The King\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Not classified 3,502 Piano & keyboards Piano solo 3,292 Piano, Voice 1,152 Piano, Vocal and Guitar 625 Organ 298 Accordion 223 Easy Piano 153 C Instruments 138 Piano Accompaniment 95 Piano Trio: piano, violin, cello 51 1 Piano, 4 hands 49 2 Pianos, 4 hands 16 Piano Quartet: piano, violin, viola, cello 14 Piano Quintet: piano, 2 violins, viola, cello 4 Piano Quartet: piano, 2 violins, cello 4 Organ, Piano (duet) 3 Organ, Trumpet (duet) 2 Piano (band part) 1 Harpsichord 1 1 Piano, 6 hands 1 Keyboard 1
Voice Choral SATB 945 Choral 3-part 336 Choral TTBB 281 Voice solo 258 Choral SSAA 188 Choral 2-part 92 Choral 49 Choral Unison 34 Vocal duet, Piano 30 Soprano voice, Piano 22 Tenor voice, Piano 20 Vocal duet 13 Alto voice, Piano 13 Medium voice, Piano 9 Low voice, Piano 6 Tenor voice 6 High voice 6 Choral SSATB 3 Soprano voice 3 Voice, Guitar 2 Voix Masculines 2 Choral SSAATTBB 2 Choral SSAB, Piano 2 Mezzo-Soprano voice, Piano 1 Baritone voice, Piano 1 Low voice 1 Soprano voice, Orchestra 1 Choral SSAB a cappella 1
Woodwind Saxophone 1,045 Clarinet 660 Flute 600 Flute and Piano 271 2 Saxophones (duet) 249 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 235 Saxophone Quartet: 4 saxophones 209 Clarinet and Piano 201 Alto Saxophone 184 Alto Saxophone and Piano 180 Oboe, Piano (duet) 169 Saxophone Quintet: 5 Saxophones 159 Flute, Oboe, Clarinet, Bassoon 157 Clarinet Quartet: 4 clarinets 149 Treble (Alto) Recorder 140 Tenor Saxophone and Piano 134 2 Flutes (duet) 129 2 Clarinets (duet) 123 Tenor Saxophone 107 Descant (Soprano) Recorder 98 Soprano Saxophone and Piano 95 Saxophone (band part) 93 Recorder 92 Flute Quartet: 4 flutes 83 3 Saxophones (trio) 72 Baritone Saxophone, Piano 69 Oboe 69 Flute, Clarinet (duet) 58 Flute ensemble 56 Saxophone, Clarinet (duet) 55 2 Oboes (duet) 54 Clarinet Quintet: 5 clarinets 49 Soprano Saxophone 47 Oboe (band part) 46 Oboe, Bassoon (duet) 45 3 Clarinets (trio) 44 2 Recorders (duet) 38 Clarinet Ensemble 37 Flute Trio: 3 flutes 36 Flute Quintet : 5 flutes 36 Oboe, Clarinet (duet) 36 Clarinet, Violin (duet) 32 Treble (Alto) Recorder, Piano 31 Saxophone ensemble 30 Clarinet, Trumpet (duet) 29 Recorder Ensemble 27 Flute, Oboe, Clarinet (trio) 26 Baritone Saxophone 26 Flute, Violin 24 Clarinet and Viola 24 Oboe, Flute 23 Flute and Guitar 22 Flute, Trumpet (duet) 20 Flute, Viola (duet) 19 Clarinet, Bassoon (duet) 18 Flute, Saxophone (duet) 18 Oboe, Clarinet, Bassoon (trio) 17 Flute, Violoncello 15 Flute, Clarinet and Bassoon. 15 English horn, Piano 14 Clarinet, Harp (duet) 13 Flute, Cello, Piano (trio) 12 English Horn 12 Recorder Quartet 12 Bass Clarinet, Piano 12 Clarinet (band part) 11 Clarinet, Guitar (duet) 11 Ocarina 10 Clarinet, Cello (duet) 10 5 Recorders 9 Tenor Recorder 8 2 Saxophones, Piano 8 Flute, Clarinet, Piano (trio) 7 Flute, Harp and Cello 7 Bass Clarinet 7 2 Flutes, Piano 6 Flute, Oboe (duet) 6 Flute, Oboe, Bassoon 6 Saxophone and Harp 5 Flute, harp and violin 5 Eb Instruments 5 Flute, Violin and Violoncello 4 Oboe, Harp 4 Flute, Violin, Piano 4 Flute, Oboe, Piano (trio) 4 Flute, Bassoon, and Piano 4 Saxophone and Guitar 3 Descent (Soprano) Recorder, Piano 3 Flute, Trombone (duet) 3 Clarinet, Bassoon, Piano (trio) 3 Clarinet, Cello, Piano (trio) 3 Oboe, Cello 3 Bagpipe 2 Piccolo, Piano 2 Pennywhistle 2 2 Clarinets, Bassoon 