By Wiliam J. Gaither. Arranged by Byungdoo Choi. Chamber,Chr...
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Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1144946 By Byungdoo Choi. By Wiliam J. Gaither. Arranged by Byungdoo Choi. Chamber,Christian,Praise & Worship,Sacred. 13 pages. Philip Choi #745265. Published by Philip Choi (A0.1144946). 'Because He Lives' for Violin, Violoncello, and Piano is a special performance for worship and general concert. It has been arranged for professional performers and will be able to impress players and audiences.
$19.99 ≈
18.09€
Korean Simple Suite No.2 (For Violin, Cello and Piano)
Korean Simple Suite No.2 (For Violin, Cello and Piano)
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Piano Trio - Level 4 - Digital Download SKU: A0.511799 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 48 ...
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Piano Trio - Level 4 - Digital Download SKU: A0.511799 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 48 pages. Han-Ki Kim #6266419. Published by Han-Ki Kim (A0.511799). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached Music file is 1st movement, it's just for a reference.
$15.90 ≈
14.39€
Korean Simple Suite No.1 (For Violin, Cello and Piano)
Korean Simple Suite No.1 (For Violin, Cello and Piano)
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.511722 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. ...
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.511722 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 43 pages. Han-Ki Kim #4848515. Published by Han-Ki Kim (A0.511722). This Korean Simple Suite No.1 For Violin, Cello and Piano is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is just for a Greeting. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence.
$15.90 ≈
14.39€
Franz Schubert's Ave Maria - Amazing arrangement for piano trio (pno, vln or flute & cello)
Franz Schubert's Ave Maria - Amazing arrangement for piano trio (pno, vln or flute & cello)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Franz Schubert
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Dimitris Anousis
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Franz Schubert's Ave Maria - A
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Dimitris Anousis
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SheetMusicPlus
Composed by Franz Schubert (1797 - 1828). Arranged by Dimitris Anousis. Romantic Period, General Worship, Repertoire, Christmas, Recital. Score, Set o...
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Composed by Franz Schubert (1797 - 1828). Arranged by Dimitris Anousis. Romantic Period, General Worship, Repertoire, Christmas, Recital. Score, Set of Parts. 10 pages. Published by Dimitris Anousis
$9.99 ≈
9.04€
America's Favorite Christmas Carols arranged for Violin, Cello and Piano
America's Favorite Christmas Carols - Violin, Cello and Piano
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Piano Trio: piano, violin, cello
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EASY
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Christmas
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Various
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America's Favorite Christmas C
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship, General Worship, Christmas. Score, Set of Parts. 64 pages. Published by Coli...
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Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship, General Worship, Christmas. Score, Set of Parts. 64 pages. Published by Colin Kirkpatrick Publications
$12.99 ≈
11.76€
The Best Hymns of All Time (Violin, Cello and Piano) Book 3
The Best Hymns of All Time (Violin, Cello and Piano) Book 3
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship. Score, Set of Parts. 68 pages. Published by Coli...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship. Score, Set of Parts. 68 pages. Published by Colin Kirkpatrick Publications
$15.99 ≈
14.47€
We Wish You A Merry Christmas (Violin and Cello Duet with Piano Accompaniment)
We Wish You A Merry Christmas (Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violin, cello
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EASY
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Christmas
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Traditional
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B
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We Wish You A Merry Christmas
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Ben Dockery
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SheetMusicPlus
Composed by Traditional. Arranged by B. C. Dockery. Christian, Sacred, General Worship, Christmas, Recital. Score, Set of Parts, Sheet Music Single. 5...
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Composed by Traditional. Arranged by B. C. Dockery. Christian, Sacred, General Worship, Christmas, Recital. Score, Set of Parts, Sheet Music Single. 5 pages. Published by Ben Dockery
$4.99 ≈
4.52€
Mendelssohn: Wedding March for Piano Trio
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedd...
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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95 ≈
33.44€
Fauré: Élégie Op. 24 for Piano Trio
Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Pi
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romanti...
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Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95 ≈
34.34€
Prelude on "Thaxted" (Piano trio)
Prelude on "Thaxted" (Piano trio)
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Sacred music
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Paul S
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Prelude on "Thaxted"
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Paul S. Jones
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SheetMusicPlus
Composed by Paul S. Jones. 20th Century, Sacred, General Worship, Wedding, Recital. Score, Set of Parts. 8 pages. Published by Paul S. Jones ...
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Composed by Paul S. Jones. 20th Century, Sacred, General Worship, Wedding, Recital. Score, Set of Parts. 8 pages. Published by Paul S. Jones
$9.50 ≈
8.60€
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