Download Digital Sheet Music of Let's DANCE! for Chamber Orchestra

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Let's DANCE!
Not classified 123

Piano & keyboards
Piano solo 46
Piano, Voice 5
1 Piano, 4 hands 3
Piano Trio: piano, violin, cello 2
C Instruments 1

Guitars
3 Guitars (trio) 7
Guitar 2
Piano, Guitar (duet) 1
Bass guitar 1

Voice
Choral SSAA 1
Medium voice, Piano 1
Choral TTBB 1
Choral SATB 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 13
Saxophone (band part) 13
Clarinet 10
Saxophone Quintet: 5 Saxophones 9
Flute 8

Alto Saxophone 8
Saxophone Quartet: 4 saxophones 7
2 Flutes (duet) 6
Saxophone ensemble 6
2 Saxophones (duet) 5
Clarinet Ensemble 5
Clarinet and Piano 4
Flute and Piano 4
Flute, Oboe, Clarinet, Bassoon 4
Saxophone, Clarinet (duet) 3
Oboe, Piano (duet) 3
Alto Saxophone and Piano 3
Tenor Saxophone and Piano 3
Flute Trio: 3 flutes 2
Flute ensemble 2
Clarinet Quartet: 4 clarinets 2
Baritone Saxophone, Piano 1
Recorder 1
Flute, Violin 1
Flute Quintet : 5 flutes 1
Flute Quartet: 4 flutes 1
Clarinet, Guitar (duet) 1
Flute, Trumpet (duet) 1
2 Oboes (duet) 1
Clarinet and Viola 1
2 Clarinets (duet) 1
Clarinet, Bassoon (duet) 1
Soprano Saxophone and Piano 1
Flute, Saxophone (duet) 1
Flute, Clarinet (duet) 1
Clarinet, Trumpet (duet) 1
Oboe, Flute 1
Oboe, Clarinet (duet) 1
Clarinet, Violin (duet) 1
English horn, Piano 1

+ 35 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 12
Brass Quintet: 2 trumpets, horn, trombone, tuba 11
Brass Quartet: 4 trombones 11
Brass Quartet: 2 trumpets, horn, trombone 9
Trombone 8

Trumpet 7
Trombone ensemble 4
Trumpet (band part) 4
Trombone (band part) 4
Euphonium, Piano (duet) 3
Trombone and Piano 2
Trumpet ensemble 2
2 Trombones (duet) 2
Trumpet, Saxophone (duet) 2
Trumpet, Piano 2
French Horn and Piano 1
2 Trumpets (duet) 1
English horn, Piano 1
Brass Quartet 1
Trumpet, Trombone (duet) 1

+ 15 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 11
Violin and Piano 8
Cello, Piano 4
Viola, Piano 3
2 Violins (duet) 3

Violin, Cello (duet) 3
String Trio: violin, viola, cello 2
Viola 2
2 Cellos (duet) 2
Violin ensemble 2
Harp 2
Violin, Viola (duet) 1
Violin, Guitar (duet) 1
Cello, String Bass (duet) 1
4 Cellos 1
Viola ensemble 1
Violin 1

+ 12 instrumentations

- Retract

Percussion & orchestra
Orchestra 16
Jazz Ensemble 10
Concert band 7
Brass ensemble 6
Handbells 5

Marimba 4
String Orchestra 4
Chamber Orchestra 2

Drum (band part) 1
Percussion Ensemble 1
Jazz combo 1

+ 6 instrumentations

- Retract

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Let's DANCE!

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Chamber Orchestra

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2 sheet music found

Three Laments of Heloise for Chamber Orchestra

Three Laments of Heloise for Chamber Orchestra #Chamber Orchestra #INTERMEDIATE/ADVANCED #Dosia McKay #Three Laments of Heloise for C #Gavia Music #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloiseâ€™s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweetâ€¦ They are always there before my eyes, bringing with them awakened longingsâ€¦ The second movement If Not With You, My Heart Is Nowhere, expresses Heloiseâ€™s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloiseâ€™s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

$100.00

Arizona Centennial Overture - Chamber Orchestra Version

Arizona Centennial Overture - Chamber Orchestra Version #Chamber Orchestra #INTERMEDIATE/ADVANCED #Sy Brandon #Arizona Centennial Overture - #Sy Brandon #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Bran...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizonaâ€™s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizonaâ€™s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.

$39.99