2 2 Clarinets, Piano 2 Oboe, Clarinet and Piano (Trio) 2 Flute, Clarinet, Violin (trio) 2 Oboe, Bassoon and Piano 2 Wind ensemble 1 4 Oboes 1 Flute, viola, cello and guitar 1 2 Oboes, Piano 1 Oboe, Violin, Viola and Violoncello (Quartet) 1 Recorder, Guitar (duet) 1 Harmonica 1 Flute, Oboe, Violin 1 Oboe, Cello and Piano 1 Clarinet Quartet: Clarinet, Violin, Viola, Cello 1 Oboe, Guitar (duet) 1 Flute, trombone and piano 1 Saxophone, Violin (duet) 1 Pan Flute 1 Flute, French horn (duet) 1 Clarinet, Trombone (duet) 1 Clarinet, trumpet and piano 1 Flute, Violin, Violoncello and Piano 1 Flute, Viola and Piano 1 Clarinette, Viola and Piano (trio) 1 Clarinet, Organ 1 Clarinet, Double bass (duet) 1 Clarinet, Tuba 1 2 Flutes and Harp 1 Flute, Cello, Guitar 1 Treble (Alto) Recorder, Basso continuo 1 Oboe, Violin (duet) 1
Woodbrass Trumpet 546 Trombone 482 Brass Quintet: 2 trumpets, horn, trombone, tuba 265 Trumpet, Piano 176 Trombone and Piano 166 Brass quartet : 2 trumpets, trombone, tuba 130 French horn 122 French Horn and Piano 122 Tuba and Piano 96 Tuba 88 2 Trombones (duet) 76 2 Trumpets (duet) 70 Brass Quartet: 2 trumpets, horn, trombone 57 2 French horns (duet) 53 Trumpet ensemble 49 Trumpet, Saxophone (duet) 41 Brass Quartet 39 Trumpet, Trombone (duet) 38 Euphonium 35 Trumpet (band part) 31 Euphonium, Piano (duet) 27 Brass Quartet: 4 trombones 18 2 Tubas (duet) 15 Trombone (band part) 15 Brass Quartet: 4 horns 14 English horn, Piano 14 English Horn 12 Trumpet, Horn (duert) 10 French horn (band part) 8 Brass Trio 7 Brass Quartet: 4 trumpets 7 Trombone ensemble 7 French Horn and Harp 6 Horn, Tuba (duet) 5 Bb Instruments 5 3 Trumpets (trio) 5 Bass Clef Instruments 5 Trumpet, Trombone, Piano 5 Horn Ensemble 5 3 Trombones (trio) 5 4 Tubas 4 Trumpet, Harp 4 Trombone, Horn (duet) 3 Bass Trombone 3 Bass Trombone and Piano 2 2 Euphoniums (duet) 2 Euphonium, Tuba (duet) 2 Trombone, Tuba (duet) 2 Trumpet and Guitar 1 Horn, Cello (duet) 1 2 French horns, Piano 1 2 Euphoniums and 2 Tubas 1 3 French horns (trio) 1 Brass Quartet: 2 trumpets, 2 trombones 1 2 Trombones, Piano 1 Trumpet, Tuba (duet) 1 Trumpet, Euphonium (duet) 1
Strings String Quartet: 2 violins, viola, cello 618 Violin 466 Violin and Piano 354 Viola 281 Cello 233 Viola, Piano 233 Cello, Piano 213 Harp 155 2 Violins (duet) 118 String Trio: violin, viola, cello 103 Violin, Cello (duet) 100 Cello (band part) 79 Violin, Viola (duet) 74 Double Bass 70 Double bass, Piano (duet) 69 2 Cellos (duet) 66 String Quintet: 2 violins, viola, cello, bass 62 2 Violas (duet) 56 String Trio: 2 violins, cello 36 2 Harps (duet) 33 Viola (band part) 26 Viola, Cello (duet) 19 Harp, Flute (duet) 18 Piano Trio: Violin, Viola, Piano 13 2 Double basses (duet) 12 Harp, Violin (duet) 12 Violin, Guitar (duet) 11 Cello, Guitar (duet) 10 4 Cellos 10 Flute, Doublebass (duet) 7 String Trio: 3 cellos 7 Cello, String Bass (duet) 7 Harp, Cello (duet) 6 String Trio: 3 violins 6 Violin ensemble 5 Viola ensemble 5 Violin, Clarinet, Piano (trio) 5 Viola and Harp 4 Harp, Voice 4 Viola, Guitar (duet) 4 Violin (band part) 4 String trio 3 String Quintet: 2 violins, 2 violas, cello 3 String Quintet: 2 violins, viola, 2 cellos 3 2 Violas, Piano 2 Doublebass (band part) 2 Violin, Bassoon (duet) 2 String Trio: 3 violas 2 String quartet: 4 violins 2 String Trio: 2 violins, viola 2 Cello Ensemble 2 Cello, Organ 2 Harp, Trombone (duet) 2 Harp and mandolin 1 2 Cellos, Piano 1 String Quartet : 4 violas 1 3 Harps 1 2 Violins, Piano 1 Harp, Violin, Violoncello 1 Viola and Bassoon 1 Harp and Piano 1 Viola, Organ 1 Violin, Cello, Clarinet 1
