Download Digital Sheet Music of On That Cross for Chamber Orchestra

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On That Cross
Not classified 239

Piano & keyboards
Piano solo 61
Piano, Voice 52
Piano, Vocal and Guitar 25
Organ 20
C Instruments 6

Easy Piano 4
1 Piano, 4 hands 1
Piano (band part) 1

+ 3 instrumentations

- Retract

Guitars
Guitar 21
Guitar notes and tablatures 12
Ukulele 3
2 Guitars (duet) 2
Bass guitar 1

Mandolin 1

+ 1 instrumentations

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Voice
Choral SATB 37
Choral 3-part 8
Alto voice, Piano 5
Choral TTBB 5
Choral SSAA 3

Soprano voice, Piano 2
Vocal duet 1

+ 2 instrumentations

- Retract

Woodwind
Flute 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5
Saxophone Quintet: 5 Saxophones 5
Saxophone ensemble 4
Flute and Piano 3

Flute and Guitar 2
Clarinet Ensemble 2
Flute, Oboe, Clarinet, Bassoon 2
Saxophone, Clarinet (duet) 1
Recorder 1
2 Saxophones (duet) 1
Clarinet, Guitar (duet) 1
Saxophone Quartet: 4 saxophones 1
Treble (Alto) Recorder 1
Flute Quartet: 4 flutes 1
Baritone Saxophone, Piano 1
Flute Trio: 3 flutes 1
Flute ensemble 1
Descent (Soprano) Recorder, Piano 1
Flute Quintet : 5 flutes 1

+ 15 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trombone ensemble 3
Brass Quartet: 2 trumpets, horn, trombone 3
Brass Quartet 1

Trombone and Piano 1
Trumpet 1
Trumpet ensemble 1
Trumpet, Trombone (duet) 1

+ 4 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 31
Violin, Cello (duet) 19
String Trio: 2 violins, cello 9
Violin and Piano 7
Harp 6

String Trio: violin, viola, cello 5
Violin, Viola (duet) 4
Viola, Piano 3
Violin 3
Cello, Piano 3
Cello (band part) 2
2 Harps (duet) 2
Violin ensemble 2
Viola ensemble 1
2 Violas (duet) 1
2 Cellos (duet) 1
2 Violins (duet) 1
Cello, Guitar (duet) 1
Cello 1

+ 14 instrumentations

- Retract

Percussion & orchestra
Concert band 9
Jazz Ensemble 5
Brass ensemble 4
Orchestra 4
String Orchestra 3

Chamber Orchestra 3

Drums 2
Handbells 2
Marching band 1
Percussion Ensemble 1

+ 5 instrumentations

- Retract

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On That Cross

intermediate

Chamber Orchestra

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3 sheet music found

When I Survey the Wondrous Cross - Orchestration

When I Survey the Wondrous Cross - Orchestration #Chamber Orchestra #INTERMEDIATE #Isaac Watts / Lowell Mason #Robert Myers #When I Survey the Wondrous Cro #WheatMyer Music #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sa...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Masonâ€™s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly â€“ they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Masonâ€™s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.

$60.00 ≈ 55.43€

Mountains Of The Moon

Mountains Of The Moon #Chamber Orchestra #INTERMEDIATE #The Grateful Dead #Lee Johnson #Mountains Of The Moon #Lee Johnson Music #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Cen...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboardâ€™s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations.Â Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit:Â www.leejohnsonmusic.comKings Bishop Productions YouTube ChannelÂ Â

$49.99 ≈ 46.18€

Dreams - Score Only

Dreams - Score Only #Chamber Orchestra #INTERMEDIATE #Juan Guerra GonzÃ¡lez #Dreams - Score Only #Juan Carlos Guerra Gonzalez #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra GonzÃ¡lez. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra GonzÃ¡lez. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLYÂ Please visit www.juancarlosguerra.com/dreams to buy or rent the parts.Â Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players:Â 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Noteâ€œDreamsâ€ is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Islandâ€™s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work.Â I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams.Â II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the â€œheartbeatâ€ played by the bass drum and timpani, then a more â€œstressfulâ€ section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose!Â III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a â€œorientalâ€ style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra GonzÃ¡lez

$159.99 ≈ 147.81€