International Artists : • B.B. King • E. King, Ben • King, Freddie
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31 sheet music found Mountains Of The Moon
Mountains Of The Moon # Chamber Orchestra # INTERMEDIATE # The Grateful Dead # Lee Johnson # Mountains Of The Moon # Lee Johnson Music # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Cen...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel  Overture from The Magic Flute, KV. 620
Overture from The Magic Flute, KV. 620 # Chamber Orchestra # INTERMEDIATE # Classical # Wolfgang Amadeus Mozart # Jack Chao Heng Zhang # Overture from The Magic Flute, # Jack Chao Heng Zhang # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,H...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,Standards. 61 pages. Jack Chao Heng Zhang #966554. Published by Jack Chao Heng Zhang (A0.1381936). Mozart's famous opera The Magic Flute is a treasure of world music and art. In order to make this work more suitable for performance in the form of chamber music, this adapted version has rearranged the key and orchestration of the original work, making the work more suitable for presentation in the form of small-scale chamber music.Based on the string arrangement by Jamin Hoffman, this adapted version adds woodwind parts, including flute, oboe, bass clarinet, alto saxophone and bassoon, turning the work into a new combination of string orchestra and woodwind quintet, and The key of the original work was adjusted from E-flat major to D major, making the work more suitable for intermediate-level students to perform while retaining the essence of the original work. Piano Concerto No. 1 - FIRST movement [score and parts]
Piano Concerto No. 1 - FIRST movement [score and parts] # Chamber Orchestra # INTERMEDIATE # Juan MarÃa Solare # Piano Concerto No. 1 - FIRST m # Juan Maria Solare # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes. Piano Concerto No. 1 - SECOND movement [score and parts]
Piano Concerto No. 1 - SECOND movement [score and parts] # Chamber Orchestra # INTERMEDIATE # Juan MarÃa Solare # Juan MarÃa Solare # Piano Concerto No. 1 - SECOND # Juan Maria Solare # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes. Piano Concerto No. 1 - THIRD movement [score and parts]
Piano Concerto No. 1 - THIRD movement [score and parts] # Chamber Orchestra # INTERMEDIATE # Contemporary # Juan MarÃa Solare # Piano Concerto No. 1 - THIRD m # Juan Maria Solare # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here Piano Concerto No. 1 - Score Only
Piano Concerto No. 1 - Score Only # Chamber Orchestra # INTERMEDIATE # Juan MarÃa Solare # Piano Concerto No. 1 - Score O # Juan Maria Solare # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg Fauré: Pavane Op. 50 for Piano Sextet
Fauré: Pavane Op. 50 for Piano Sextet # Chamber Orchestra # INTERMEDIATE # Classical # Gabriel Faure # James M # Fauré: Pavane Op. 50 for Pian # jmsgu3 # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards....(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire. Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante # Chamber Orchestra # INTERMEDIATE # Classical # Karl Friedrich Abel # Guido Menestrina # Karl Friedrich Abel - Sinfonia # Guido Menestrina # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls. Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only # Chamber Orchestra # INTERMEDIATE # Arkady Leytush # Arkady Leytush # Bach/Leytush - GOLDBERG VARIAT # Arkady Leytush # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 32...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30. BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages) # Chamber Orchestra # INTERMEDIATE # Carl Van Pevenage # BH015REC - Recorder Quartet So # Carl Van Pevenage # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 9...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality. Fum, Fum, Fum
Fum, Fum, Fum # Chamber Orchestra # INTERMEDIATE # ASCAP, Evelyn R, and Larter # Evelyn Larter Music # Fum, Fum, Fum # Evelyn R Larter # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749837 Composed by ASCAP, Evelyn R, and Larter. Arranged by Evelyn Larter Music. Christian,Christm...(+)
Scarborough Affair
Scarborough Affair # Chamber Orchestra # INTERMEDIATE # Phil Thrift # Phil Thrift # Scarborough Affair # Phil Thrift # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. ...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil Thrift #6674855. Published by Phil Thrift (A0.955747). If you’re looking for a respectable, for the listener undemanding, arrangement of the well-known English folk song Scarborough Fair, then this version may not be for you. Scarborough Affair is a refreshing new take on the original: The familiar melody is never heard in its entirety, there are jazzy harmonies and jazzy syncopations, 5/8 and 7/8 measures, and the arrangement isn’t even in the 3/4 time of the original song. When a 3/4 section does finally appear, featuring a solo for your cor anglais player, the listener gets to hear a variation on the well-known tune.This arrangement is the chamber orchestra edition of the original arrangement I wrote for a wind ensemble and has parts for the following instruments:3 flutes (3rd flute doubling piccolo)2 oboesCor anglais2 Bb clarinets2 bassoonsTrumpet (C and Bb parts included)TromboneHarpsichord doubling pianoStringsYour horn and percussion players can take a break and you may wish to reduce the number of strings. La Califfa
La Califfa # Chamber Orchestra # INTERMEDIATE # Ennio Morricone # Flavio Regis Cunha # La Califfa # Flavio Regis Cunha # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,Festival,Instructional,Wedding. Score and Parts. 18 pages. Flavio Regis Cunha #854497. Published by Flavio Regis Cunha (A0.1261422). Are you looking for the perfect piece to add to your school or professional orchestra’s repertoire? Look no further than 'La Califfa (Lady Caliph)' composed by Ennio Morricone and arranged for small orchestra by Flavio Regis Cunha. This timeless classic is sure to be a hit with audiences of all ages. With its lush strings, powerful brass, and stirring rhythm, 'La Califfa (Lady Caliph)' will bring your orchestra to life. Get your copy today and experience the beauty of this timeless masterpiece.INSTRUMENTATIONOBOE (Flute Optional) HORN IN F TRUMPET IN Bb PERCUSSION (vibraphone, optional Glokenspiel) PIANO VIOLIN 1 VIOLIN 2 VIOLA VIOLONCELLO DOUBLE BASS  Intermediate levelFormat: Concert, 9 x 12 inches18 pagesFull Score + Orchestral Parts.